Hip-hop is a competition culture. It's based around, "My DJ is better than you. My graffiti artist is better than you."
I like hip-hop, I like yay music.
I was always a person on my mother's hip in the kitchen. My mom really wanted her kids at her side as much as possible, and she worked in restaurants for over fifty years. And my grandfather had ten children, and he grew and prepared most of the food. My grandmother, on my mother's side, was the family seamstress and the baker. So my mom, the eldest child, was always in the kitchen with my grandpa and I was always in the production and restaurant kitchens and our own kitchen with my mom. And it's just something that has always spoken to me.
You are the hip-hop violinist, the creator, the visionaire, ... and therefore you should do whatever the hell you wanna do because whatever you do is right. They're not gonna have like 20 hip-hop violinists in the company. I know what to do.
My first hip-hop performance was at Carnegie Hall with Wyclef, ... I got a little feature and he announced me as the 'hip-hop violinist.' The next night I played at the Apollo.
From Dickens's cockneys to Salinger's phonies, from Kerouac's beatniks to Cheech and Chong's freaks, and on to hip hop's homies, dialect has always been used as a way for generations to distinguish themselves.
I really love hip hop. My cousin Nas came out with an album Life Is Good, and I love that album, but I also love Maroon 5.
Fact of the matter is, there is no hip world, there is no straight world. There's a world, you see which has people in it who believe a variety of different things.
I grew up listening to Tupac, Biggie and other hip hop artists in the 90s. To this day, their music is still some of my favorite.
I think if you're too concerned with being cool or hip or liked, you can't really make good TV because sincerity and coolness are opposites.
Hip hop culture has done more for race relations in American than anything since Martin Luther King. And I really believe that.
I am so all over the place with my music taste, it's ridiculous. It is! I mean, I find myself listening to weird things like hardcore techno music and then I'll be listening to mainstream hip-hop music. But it's like I am so crazy with my music taste. I'll listen to a song, I'll become obsessed with it, and then I'm on to the next one. So it's just very inconsistent.
Hip hop has been an integral part of my life and my whole career. I started off doing videos with Ice Cube, and Dre, and Mary J. Blige, and TLC. So I've been involved in hip hop since the beginning.
Any live venue where there is alcohol served and it's past midnight there is gonna be fights. It doesn't matter if it's Hip-Hop, Rock or Jazz.
What is important to me, is to make a girl look better. To really make the most of all her womanly wiles. It's all about accentuating a waist, perking up a bust line, rounding out hips; things that just make you look in the mirror and say, "I look awesome."
I think that I have a pretty varied taste in music I think. And it is primarily rock music big umbrella that I am, I am not into hip-hop. But, I do like both.
Jazz isn't as profitable for labels like Hip hop or Rap. Jazz needs subsidies to continue, just like European classical works of Bach and Beethoven are subsidized.
As an artist, I always just want to grow as a songwriter. I listen to a lot of music. I listen to music all the time, whether it's hip-hop or soul or rock or whatever. I'm always listening to music and trying to learn from other songwriters and how they tap into certain emotions and communicate more clearly.
It does feel like sometimes that I'm the outcast. Hip-hop doesn't want to mess with me because I'm Christian and Christian music doesn't want to mess with me because I'm hip-hop.
I grew up with my older brother listening to hip hop, and Jay-Z was the main person I listened to. When it comes to his word play, he's just out of this world. That's my biggest inspiration when it comes to writing lyrics.
A lot of writers tired of doing kind of hip, slick, funny, dark, exploding hypocrisy, underlining once again the point that life is a farce and we're all in it for ourselves and that the point of life is to amass as much money/fame/sexual gratification, you know, whatever your personal thing is, and that everything else is just glitter or PR image - that we're tired of sort of doing that stuff over and over again.
There's no real outlet for making Hip-Hop in Alabama. You need to travel to get heard. You really need to be working though. You need to be going at it every day and getting yourself seen, getting yourself out there on the road, doing shows, making music. It's all about being on your grind.
Hip-hop in a lot of ways is like sports; when you go to a sports game, you see people from all ages, all ethnicities, all social classes, they're all there enjoying the game. Hip-hop has been one of the only forms of music that has provided that kind of atmosphere.
The tape measure doesn't lie. Get that tape measure out and put it on your hips and your waist. Keep checking it. And keep exercising and cutting those calories down until that tape measure gets close to where you were in your prime.
Skateboarding is a part of Hip-Hop culture. I think it's the fifth element of Hip-Hop - emceeing, deejaying, b-boying, graffiti, and skateboarding. Skateboarders live and die on the streets. It's expression - it's everything that Hip-Hop is.
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