For the satiated, both sex and speed are pretty boring until the element of danger and even death is introduced.
An object is great in proportion to its power of resistance to time and the elements. That is why we think the pyramids are great. But see, the desert is greater than the pyramids, and the sea is greater than the desert, and the heavens are greater than the sea.
Has nature connected itself together by no bond, allowed itself to be thus crippled, and split into the divine and human elements? Well! there are certain divine powers of a middle nature, through whom our aspirations are conveyed to the gods, and theirs to us. A celestial ladder, a ladder from heaven to earth.
Everything speaks: the flowing airstream and the sailing halycon, the blade of grass, the flower, the bud, the element; did you imagine the universe to be otherwise?
From a creative standpoint, I'm interested not only in the idea of helping couples and women, but challenging myself creatively, and doing each one better than the last thing I did. I think by doing that, by adding a visual element to these films, it really makes a huge difference.
And it's kind of my own fault too, in the sense that I've used my own life as a literary device so much. I think people feel very comfortable reviewing the idea of me, as opposed to what I've actually written. I find that most of the time, when people write about one of my books, they're really just writing about what they think I may or may not represent, as sort of this abstract entity. Is that unfair? Not really. If I put myself in this position where I'm going to kind of weave elements of memoir into almost everything, well, I suppose that's going to happen.
When I was a film critic, the reason I kind of found it disenchanting was because the things that I wanted to talk about were the ideas in the movie, the theme of it, and contextual elements that weren't necessarily central to the story. But the only thing people really wanted was a plot description and how many stars I'd give it. It didn't matter how much effort you put into writing a piece, they looked at it solely as a consumer's guide toward going or not going to films.
Shamanism is a kind of universal spiritual practice with indigenous cultures around the world, and one important element of it is taking care of spirits.
If you look at Marriage of Figaro or Butterfly or Traviata, all of those elements are in there. I also have to have a very specific location in mind. The physical environment of where the opera takes place is very key - the "sound world."
And as particles are living digital elements, moving on their own according to the various attributes (such as weight, speed, shape) given to them by the animator, we don't know what the visual result will be until everything is completed. This result can often be unsatisfying, obliging us to repeat the process all over again, with new features.
A people averse to the institution of private property is without the first elements of freedom
My Lawyer being practiced almost from his Cradle in defending Falsehood; is quite out of his Element when he would be an Advocate for Justice, which as an Office unnatural, he always attempts with great Awkwardness if not with Ill-will.
Life was reduced to its four basic elements: air, food, drink, and a good friend.
Christianity has done its utmost to close the circle and declared even doubt to be sin. One is supposed to be cast into belief without reason, by a miracle, and from then on to swim in it as in the brightest and least ambiguous of elements: even a glance towards land, even the thought that one perhaps exists for something else as well as swimming, even the slightest impulse of our amphibious nature
Tuthmosis IV was, like his father Amenhotep II, a belligerent pharaoh and one of the first to wage war without provocation beyond Egypt's boundaries. As a result of his aggressive attacks slaves and foreign elements were common in Egypt. Consequently, there was more intermarriage during his reign than at other times. Egypt was visited by merchants and traders and was extremely prosperous and cosmopolitan during this period.
Beaumont specifically pointed out that the cultural elements and idioms regarded as "Egyptian" could not have originated in the land of the Nile. This single fact is inviolate and cannot be denied. It is obvious to those who have taken the time to study the subject, that the Egyptian civilization was transplanted by Western adepts and elders.
Most historians accept that Egypt was a cradle of civilization, and that many cultural idioms and traditions come from there. What has yet to be understood, however, is the manner in which Egypt inherited its cultural elements from the lands of the North-West. This fact is not known today because of the threat it poses to Rome and London, the Vatican and Crown, and to all those who have profited from the suppression of knowledge.
Being American is, I think, a very difficult thing in art, because all the elements are European.
When you go through life ... it all seems accidental at the time it is happening. Then when you get on in your 60s or 70s and look back, your life looks like a well-planned novel with a coherent theme ... Incidents that seemed accidental, pure chance, turn out to be major elements in the structuring of this novel. Schopenhauer says, 'Who wrote this novel? You did.'
If Americans are frustrated with Congress, imagine their frustration with a group of international bank officials running our ecomomy-bankers who may not have as their motive either to see us out of debt to them or to strengthen our economy, society, international influence, or other elements of our way of life.
...As every one of us knows, there are some festivals and games in which everything goes right, and every element lifts up, animates, and exalts every other, just as there are theatrical and musical performances which without any clearly discernible cause seem to ascend miraculously to glorious climaxes and intensely felt experiences, whereas others, just as well prepared, remain no more than decent tries.
I may remark parenthetically that the modern apparatus of the theory of small samples, once it goes beyond the determination of its own specially defined parameters and becomes a method for positive statistical inference in new cases, does not inspire me with any confidence unless it is applied by a statistician by whom the main elements of the dynamics of the situation are either explicitly known or implicitly felt.
The elements in a relationship which seem impossible to share, the secretly disturbing, dissatisfying elements, are the most rewarding to share. This is a hard, risky, frightening thing to learn, and it needs to be re-learned over and over.
I have come to the frightening conclusion that I am the decisive element. It is my personal approach that creates the climate.
Memeticists have to give empirical evidence to support the claim that, in the micro-processes of cultural transmission, elements of culture inherit all or nearly all their relevant properties from other elements of culture that they replicate.
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