One of the great weaknesses of journalists is they interview people and they think that's important. They think that they are going to show them their true hand. But more to the point, they're trapped.
Donald Trump claims - he did interview after the debate where he said, well, gosh, you can't find Americans to do these jobs to be waiters or waitresses or bellhops.What ridiculous nonsense. "The New York Times" reported roughly 300 Americans applied for those jobs. He only hired 17. Instead, he brought in foreign workers, because they're captive workers, because you can pay them less because they can't leave.
I conducted a bunch of interviews for Interview magazine. They actually paid me. I think I was probably 18 or 19. I was in college and I remember feeling, like, "Wow." I had a real job, and they paid me money, and it was exciting.
I knew that Vaclav Havel didn't want to look into people's eyes, because he said that, when he was being interrogated during the communist period and had been taken to jail, that, if you look directly into somebody's eyes, they can persuade you. And so you can see that so clearly in this interview, where he's looking down.And I kept saying to him as we kept coming - came over here: " You have to look up."And I clearly had no influence on him.
I saw an interview with Jay-Z where he said he didn't write down any of his lyrics, so I tried that.
Meanwhile, I get to make an album. I feel like I've been very lucky. There is a guilt when I see people I know who work really hard, then I'm like, "Oh, I've got to do an interview today." I'm so appreciative of all of this, but it does feel like the bubble will burst at some point and it will all have been a dream.
I've been going through a lot of... stuff. I need some space, which people were very kind enough to give me, and I feel really gracious about that. Nobody forces me to do things or say things or do interviews.
There's no law that says anybody has to do an interview.
I am one Dana when I am talking to my daughter, another when I am talking to the IRS, and another still when I do an interview. These characters are just extreme versions of ordinary human self-switching.
There's at least one fist bump every interview.
I just wanna perform, I wanna get back on the scene, I wanna do all the festivals and stuff like that. I don't necessarily want to do all the bullshit that comes with it, like tons and tons of interviews, unnecessary things and all that.
Well, at home, I’m in sweatpants, I’m not wearing any makeup, and I’m not standing with my hand on my hip while smiling. I try to be honest in interviews, but obviously you have to be careful about everything you say and do when you’re being recorded. I’m much more comfortable and quieter at home.
When I look at interviews from when I was that age, I come off different than how I am because I've matured - and I've matured, become a man in front of the public eye.
I am a candid interview and I have a dark and dry sense of humor - a very Canadian sense of humor.
I had done an interview with 'Hello' magazine. In it, they asked me if I was going to marry Emily Blunt. Of course, what was I going to say? I said, 'Oh yeah I am going to marry her and I love her and all of this stuff.' It's true. I was making a joke. They said to me, 'Have you asked her?' I said, 'Have I? Maybe I am asking her through the magazine.'
I saw an interview with Keith Richards. He said, 'How else could a kid in Dartford suddenly connect with and understand what Muddy Waters is singing?' There's a cultural difference, but there's just something in that music that subconsciously or internally you just understand; it just makes sense.
Even somebody like Bill Clinton, who I happen to admire very much, the second he was out of office, I remember, he was interview in Rolling Stone and he said he thought we should have legalized marijuana. And I thought, gosh, if only you were in some sort of position to affect change in the last eight years where you could have done something about that.
They ask me what the biggest thing I have going on right now is, and I usually say, "I think this interview?" And then they don't get that it's a joke. So then I say, Yogi Bear 3D. That's my default.
My first interview at SI, I sat in silence next to Guy LaFleur for five minutes on the New York Rangers team bus until he finally broke the ice. Those early interviews, every one of them was like a terrible first date.
Playboy has a long history of high-quality interviews along with the objectification of women, and so I think she does have a point there. I don't think that the words are necessarily nullified. It's just that that context is something you ought to be suspicious of.
It's true that in reading an interview, I have a little critique of the objectification of women in a [Playboy] magazine that is perceived to doing that.
I remember listening to an interview with Beyonce and she talked about how she and her husband, Jay-Z, have always made it a point to have the conversation about them be about their music, not about their business, not about their personal business.
There's no school that you can go to and learn how to be a "Daily Show" correspondent and how to interview people and, you know, essentially leave your soul outside the door and go in there and kind of, you know, destroy people's lives sometimes.
If you are at the mercy of what they call print interviews and the mercy of people who write about you, they can always tell lies.
This book [ "Win"] is based on the interviews with three dozen Fortune 400 - or Forbes 400, the richest people, and a couple dozen of the top CEOs.I wanted to know what language they use to be successful, and I wanted to know the attributes that could then be applied to the average individual.
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