I'm a huge fan of the horror genre and the supernatural elements.
I'm such a huge fan of the horror genre and the supernatural elements... There was something that happened to me. It was easy to be wild and crazy, and just let go and attack people.
You have to have all these elements of a feature but with a third of the length. And also the development process - there are so many more steps in getting notes from the studio, getting notes from the network.
What gets me excited by the process of making art is how unrelated elements get fused, which is a formal process. The content is the easy part. Putting it together in a way that's cohesive is the challenge.
My performances may have elements that some may find entertaining, but that's not my main purpose.
I think I'm predominantly known for my portraits. Obviously in my work there are landscape or stilllife elements, but mainly my work is people . . .
Well, I think tone is very important with this show [Masters of Sex] because there are certain elements or certain aspects to the show that may be reminiscent of other shows. But, it really is a very new kind of show, in terms of the subject matter and the way it's being dealt with, and the fact that it's about real people and real events.
With Rodham, for instance, it has to work on an emotional level. It has to work on a character level. If it's only "Look, it has famous people," then it's a wax museum come to life and that's really boring. It's sort of like what they say about science fiction and horror where the really good ones, if you remove that element of it, it still has to work. That's the reason The Shining works or Rosemary's Baby or Blade Runner.
Blade Runner's just a noir at the end of the day. Rosemary's Baby is about the fear of having a child and how that gets in the way of a romantic relationship. Or whatever it is, and you add that extra element that blows your mind apart.
This needs to work on that level, but it has the additional strain of it's going to be profoundly scrutinized by political junkies from the right and the left who will pick apart every little thing. We are inherently dramatizing Hillary Rodham, or Hillary Clinton, who's a very famous figure. There's a lot of biographies about her, but there's also elements that are private moments, that are dramatized with an arc, and we have to take creative license. Everything is sort of a cost-benefit.
The physical element of a role is something I'm super familiar with, and I love it. I've definitely made the transition into acting over doubling, just because I needed to make it clear to myself, so that I fully committed.
I think ultimately it's just time management. You're just doing a lot more stuff. You're doing the same stuff, you're writing and you're producing, but it just comes with a lot of other things. A lot of long term thinking and plotting things out for the future, bringing elements together. I have a lot of support.
When I eat, I always pick out the best parts in the middle and leave everything else on the side. It becomes a big sculptural mess, but there are nice compositional elements about how it all sits on the table.
It really showed that you can do a major motion picture, from the folks at Marvel, that has multiple characters on an epic scale. On top of that, it also showed us that one of the most important elements is a certain kind of levity.
When you're outside in those elements, there's something out there that takes it out of you, so you work real hard. It was physically demanding, but in a very good way. It's not a bad thing. It's a good thing, when things are physically demanding 'cause everyone is rising to the occasion.
It's been an obsession of various genres, disciplines, and aspects and elements of movie-making. It's always been something that I've really aspired to, so doing something new and different, reinventing myself and working with new people is just the passport to the amazing world that is the movies.
Completing a piece of art and using all of the elements of making a film, was satisfying, for sure.
We all know the experience when you go to a film and it feels partial. There were elements that you really love, but it doesn't feel like they fully owned all elements of it.
I've been working with music videos and commercials, they are naturally very music driven and visual driven. So that feels like my natural element to be working with that.
When you're working with film and you hear that mag starting to roll and you know that there's thousands of dollars just spinning around, it's another stress element, which I don't enjoy at all.
The essential element of love is a belief in its own eternity.
Attachments to older forms of worship may be comfortable, but they may contain elements of falsehood that make them unacceptable to God.
It's not the elements of our worship that are awesome. It's the object of our worship Who is awesome.
The most important thing to remember is that inflation is not an act of God, that inflation is not a catastrophe of the elements or a disease that comes like the plague. Inflation is a policy.
Faith is the element that builds the bridge in the absence of concrete evidence.
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