I wanted to write a balls-to-the-wall supernatural horror story, something I haven't done in a long time.
I have always felt a little bit uncomfortable with question [why I'm write these stories]. It's not a question that you would ask a guy that writes detective stories or the guy that writes mystery stories, or westerns, or whatever. But it is asked of the writer of horror stories because it seems that there is something nasty about our love for horror stories, or boogies, ghosts and goblins, demons and devils.
I don't really get philosophical, but I believe that nice people are strong and usually in my horror stories, I don't like to write about the old standard where some rotten guy gets chased by a mean spirit that gets him in the end.I'd rather write about nice people that are menaced from outside by some sort of evil power and who sort of slug it out.
There are a lot of people in the field [ of horror stories] that I do read. There is a lot of stuff that is written in this field, though, that is not very good. You just have to look for the good stuff.
I've been typed as a horror writer, and I've always said to people, "I don't care what you call me as long as the checks don't bounce and the family gets fed."
Humanity as a whole has already gone through unimaginable suffering, mostly self-inflicted, the culmination of which was the 20th century with its unspeakable horrors. This collective suffering has brought upon a readiness in many human beings for the evolutionary leap that is spiritual awakening.
When they played, it wasn't music. It was the sound of chaos. I knew it was the sound of chaos because you could hear pigs being slaughtered. Women were weeping and men were gnashing their teeth, and there were sounds so horrible that I cannot repeat them to you, or you would flee from this room in horror!
When I write my novels, I'm not writing them to make political points. I'm writing them because I passionately love monsters and the weird and horror stories and strange situations and surrealism, and what I want to do is communicate that. But, because I come at this with a political perspective, the world that I'm creating is embedded with many of the concerns that I have. But I never let them get in the way of the monsters.
Growing up in the fifties, having to wear a dog tag, having to take shelter in a bomb shelter. That turned me toward the road, I did not want to live in fear of that, I was gong to work somehow against what that vision was, and what that horror was. It was poetry, art, music.
I think horror comedies tend to skew more comedy than horror, for the most part.
Like comedy, horror has an ability to provoke thought and further the conversation on real social issues in a very powerful way.
I am trying my hardest to stay away from the horror movies just because I feel like people are thinking that's what I do, that I'm a scream queen. I'd like to stay away from that.
I love horror films, so I guess it's one of those things where I find myself interested in the script.
I certainly realize that not only do I like the horror genre, but I'm getting really good at it and I'm having a good time making them.
That's when you know a horror film delivers - when you're walking out of the theater going 'Oh my God!' You can't get the images out of your mind.
Usually horror in your personal life can translate into some good music. Sometimes. Sometimes it can be really maudlin and boring, and kind of personal.
Horror films have always been quite operatic for me. I always sort of scratch my head at people's offense to them. If you don't get them, and you don't like them, then don't watch them.
No child asks to get born, so when they are here, they should be shielded from any possible horror.
In 1940 I was just turning 5 years old and being taken to the movies. For those of us who were not old enough to understand the horror of war it was a very romantic era because these guys were kissing their wives and girlfriends goodbye and going off to fight and become heroes.
Horror movies are hard work. Why don't we make a horror workout?
And another thing about German symphonic development. I tell you, our cold kvass soup is a horror to the Germans, and yet we eat it with pleasure. And their cold cherry soup is a horror to us, and yet it sends a German into ecstacy. In short, symphonic development is just like German philosophy and soup-all worked out and systematized. When a German thinks, he reasons his way to a conclusion. Our Russian brother, on the other hand, starts with a conclusion and then might amuse himself with some reasoning.
That's definitely true! It was before my father died, so I can't attribute it to an obsession with death. When I was seven, I loved those old Sherlock Holmes movies with Basil Rathbone. The Scarlet Claw was one of my faves. And I loved all the Halloween's and that film about the haunted house... Burnt Offerings, with Oliver Reed. Every birthday party was a slumber party and we'd watch horror films.
I know what I miss as a cinemagoer is that balance of films that actually scare me, they're so few and far between. I loved ghost stories, I love horror stories, I love all of that stuff, but I really yearn for something to actually frighten me.
I'm a huge fan of 1930s horror - Universal films. I grew up with them and I just absolutely love them.
Luckily I am very, very privileged and feel very lucky to be getting work and my kiddies are not feeling the brunt of any kind of horror that's going on today. So I'm super lucky.
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