As much as I like watching horror films, I never thought I would act in them.
I do love horror movies, but I'm not the kind of guy who would dress up as a ghoul for Halloween. I might go as a member of the Blue Man Group.
I did love horror films from the '70s and '80s. That was my sweet spot.
As a kid, I liked the 'Halloween' movies and 'Nightmare On Elm Street' and all that kind of stuff. But as an adult, I really don't watch much horror, to be honest.
Woodstock happened in August 1969, long before the Internet and mobile phones made it possible to communicate instantly with anyone, anywhere. It was a time when we werent able to witness world events or the horrors of war live on 24-hour news channels.
I really have problems with horror movies. I don't watch them. It's a feeling I don't want to have in cinema. I'm too reactive. It's too draining to watch that kind of movie.
Screaming. Did I mention the screaming? Screaming is usually associated with horror films and roller coasters. This is why I usually look like I've just watched a horror film on a rollercoaster. Kids love to scream. Frightened, happy, bored. They scream. I've actually learned to love the sound of a vacuum cleaner. It's just so peaceful.
I'm quite a rational person. I'm not very superstitious, but I really do enjoy horror as a genre.
The storyteller is deep inside everyone of us. The story-maker is always with us. Let us suppose our world is attacked by war, by the horrors that we all of us easily imagine. Let us suppose floods wash through our cities, the seas rise . . . but the storyteller will be there, for it is our imaginations which shape us, keep us, create us - for good and for ill. It is our stories that will recreate us, when we are torn, hurt, even destroyed. It is the storyteller, the dream-maker, the myth-maker, that is our phoenix, that represents us at our best, and at our most creative.
I prefer thrillers but when its thriller/horror, I like it. The gore is not very important to me, I prefer suspense. But I like dark films.
Horror movies scare me. I don't really watch them. I'm not a big horror genre fan. I like certain classic horror - like 'Alien', 'Jaws', 'The Exorcist', stuff like that.
I'm a big fan of horror, personally.
Theatre outings are my favourite thing to spend money on. The most influential play I saw was Bent, which starred Ian McKellen. And I loved the original performance of The Rocky Horror Show, with Richard OBrien and Tim Curry at the Royal Court, when I was about 15.
I think my mom is the inspiration of me wanting to do film and TV and be an actor because she loved film so much. She loved, like, horror films and action films, so growing up, she loved watching all the Charles Bronson films and all the westerns.
With a horror movie, you dont want to anticipate where things are going to go.
There was a cinema called The Orient outside the community centre where we rehearsed in Six Ways, and whenever it showed a horror film the queue would go all the way down the street and around the corner. 'Isn't it strange how people will pay money to frighten themselves?' I remember Tony [Iommi] saying one day. 'Maybe we should stop doing blues and write scary music instead.'
In nothing was slavery so savage and relentless as in its attempted destruction of the family instincts of the Negro race in America. Individuals, not families; shelters, not homes; herding, not marriages, were the cardinal sins in that system of horrors.
I do not think that the nerve of the modern child is any too good; how can one expect it, brought up as they are amongst all the horrors of civilization. The 'daring' child who used to be common enough, is seldom met nowadays.
Im an actor. The fact that Im involved in Jigsaw, I dont approach Jigsaw any differently than I approached The Nordic in The Firm or FBI Agent Stokes in Mississippi Burning. Its the same deal. Its just that the effect is sometimes different. So I say, people ask me, How does it feel to be a horror icon? Im thrilled. Its great.
I am actually a big sissy, and growing up, I never used to watch horror movies. Bambi gave me nightmares.
Wes Craven is obviously a horror film icon so I was definitely very interested in bringing something back to life that Wes had created.
He wasn't someone fighting for racial equality. He was the leader of a violent, Communist revolution that has nearly succeeded in all of its grisly horror.
Horror, for me, is not defined by the thing that provokes ones fear, but the human being who has contact with it.
Slashing its way to the finish line, Black Swan is the first ballet movie for highbrow horror fans for whom ballet itself signifies little to nothing. Those of us who know and love ballet can only look on it with a different kind of horror.
Extreme seductiveness is at the boundary of horror
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