I'm not jumping into anything fast. I'm an actor that likes to choose my work and there's an element of good taste to my work.
Everyone laughed, and just like that, the conversation shifted, jumping to another topic. It was fast and furious, the talking, the emotions, the back-and-forth and forth-and-back. I realized that if I tried to focus on it too much, I got overwhelmed. So I just decided to relax into it, bumpy and crazy as it might be, and try for once to just go along for the ride.
I'm always jumping on a plane somewhere. With my lifestyle, I'm all over the place.
The kind of approach that inspires me is taking what you've built and figuring out how to turn it into a new experience by expanding it smartly. The challenge is figuring out what's the best way to do that without totally jumping off of a cliff.
I love the theater of the mind because you can go anywhere. You can say anything, and you pull people in. [You] can be jumping out of a window or riding a cow or having bubble-wrap sex or spraying your body with Pam and sliding out of your chair.
I just love feeling myself, and moving, flexing, jumping, expressing, dancing and doing movement. I'm in tune with it. I like to express myself with my body, more so than intellectually. But, I am a geek.
I am crazy about time cuts. I have a theory that the audience tie everything together so they don't see time cuts but the time cuts give us the possibility of jumping in time, which means a psychological evolution can be cut down.
One phrase you don't want kicking off your obituary is, Never, in the long history of bungee jumping.
High fidelity is a rich experience, and you'll put up with terrible convenience to get it - maybe it's high cost, waiting in line, jumping through hoops. High convenience is the opposite - it's a commodity, but it's cheap and easy and ubiquitous. A great exclusive boutique shop is high fidelity; Wal-Mart is high convenience. Both are hard to establish in their own way. The thing to remember about sustaining either is that you can't sit still. Some other entity will always find a way to challenge your fidelity position or your convenience position.
My goodness, what we want in a leader is someone with judgment, not someone who is so reckless as to stand on the stage and say, "Yes, I'm jumping up and down; I'm going to shoot down Russian planes." Russia already flies in that airspace. It may not be something we're in love with the fact that they're there, but they were invited by Iraq and by Syria to fly in that airspace.
I get along very well with the cast of '30 Rock.' I guess I bring a certain quirkiness to the show as well. I'm just thankful they keep asking me. I didn't think I was going to be asked back so every time they say, 'We want you back,' I'm screaming. I'm jumping up and down and screaming.
Obviously, I'm not homeless. I'm not an old alcoholic. I'm not jumping trains. I just like to live in a certain way.
I would want to have Spider-Man's web slinging abilities. I always thought it'd be cool to swing around the city jumping off of buildings and free diving.
When I was in middle school, I tried to impress this girl by jumping over this ledge on a scooter. I caught the edge of the ledge and totally fell right in front of her. I never talked to her again. So [my advice is], take it easy if you have a school crush!
In some ways, except that in that movie [Skyfall] I was mostly screaming and running away from the bad guys, whereas in this one I'm generally jumping into the action and fighting with them. So, yeah, it was somewhat similar, but also very different.
I want to go to New Zealand so bad! I have amazing memories of being in that country, of jumping off of a building in Auckland and having so much fun.
I feel most vulnerable when I am underprepared - for instance, if I have an audition and haven't worked through the material enough beforehand. Also, if I am running late, I feel completely vulnerable because I am usually the person who is early to everything so that I can settle down and breathe before jumping in to the task at hand.
I'm trying to be a little bit more mature about my choices and think about what I want to direct next, instead of just jumping into a movie 'cause I want to do it.
With ski jumping I reached a plateau and the more I did it the worse I got.
If you understand writing as primarily engaging an imaginary reader, well, you've kind of been doing that your whole life. You walk into a room and you're engaging with imaginary strangers because you don't actually know who they are. For me, it was really empowering to say: this is a branch of entertainment and communication and engagement, as opposed to jumping over some perceived literary high bar. That was the buzzkill.
For some reason, BASE jumping is misunderstood and our government forbids it and makes it illegal in most every place in the country. So I'm kind of a criminal here in the United States for pursuing the dream of flight, but everywhere else I go, every other country, I'm kind of looked up to, or fascinated with for the flying that I do.
When you're playing for 30 people and you're jumping around stage, screaming, getting in peoples faces and acting cocky you're kind of poking fun at yourself.
If you grew up watching 'Star Wars' you're like, wow, look at Darth Maul, he has that outfit. And that lightsaber. And he's jumping. When I see stuff, rarely do I forget. And that's what I always wanted to wear.
When you do 22 episodes of a network show, it's incredibly useful to have a format that gives you a jumping-off point for a story.
I think the old school, back in the day, 10 to 15 years ago in music, is like you launch one single and you just let that ride out. Right now, you've got folks like Chris Brown, he just won't let up, he's got mixtape after mixtape, they're playing songs on the radio from the mixtape and then he's got songs on the album and videos and he's got remixes he's jumping on.
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