It's strange for my friends when they see me on TV and in magazines, because the person that they see doing interviews and pictures on the red carpet is not the person that they know.
I often conduct interviews in my truck.
I sometimes find that in interviews you learn more about yourself than the person learned about you.
My site has the whole thing - blogs, information, video interviews.
I don't talk a lot when I interview. My job is to get out of the way.
If I do three interviews in a day, I can be exhausted, because the process of hearing everyone requires that I empty out myself. While I'm listening, my own judgments and prejudices certainly come up. But I know I won't get anything unless I get those things out of the way.
If you acquiesce to one interview, there's always another waiting in the wings. Also if you're interviewed repeatedly, you just start repeating yourself. I don't like to do that.
Really, I'm incredibly disjointed and not candid. Just in general, my thoughts tend to come out in little spurts that don't necessarily connect. If you hang around long enough, you can find the linear path. But it will take a second. That is why these interviews never go well for me.
I'm asked all the time in interviews about who I am, and I know a few people my age who have a strong sense of self, but I couldn't say I know myself and sum it up and give it to you in a little package. I don't know myself at all yet.
It's impossible to always get across what I'm trying to say, but, if I just stay honest, then I'm not going to look back on any of these interviews and wonder what I was trying to do or be.
I think people are used to seeing actors be wide open and desperately giving of themselves, and while I do that on a movie set as much as I can, it's so unnatural for me to do it on television, in interviews, in anything like that. I also don't find that my process as an actor is really anyone else's business.
When I started, with films like 'The Bay Boy' and 'Stand by Me', I look back on those interviews and I'm amazed; there's no mention of my father; it's not even 'son of Donald Sutherland.' I caught a bit of a break in that it never felt like a weight to me.
I like the way the stories of my relationships sound to music more than the way they look in print, in gossip columns or in me talking about them in interviews. I think it's a better way of telling the stories.
There's so much about Dolly Parton that every female artist should look to, whether it's reading her quotes or reading her interviews or going to one of her live shows. She's been such an amazing example to every female songwriter out there.
From 'Embracing the Wide Sky', I went to the States, to Canada and to different parts of Europe as well. I gave interviews in several languages.
You have to do a show, an interview, you've got to go straight back on the road to another location, make a track and edit things like footage etc. It's non stop. I really respect the hustle and work rate of Chipmunk, as well as N-Dubz and Tinchy Stryder.
In almost every interview someone asks what does HIM stand for. I can't even remember our latest lie about that. When Hanson was hot, we said it means Hanson Is Murder. The name doesn't have a particular history. His Infernal Majesty was a totally different band. I think HIM derives from some death metal joke.
You know, there's that temptation in interviews to make yourself sound - well, to give yourself a bit of mystery.
I've been watching a lot of Joan Didion interviews on YouTube. I love her. My drummer has gotten me into looking at Terence McKenna interviews.
I tend to approach giving interviews with the same sense of circumspection and restraint as I approach my writing. That is to say, virtually none. When asked what I made of blogs like my own, blogs written by parents about their children, I said, 'A blog like this is narcissism in its most obscene flowering.'
I'm always trying to get those interviews that are impossible to get, because they are the ones that are most interesting to the audience.
The main difference is, in 'Cold Case,' the victim sometimes had been dead for decades - you didn't have the advantage of being able to interview the victim. You had to piece together the circumstances surrounding the crime from witnesses and other evidence. 'SVU' is much more immediate in that you can talk to the victim.
I just find that there's something about looking back on interviews, whether for purposes of remembering what I said about something or if it's for posterity when I'm 75.
I do interviews and signings and readings and all of these people just hang off my every word. And then I go home and have dinner with my family and nobody lets me get a word in.
Generally, if you preface an interview request with, 'I'm an author writing a book,' for some reason, that seems to open a lot of doors.
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