If you see me, I'm always wearing black and pink. If I don't have it on, I at least have something that's black and pink. For instance, like, a bracelet or something.
I did all the usual things. I think I did everything that everybody else does. I did auditions. I went to see people. I went to see the right people in some instances, the wrong people in others. The wrong time in others. The right time in others. Nothing seemed to make any difference. I quit 5 times! I always went back to try again when circumstances came around to it.
I feel that if entertainment is that important, the media, then it's my duty, not only to mankind but to God, to fulfill the promise that I carry on this work. If someone, for instance, can forget their pains and their ills and their strife by watching any performer then I think this work is worthwhile.
For instance, people who have to walk miles for water - and we just turn on the faucet and let it run. Or people right here in our country [USA] who are food insecure, and yet we as a nation throw out an inconceivable amount of food.
Yeah, letting go - even just musically, aside from emotionally - I find that quite challenging. Knowing the right time for letting go of my album, for instance, was a really big challenge. Knowing when to put the red flags up and say, "It's done..." And also, emotionally, with relationships.
After the Dance was my first attempt at nonfiction. I'd never really participated in carnival, and I really wanted to go. It sounded like a wonderfully fun thing to do. And I wanted to write something happy about Haiti, something celebratory. And going to carnival gave me a chance to do that, because it is one of the instances in Haiti when people shed their class separation and come together.
I was quite reluctant in the first instance to come to use the word bisexual with regard to myself because I didn't feel any different inside from the way I had always felt. I always found men attractive. I still find men attractive. I figure out of, you know, every 200 men that pass on the street, I'm going to go, 100 of those are nice looking guys. Now, with every 200 women that pass on the street, maybe one is going to turn my head.
Life is very fragile and you never know when it is over. Only one instance and then it might be too late to accept Gods offer for forgiveness.
Every man has the basis of good. Not only human beings, you can find it among animals and insects, for instance, when we treat a dog or horse lovingly.
I just want to help people. I'm a helper. For instance, I myself have helped hundreds of people get off drugs. In Scientology, we have the only successful drug rehabilitation program in the world. It's called Narconon.
There are a lot of ways to be expressive in life, but I wasn't good at some of them. Music, for instance. I was a distinct failure with the cello. Eventually, my parents sold the cello and bought a vacuum cleaner. The sound in our home improved.
I've learned that it's way harder to be a baby. Everything is a struggle for her. For instance, I haven't thrown up since the '90s and she's thrown up twice since we started this interview. Motherhood is cake compared to what it's like to be a baby.
Freedom of expression is not absolute. Countries have laws that define the framework for exercising this right and which, for instance, condemn racist language.
A part of the plan for creating discord, is, I perceive, to make me say things of others, and others of me, wch. have no foundation in truth. The first, in many instances I know to be the case; and the second I believe to be so; but truth or falsehood is immaterial to them, provided their objects are promoted.
There is no such thing as a Flower Police, so please feel free to experiment. Or stick with one type of flower; for instance, do bunches of white tulips or a mix of flowers that are all yellow in color. Just because it's simple doesn't mean it can't be dramatic!
In most instances, biotechnology, though a radically different approach, is a sustaining technology: It's a dramatically improved way of targeting problems that we hadn't been able to solve with the conventional approach of mainstream pharmaceutical companies.
Modernism in a way, early modernism, for instance, in pictures, was turning against perspective and Europe. And all early modernism is actually from out of Europe, when you think of cubism is African, is looking at Africa, Matisse is looking at the arabesque, Oceania. Europe was the optical projection that had become photography, that had become film, that became television and it conquered the world.
The mental state I'm in is completely different, but the act of trying to write is the same. I mean, in all instances you try to write good sentences. But in a novel you're free to do whatever you want, and in the autobiographical works you can't make things up.
I don't want to use quotation marks anymore, I've gone back and forth with them. In Ghosts, I didn't use them, for instance, all the way back in the early eighties.
A lot of hackers set up scam sites. They can impersonate a site like PayPal, for instance.
For instance, if you're a black guy and you got pulled over, and you didn't know that any other black men were being pulled over, you would constantly in the back of your head be thinking, "What did I do?" rather than, "I didn't do anything, these are just the conditions I live under."
The best memoirs - like This Boy's Life, or Crazy Brave [by Joy Harjo], for instance - bring you through a private river of storytelling that joins a major ocean of human struggle and joy. The act of enunciation - the forms and strategies of storytelling - are every bit as literarily serious as they are in poetry or other prose forms.
Every once in a while a messy character who manifests a REAL body emerges, for instance, Lisbeth Salander - and certainly commercial genre fiction is full of examples of real bodied sexual encounters or violence encounters - but for the most part, and particularly if you are a woman or minority author, your characters' bodies have to fit a kind of norm inside a narrow set of narrative pre-ordained and sanctioned scripts.
If I hadn't spent a big chunk of time in academia I might not have the depth of consciousness I do about ideas like that. I might think, for instance, that Freud was no big deal in terms of the shape of social organization then or now. I might think that the discourses of politics and law are real and stable and fair.
I have this problem where it's like'I can never stop thinking. For instance, I find myself obsessing over the treatment of black women and girls by black men'the fact that black men have a special prejudice against black women and generally don't protect them or attempt to understand them, and I cry an awful lot about that.
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