I'm practically an actor. Even when you do an interview, it's like you're performing a little bit, so yeah, I'm enjoying it, it's fun.
This uses a lens system, which I have used for years in various different ways, but I've never used it in the context of an interview. This is the very first time that I've done that. It's a lens called The Revolution, so it allowed me to interview Elsa [Dorfman] and actually operate the camera. Well one of the cameras, because there were four cameras there.
I actually wanted to publish [ interview with Donald Trump about Citizen Kane] in the New York Times, but the circumstances under which I did that movie made me vulnerable to a lawsuit and at this point in my career, I don't want to go there. But it's amazing.
I remember reading an interview that Anthony Hopkins had given about how he developed Hannibal Lecter. He said he just looked in the mirror and, I forget exactly what it was, but he looked in the mirror and realized that when he smiled, it looked creepy.
I don't particularly enjoy those types of interviews, because I have a great respect for Senator McCain, and I hate the idea that our conversation became just two people sort of talking over each other, at one point.
In my head, thought, I would love to do an interview where it's just sort of de-constructed - the talking points of Iraq - sort of the idea of, is this really the conversation we're having about this war? That if we don't defeat Al Qaeda in Iraq, they'll follow us home? That to support the troops means not to question that the surge could work. That, what we're really seeing in Iraq is not a terrible war, but in fact, just the media's portrayal of it.
For me, I try to look at a person's swagger and a little background on them if I already haven't liked them as a ballplayer. All you have to do in the way I am going at it is that I don't attack them like a typical commentator or a typical interview where I am trying to figure out what's your statistics or how you felt about last night? Those things. My things are more lifestyle oriented.
When you're talking to a person about something they want to talk about then it takes that frown to a smile and then it makes the interview pleasant because hitting them where they want to be hit or hitting them where they normally don't have an opportunity to express.
Pat Nixon was called the Mona Lisa of American politics. She never wrote anything. Her interviews tell us nothing.
If you are for a long time at the top you've basically achieved everything you wanted to. Then the ball's breaking stuff starts to be too much: it's not what you do in the car, it's what you do outside the car - the press conferences, the interviews, the sponsorship commitments, the marketing appearances - that sadly go up to a level that the whole package, including the risks you take, the workload you do to get the car to work and for you to be quick in the races, it becomes too much.
In women's shelters the kind of clothes that women are given to go to job interviews are all girl clothes: little heels, little skirt. If you're gender nonconforming, you're a lesbian, you're not going to put those clothes on to go to a job interview.
I saw a nice interview with Dave Binney recently. He was saying, "Man it was never easy. It's not like 'Oh wow, the good old days.' What, when certain people couldn't vote?" There was more work for musicians in the '40s, '50s, '60s. But I don't think it was ever easy.
There's the trope about an impending "global-warming encyclical." The pope is preparing an encyclical on nature and the environment, including the human environment (which includes the moral imperative of a culturally affirmed and legally recognized right to life from conception until natural death). So what happens? A low-ranking Vatican official for self-promotion gives an interview to the Guardian in which he claims that this is a global-warming encyclical - which he couldn't possibly have known, as the document wasn't drafted yet.
I'm crazy about Diane Von Furstenberg. It's a relationship that's very different; I don't see Diane a lot. So when I saw the article in New York magazine she looked so beautiful and it was talking about her work, too. She set up the interview and it was happening. That's different than someone writing a book about you who you've never met.
If I do an interview, then I take full responsibility. I figure I'm not going to talk to anyone that I think is unethical anyway.
If you interview five people about the same incident, and you see five different points of view, it makes you know what makes history so complicated. Something doesn't just occur. It's not like a scientific event. It's a human event. So the dimensions of it will be seen differently by different people.
In the songs I can still be really really direct but in interviews when I'm explaining my songs I shouldn't be so direct about who they're about.
I would love to interview Dave Grohl. I just think he's an amazing musician, and I grew up listening to Nirvana, so I have so many questions about that.
I was a very bad journalist. Awful. I would just invent everything. If I did an interview, I had a preconception of what that person should say and I would put my words in his mouth.
An interview will seem very sane to me, and I'll find out that the journalist was laughing out of the side of his mouth half of the time.
Sometimes interviews are fun and good conversations, but stuff like photo shoots and appearances at places where you have to meet a lot of people - I was never really made for this kind of stuff.
A man can do a television interview and roll out of bed 15 minutes before; it's just not the same for a woman. A woman has to pay attention to her hair, makeup, clothing, and jewelry choices.
What makes me furious, not just because we're in an interview, but I don't like when writers take your words and put them somewhere else, in the wrong context in their own article about you.
I'd seen 'Interview with A Vampire' and saw Dracula movies growing up, but I never thought, 'I love vampires; I have to do a show about vampires.'
I didn't have a job because nobody would hire me. My friends were getting hired, and I couldn't even get a job interview. That really rocked my self-esteem because I didn't understand what I did wrong on those job applications.
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