A lot of times when people listen to music it's because they feel down, and that's when serious hip-hop comes into play. When times is hard, people can hear a rapper that inspires them to do what they [are] supposed to do.
What I value most in new music today is strangeness, oddity. Passion. And humor. I listen to a lot of hip-hop because it combines so many things like that.
I think the rap community always tells the truth. And I think that it's important that we listen to their voices so we can have a roadmap, because artists - almost every single artist in hip-hop, they paint a picture of society that's overlooked. The misogyny, the racism, the violence, the homophobia, these are things that we try to avoid instead of dealing with. All of that I see it so often.
But now, I get up every morning and go to the gym because I don't like waking up stiff or in pain and wondering if my hip is going to hurt me.
I'm a hip-hop head, I grew up with it. So I've always loved the music.
I urge everyone to be patient and reasonable and I warn against shooting from the hip in the truest sense of the term. Pressure and dialogue are needed.
Сommercial hip-hop is not youth rebellion, not when the heroes of hip-hop like Puffy are taking pictures with Donald Trump and the heroes of capitalism - you know that's not rebellion. That's not "the street" - that's Wall Street.
I have a very family-like connection to hip-hop, which is why it frustrates me so much.
I was fed by the music I listened to as a kid. Hip-hop fed me psychologically, spiritually, politically. I learned from that music.
What I'm aiming to do within hip-hop is to point out that the music itself is powerful; it reaches so many people.
I actually don't like hip hop much; the music is too clichéd, the subculture, especially the macho strutting of gangsta rappers, isn't my thing. But, at the same time, rap is a simple, direct and strong musical language.
The motivation to me is to make money and not be dependent upon the shallow pool called the entertainment world or the rap world or the hip-hop world.
There are situations where I'm uncomfortable saying, "I'm a hip-hop artist." In some circles, the response is like, "Oh, OK, so... you have whores and your ties are shiny?"
There's a need for pop. There's a need for radio. There's also a need to understand the brilliance and the depth of jazz and soul - and what hip-hop can be at its most brilliant and what hip-hop can be at its most simplistic.
The battle thing is very important in hip-hop, but at the same time, I want to sit down and have a beer and listen to Rakim.
All the forms of popular music from jazz to hip-hop, to bebop, to soul [come from black innovation]. You talk about different dances from the catwalk, to the jitterbug, to the Charleston, to break dancing -\-\ all these are forms of black dancing...What would [life] be without a song, without a dance, and joy and laughter, and music.
Justin Broadrick has stated that the drum machine sound was heavily influenced by hip hop artists in the late 80s, particularly the beat on “Christbait Rising” which Broadrick was quoted as saying, “It was my attempt at copying the rhythm sample on 'Microphone Fiend' by Eric B & Rakim”.
I got my boobs done because I wanted to even out my lower half, and I thought that would take the focus away from my hips.
I live in a neighborhood that's really filled with sound - there's a lot of Jamaican auto body shops, and the guys next door play hip hop.
It hit me that being hip was a full-time job, and I was only a part-timer. I couldn't hide forever that I liked county fairs, particularly the goat booth at the 4-H tent, or that I once spent a week with my grandmother at her house in the giant retirement community of Sun City, Arizona, and it was one of the most carefree times of my life.
Children who have been in work for a long time suddenly get a thud down to earth once the cuteness fades, hips widen, voices drop and jawlines strengthen.
Every bite you eat stays in mouth for two minutes, for two hours in stomach and for two month on hips.
I am a hip-hop fanatic, and rock fanatic.
It ain't this big I, little You. Music is to be shared. Music is not a hustle. [Hip hop's become] cultural stripmining [by the major labels]. Some people get into this music to make a killing but music is a way to make a living.
It's not about what you get out but what you put into hip hop as a genre.
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