Tears are the symbol of the inability of the soul to restrain its emotion and retain its self command.
Sorrow is tranquility remembered in emotion.
One may not regard the world as a sort of metaphysical brothel for emotions.
Emotion is messy, contradictory... and true.
The Flower of My Secret is definitely more based in true emotions. I also wanted to make something more realistic, but not naturalistic or simple.
Most of the animated films I watched, the emotions are all prepackaged like canned music, the hand actions, the sighs.
I was always the child who wore her emotions on her sleeve.
When you are modelling, you are creating a picture, a still life, perhaps something like a silent film. You convey emotion but you are only using your body.
Yet for my part, deeply as I am moved by the religious architecture of the Middle Ages, I cannot honestly say that I ever felt the slightest emotion in any modern Gothic church.
I will try to account for the degree of my aesthetic emotion. That, I conceive, is the function of the critic.
I have a woman's body and a child's emotions.
Poor Faulkner. Does he really think big emotions come from big words?
Men are no more immune from emotions than women; we think women are more emotional because the culture lets them give free vent to certain feelings, "feminine" ones, that is, no anger please, but it's okay to turn on the waterworks.
Emotions get in the way but they don't pay me to start crying at the loss of 269 lives. They pay me to put some perspective on the situation.
Poetry is when an emotion has found its thought and the thought has found words.
Love isn't an emotion or an instinct - it's an art.
One can overcome the forces of negative emotions, like anger and hatred, by cultivating their counter-forces, like love and compassion.
A work of art which did not begin in emotion is not art.
Emotion turning back on itself, and not leading on to thought or action, is the element of madness.
If one has such an encounter it is to be expected it will bring him into conflict, especially conflict with himself, because one sometimes literally does not know what to do or what not to do. But is this struggle and even the mistakes one may make, not better, and do they not develop us more than if we keep systematically away from emotions?
The artist is a receptacle for emotions that come from all over the place: from the sky, from the earth, from a scrap of paper, from a passing shape, from a spider's web. The problem is not that there are problems. The problem is expecting otherwise and thinking that having problems is a problem.
I do not literally paint that table, but the emotion it produces upon me.
No emotion, any more than a wave, can long retain its own individual form.
One's suffering disappears when one lets oneself go, when one yields - even to sadness.
If you would have me weep, you must first of all feel grief yourself.
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