Horror films are art, it's all make believe. It's great if a filmmaker can try to push boundaries and see how much an audience can take and see what happens. It's fun to be able to do that.
I'm a big fan of revenge, I think [Sweeney Todd] it's a story of a man who clearly has obsessions to avenge the horror that happened to him.
I wanted to reinvent horror comics. I felt like it was my mission to open people's eyes to the fact that horror comics could be so much more than the popular perception of them.
Horror is one of the few genres - romance and comedy are the other two that come to mind - that's all emotion-driven. It's not a rational genre, like science fiction is. It's irrational by nature. And it is capable of exploring all aspects of human experience.
It would be very hard to write a serious drama and say some of these things. You can be much more abstract and allusive with horror, and it's very forgiving to the author. You don't necessarily have to take an absolutely positive position. You can just write whatever.
It has, moreover, been proven that horror, nastiness, and the frightful are what give pleasure when one fornicates. Beauty is a simple thing; ugliness is the exceptional thing. And fiery imaginations, no doubt, always prefer the extraordinary thing to the simple thing.
The inconveniences and horrors of the pox are perfectly well known to every one; but still the disease flourishes and spreads. Several million people were killed in a recent war and half the world ruined; but we all busily go on in courses that make another event of the same sort inevitable. Experientia docet? Experientia doesn't.
At this very moment,... the most frightful horrors are taking place in every corner of the world. People are being crushed, slashed, disembowelled, mangled; their dead bodies rot and their eyes decay with the rest. Screams of pain and fear go pulsing through the air at the rate of eleven hundred feet per second. After travelling for three seconds they are perfectly inaudible. These are distressing facts; but do we enjoy life any the less because of them? Most certainly we do not.
And then--a Day as huge As Yesterdays in pairs, Unrolled its horror in my face-- Until it blocked my eyes
... the next war will be a war in which people not armies will suffer, and our boasted, hard-earned civilization will do us no good. Cannot the women rise to this great opportunity and work now, and not have the double horror, if another war comes, of losing their loved ones, and knowing that they lifted no finger when they might have worked hard?
How feeble is all language to describe the horrors we inflict upon these wretches, whom we mason up in the cells of our prisons, and condemn to perpetual solitude in the very heart of our population.
Students of history are horror-struck at the massacres of old; but in the shambles, men are being murdered to-day.
Southerners, whose ancestors a hundred years ago knew the horrors of a homeland devastated by war, are particularly determined that war shall never come to us again. All Americans understand the basic lessons of history: that we need to be resolute and able to protect ourselves, to prevent threats and domination by others.
There is one great fact, characteristic of this our nineteenth century, a fact which no party dares deny. On the one hand, there have started into life industrial and scientific forces which no epoch of former human history had ever suspected. On the other hand, there exist symptoms of decay, far surpassing the horrors recorded of the latter times of the Roman empire. In our days everything seems pregnant with its contrary.
For some reason a nation feels as shy about admitting that it ever went forth to war for the sake of more wealth as a man would about admitting that he had accepted an invitation just for the sake of the food. This is one of humanity's most profound imbecilities, as perhaps the only justification for asking one's fellowmen to endure the horrors of war would be the knowledge that if they did not fight they would starve.
The attraction of horror is a mental, or even an intellectual, excitement, but the fascination of the repulsive, so noticeable incontemporary writing, can spring openly from some rotted substance within our civilization.
The delirium and horror of the East. The dusty catastrophe of Asia. Green only on the banner of the Prophet. Nothing grows here except mustaches.
The vices of man, as full of horror as one might suppose them to be, contain the proof (if in nothing else but their infinitely expandable nature) of his taste for the infinite; only, it is a taste that often takes a wrong turn.
I felt for my crime a just terror; I looked on my life with hate, and my passion with horror.
There is nothing in the world I hold in greater horror than to see a body moving against its head: and I shall be very careful notto ally myself with such a monster.
It is of interest to note that most secular humanists continue to belabor the horrors of the Inquisition in order to establish the moral depravity of Christianity.
Lack of understanding, along with outright anti-Christian prejudice, leads to journalistic amazement or horror at the supposed self-deception of those who do see a spiritual realm.
And I guess I'm a kid at heart in that when I go for entertainment, I want to be totally transported. I want to go somewhere else; I want to encounter different things, different beings, different universes. And so I love that aspect of being able to play those things in both 'True Blood' and in 'American Horror Story.'
Horror fans are very passionate people, and they are very much into the 'Saw' thing. So they watch sometimes as carefully as the writers and producers do, in terms of the way the story plays out.
I'm going to give the people what they want. Sensation, horror, shock. Send them out in the streets to tell their friends how wonderful it is to be scared to death.
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