I can't even count how many times I did interviews with people and they asked me if I had a boyfriend. Keep in mind that I was, I guess, mild to moderately famous from ages 6 to 13. Of course I didn't have a boyfriend then. I didn't even have a camp boyfriend then.
It's not exactly an interview that's going on [in documentary]. I guess we do ask Edward Snowden some questions and we're recording him answering them and so on like that.
There are so many people I look up to and I try to watch some sort of video or interview every day, with an artist who does inspire me.
I have a cultural background that's shaped in England, France and Germany. Bringing that in is nice, in terms of how an actor plays a role or speaks in an interview.
I think, in terms of the media, journalists need to do a much better job of asking people they interview about conflicts of interest and then reporting them.
Every time I set up an interview, I say, "That's it, this is my last one. I'll do this because I committed to doing it, but I'm never doing another one."
I was against the war in Iraq.The record shows that I'm right. When I did an interview with Howard Stern.
There's animals like us existing and thinking and giving interviews on Australian television.
The FBI released its report on [Hillary] Clinton's emails. It exonerated her almost completely, but a few days later Matt Lauer obliviously spent a full third of his interview with Clinton on the emails anyway. Lauer was widely pilloried for this.
When you have another person take part in the interview, you must notify the interviewee.
When the media would call and want to interview me, I thought it was 'cause they really wanted to find out what I thought about things. I thought it was because they really wanted to find out who I am. That's not what they wanted. They already in their minds knew who I was and they didn't like it, and they wanted face-to-face opportunities to expose my defects and my problems and my racism and bigotry and all this.
I was reading a Time magazine interview with an author named Brené Brown. She said, "People that fail seem to ultimately do the same thing they think works over and over again." I had an epiphany and called my manager and started a creed with my producers. I promised we'd do whatever was best for the song and the album - no ego would get in the way.
Our process inside the United States government has gotten much better at making sure we touch all possible source of information about a refugee. The interview process has gotten more robust, so we've gotten our act together in that respect. The challenge remains, especially with respect to folks coming from Syria, we're unlikely to have anything in our holdings. That is, with people coming from Iraq, the United States government was there for a very long period of time. We had biometrics, we had source information. We're unlikely to have that kind of picture about someone coming from Syria.
I think that the key to any interview is allowing people to feel comfortable enough that they forget they're being interviewed.
I won't necessarily make new music because when you make a record there are these great expectations on the side of the record company who are going to produce your record, promoters that are going to do your shows. They want you to do interviews, they want you to play shows. I mean, they want it to be a campaign.
I can't live in a bubble and expect to come and work with Dior or go work on a movie and not have some kind of an evolution within myself and my own thought process and a passion about things or what's happening in the world. All of those things are the elements that make you who you are, and those are the things that sincerely come across in a photo or a commercial or in an interview. That's a constant thing for me.
I met Glenn [ Greenwald] briefly in 2009. We were both guests on Real Time With Bill Maher. I was the show's guest and he was on the panel. But this was before the Snowden stuff happened. I didn't have the opportunity to meet him in preparation for the movie, unfortunately, for various reasons. But I was able to dive into the main articles he's written, and interviews with him, and just the function that the character serves in the movie, that was enough for me.
When Nancy Reagan was newly the first lady of California, Joan Didion came and had an hour-long interview. She thought it went great, and then Joan Didion just eviscerated her in the most - possibly not inaccurate - but in the most devastating way.
Then instead of introducing Dre as the guy from N.W.A., Jerry Heller would say Dre was my producer! Dre would come to my interviews with me - he'd come to all these places that would never have had the guy from N.W.A. Wasn't it genius?
"I want to be always happy," Maxine Hong Kingston announces . But, as this interview makes clear, for me, it was the desire to write poetry that kept me discontented, if not depressed and unhappy, through what many casual biographers have characterized as successful and productive decades.
It has to be fun for you when you see somebody at a distance and you take their opinion of what they're going to be like and then you go interview them, and they're totally different. You're like, wow, I didn't expect that.
I like the idea of interviews where you just talk about stuff instead of where it's my chance to talk to my public through something else.
[When I happen to] read interviews where people are such pros and they come out looking so good, [it comes off as] a little smug or something.
I'm a lot different in my career since that interview. To have someone like Diplo tweet "Cakes' album is really cool" is cool, but in the same breath I still like what I do without anyone's approval. It's still good music.
I'm reminded of an interview Larry King had on his talk show with one of Michael Jackson's sisters. He's talking about how many millions she made on her latest record, and all of a sudden, she looks at him tearfully and says, "Larry, you know, I'm not interested in money or sales or songs. I'm a spiritual person." And I thought, "Oh my god..."
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