There is a lot of strength and intelligence in Hollywood.
Acting for kids is like playing house, you know? But growing up in Hollywood, it just made it seem possible.
Are we changing the idea of what beauty is? Let's hope so. I'm not the typical Hollywood beauty. Let's hope we're looking at the insides of people a little more.
That's all gone, now, the old, Hollywood.
So many directors are solely focused on their own success in Hollywood and multimillion dollar budgets and deals.
Yeah, Kubrick's a big influence. In something like 'A Clockwork Orange,' he is trying to use the practical light - I mean, at least he says that in his interviews, like they're not using traditionally Hollywood lights. In 'Elephant' we basically used no lights; we never really adjusted.
I didn't grow up in a home that glorified Hollywood. We didn't watch TV. We didn't have a lot of magazines around.
I think that being isolated from the Hollywood world of premieres and red carpet events was probably good for me because I could ease into those at will and by my own choice. But in other aspects, when it comes to fanfare, Hawaii is nuts and in L.A. they're all so jaded. They don't care.
That's what happens in Hollywood. People are like, 'I want to hate you, because everyone else seems to love you.' But the reality is this: I'm a simple person who's not interested in attention and who just wants to go about her business.
There's not really much destruction in New York besides the weather and it's a natural force so it's not like any destruction. But LA gets leveled (laughs). That's my comment to Hollywood.
Hollywood is a place of great irony at all times.
It is not easy to get parts in mainstream films for most people of color. Hollywood and British writers are not writing parts for us, or the directors are not interested in casting us in parts that are color-blind.
It's very different doing a food show in America and doing one in Britain. I did a 20-part series for the BBC series called 'Eating With the Enemy.' The budget for all 20 episodes was probably the budget for a single episode of 'Top Chef.' It's the difference between making a home movie in your backyard and going to Hollywood.
Hollywood is a challenging place; it's very easy for people to lose their heads. Fortunately, I grew up on it and I think I have a little bit of a head start.
Indian actors, because of the format of our stories, need to be good actors, and be able to perform emotional sequences, do a bit of comedy, dance and singing, action, because all of this forms just one film. In many ways I'd say there are greater demands on Indian actors than there are on Hollywood.
In Hollywood there's no real material. They would send me stuff, but I hadn't even seen the director. If I don't see the director's eyes, I'm not going. I'm not even going to pack my bags.
In Hollywood films everything is tidied up at the end with clean lines and clean character definitions. It's sort of unsatisfying.
I do find it odd people choose to do stuff that makes them look like crazy Hollywood faces, but I've got zero judgment.
And people are always saying: 'Well, you go to Hollywood and you get yourself a film career or a TV series, and then you can do anything you want. Because then you've got the clout.' That had always sounded like a lot of hooey to me, but now I think it's true, unfortunately.
It helps being from somewhere other than Hollywood, not having grown up with that sense of film-making. I really wasn't exposed to that as a young woman.
The Hollywood movies are more like novels, and the kinds of films I make are more like poems.
I have no interest in changing Hollywood. Hollywood is a place so consumed by the spirit of the world that I don't even want to try to think about how to infiltrate that.
No one's ever happy with their position in Hollywood. You hear that from people you'd never dream would complain.
I wish I was old Hollywood.
I have a theory that most people in Hollywood are from Texas.
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