How I hate this folly of not believing in the Eucharist, etc.! If the gospel be true, if Jesus Christ be God, what difficulty is there?
I love all religions. ... If people become better Hindus, better Muslims, better Buddhists by our acts of love, then there is something else growing there." She upheld that there are many ways to God': "All is God - Buddists, Hindus, Christians, etc., all have access to the same God."
The report falsely asserts that global warming is causing more extreme weather events, more droughts, more record high temperatures, more wildfires, warmer winters, etc., when each and every one of these false assertions is contradicted by objective, verifiable evidence.
I have been to more than 80 countries, and there is not one-not one-that I didn't have women coming up to me sharing stories of overcoming major abuse, a bad marriage turning good, etc.
With any "new" form of music, the originators are usually good bands that have good music and good ideas, like Nirvana. But then you get all the followers and wannabes, bands like Silverchair, etc...and that really sucks.
The titles of Jesus (son of God, messiah, light of the world, etc.) are not found in the earliest layer of tradition and are not part of self proclamation of Jesus. This does not make them wrong. Rather, they are the voice of the community, statements about what people around Jesus thought of him.
The Bible is not considered an accurate, absolute, authoritative, or authoritarian source but a book to be experienced and one experience can be as valid as any other can. Experience, dialogue, feelings, and conversations are equated with Scripture while certitude, authority, and doctrine are to be eschewed! No doctrines are to be absolute and truth or doctrine must be considered only with personal experiences, traditions, historical leaders, etc. The Bible is not an answer book.
I am definitely less and less interested in music made by people that exist today, people that are living. I just see them as part of the whole stupid process of the music business, desperate (even if they feign indifference) to get noticed, trying to "make it" in the stinking music business, to become "famous" etc, and it disgusts me.
After my early days of being a passionate young Elvis fan, Chuck Berry, Little Richard, etc. I got interested in Ray Charles and Ella Fitzgerald. Then I got turned on to the blues. I realized how important it was to our music in England at the time. Everyone was into the blues. Then you start looking at the different kinds of blues, and you follow the journey backwards from Chicago to earlier times back down to the Delta to the Memphis Blues.
The Great Commission to go into all the world is not only geographical, but must include every field, profession, discipline, sport, etc.
I've definitely done my share of tripping over monitors, etc. but nothing could compare to the time when I totally forgot the beginning of a song that I was starting on stage.
The reason why it is that strong, and why HipHop is so inbred, is that there is a very structured wheel, a very definable system on how to get paid in HipHop. Busta Rhymes is someone who took that road and sure enough got paid. As long people like him are allowed to continue to do that it wont change. There is a very specific sound and a very specific attitude, and it changes every year, but as long as you stay in there and keep doing it, and keep narrowing your scope, dressing the rigt ways etc. you get paid.
I can't say if I have influenced anything really, maybe a few artists but at the end of the day we are all influenced by various arts and situations around us, etc... all of us. I don't see or hear from any of the above, sorry.
I love music/sounds that have a passion, a fire, an energy I can connect with. I love angry sounding beat tracks, dark sounds for sure but I also love delicate sounds, they both connect I think. Discharge back in 1980 was a big explosion in sound for me to hear the anger and the energy, still an influence on me. Miles Davis has been an influence, as much as John Coltrane, Brian Eno, John Hassel. So much around me has influenced me: my everyday life, everything around me, the family, etc.... It has an impact.
I turn on the machines and start to think about ideas and take it from there, it usually begins if it's a beat, a track creating a beat/beats and then the bass-line/lines, then comes the sounds--drones, atmospherics etc, then the edits of various sounds I created and keep going till I feel I have enough sounds ideas to start working and building a track. I have many banks of sounds that we hear that can be manipulated in the machines.
David Simon [the creator of The Wire] and I have a running controversy for years. It all stems from a telephone call I made to KPFA [Pacifica radio] when he was a guest there in the 90's on Chris Welche's show. He was going around the country with a Black kid from the Ghetto to promote something called The Corner - it was all about Blacks as degenerates selling drugs, etc.
There would be no Rock and Roll without Ike Turner, James Brown, Chuck Berry, Fats Domino, Allen Toussaint, etc. Fake ghetto books and fake ghetto music. Elvis Presley, whom they idol, is merely a karaoke makeover of James Brown and Chuck Berry.
I want the marginality to come into the center. This is the thing I was conscious of growing up, when I later lived in England. I saw all these war movies that came out shortly after the war, and they were all about the war being fought by Englishmen or Americans, there were no other "allies" in it - from India or Australia, etc.
I like to think that location, travel, etc, is a launching point for purely imagining.
Touring definitely helps sell albums. Things have changed. I've noticed now more than ever when you market an album, get radio play/video play etc. it helps sell albums but it helps get more shows.
To me a translator is very, very important. If the fixer is also the translator, so much the better. I have known photographers who didn't speak the language and would work in a place for weeks without one, getting by on common sense and smiles. But how many situations did they miss because they couldn't talk to someone and get the back story on details, small daily life things, etc.
Digital makes it so much easier. No bricks of film, no worrying about airport X-rays, etc.
I started in high school with a teacher there. I also took lessons at the Conservatory of Music in Detroit. Detroit was very motivating. There were a lot of local people who inspired me like Kenny Burrell, Paul Chambers, Roy Brooks, Donald Byrd, etc.
I'm happy to say that I have not been fired off a film. The score is usually the last thing to be done. So a lot lands on the scores shoulders. A lot of problems that seem to have nothing to do with the music gets blamed on the music , because it's relatively cheap to change, where as a reshoot etc is not. Music is often expected to help or fix bad cuts, bad acting, bad filming, bad timing, you name it.
Your business should be defined, not in terms of the product or service you offer, but in terms of what customer need your product or service fulfills. While products come and go, basic needs and customer groups stay around, i.e., the need for communication, the need for transportation, etc. What market need do you supply?
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