I signed contracts when I didn't know what that meant. I thought I'd get residuals off of the shows I've been on: History Channel, Discovery, Dateline, Johnny Carson, etc. It's the only regret I have in life. If I got residuals, I wouldn't be shucking oysters now, though I do love my job.
There is some humor in Monsieur Lazhar and in all my other films, but this one I'll try to make a real comedy from start to finish. It's called Prescott Etc. because the name of the constituency is so long that everybody in the constituency just says Prescott Etc. I don't know if that's what it will be. It's a working title.
If you look at the Oscars and look at the Best Foreign Language series, you see that the films are coming from everywhere - from Quebec, Israel, Poland, and Belgium. It's not the usual French, German, etc. This category is opening up to socially engaged and political films. I think we're going to see a cross over to the main categories also. It's part of this global environment now and I'm grateful that the Academy is having this window on world cinema.
Having a highly homogeneous background, education, values, preferences, etc, in the very early team is better than not - cuts down on time-wasting arguments.
If users are not doing what the designer intended (when users are investing time, effort, etc in your product), the designer may be asking them to do too much.
Many are the exercises of power reserved to the States wherein a uniformity of proceeding would be advantageous to all. Such are quarantines, health laws, regulations of the press, banking institutions, training militia, etc., etc.
Pointillism takes emotional images, character, etc., and makes them all come together and make a whole that tells a story.
This detachment (poverty, chastity, etc.) must not be mere amputation; everything which is shaken off must be simultaneously found again at a higher level.
When most people return from Europe, they tell tales of all the sites they saw, the shopping, the entertainment, etc. Jews, on the other hand, return and say I had this slice of cake in Austria, let me tell you, I don't know how they make it! It was great!
During the fifteen or twenty years in which I tried - it was not always easy with publishers, newspapers, etc. - to forbid photographs, it was not at all in order to mark a sort of blank, absence, or disappearance of the image; it was because the code that dominates at once the production of these images, the framing they are made to undergo, the social implications (showing the writer's head framed in front his bookshelves, the whole scenario) seemed to me to be, first of all, terribly boring, but also contrary to what I am trying to write and to work on.
Denmark is, of course is very much like Germany: in terms of culture, the same kind of thinking, etc.
When you play the oboe, the flute or other wind instruments, there is something between you and the breath; there is the embouchure, the reed, etc. But with the recorder, I receive an immediate response from the instrument. This is something that attracted me to the instrument, that I could immediately feel the response of what I was doing.
They didn't need to be specifically South American or Latin American. Instead we discovered we were talking about human beings in general. We realized that these are not issues only pertinent to Latin America: poverty, misery, consumerism, etc.
Everything that is true is authentic. When we were born, we did not have knowledge. As soon as we have language, we learn to describe everything through that language and we learn to be like our family, our parents, those at school, etc.
The Great Recession is not imaginary, and the effects loom large. There was an article in the NYT about the galloping death rate among white men in middle age. Higher than among any other demographic, etc. Mostly death by drugs, alcohol, or suicide. Many of them rural. My feeling is that it's many people who haven't been able to get back into the work force. Reg Morse is an example of the problem.
I know that the materials found on the streets is rich and wonderful, but my experience is that the way I am accustomed to work, slowly planning my composition etc. is not suited for such work. By the time I have the composition or expression right, the picture is gone. I guess I want to do the impossible and therefore I do nothing.
... any dodge, or trick, or conjuration of any kind is open to the photographer's use so that it belongs to his art and is not false to nature. If the dodges, tricks, etc., lead the photographer astray, so much the worse for him; if they do not assist him to represent nature, he is not fit to use them. It is not the fault of the dodges, it is the fault of the bungler.
We're having a traditional Thanksgiving - turkey, mashed potatoes, hat buckles, smallpox, genocide, a blue corn moon, etc.
There is more in art, with an apology to that much abused word, as applied to photography, than startling display lines, on mounts and signs announcing artist Photographer, Artistic Photography Studio, etc., and the lower the standard the more frantic the claim.
I think you can photograph a certain sliver of human presence in its absence... images taken in the empty rooms, the marks left on the walls, disappearing shadows, etc.
[My] photos are often out of focus, rough, streaky, warped, etc. But if you think about it, a normal human being will in one day perceive an infinite number of images, and some of them are focused upon, others are barely seen out of the corner of one's eye.
To be a photojournalist takes experience, skill, endurance, energy, salesmanship, organization, wheedling, climbing, gatecrashing, etc. - plus an eye and patience.
A lot of photography is making records of people, as objects, friends. It's like organizing a wardrobe - in terms of size etc.
Most of us need the crutch at times; but of course it is idiotic to use the crutch when our own legs (our own loves, tastes, habits etc.) can do the journey on their own.
The White House New Media team circulates multiple highlights each day of what people are looking for online - Twitter trending topics, popular Google searches, etc. - and it gives us a sense of what's breaking through, what isn't, and a sanity check for what the larger online population cares about at any given time.
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