A lot of the people I was writing with think a lot more about lyrics and a lot more about the details from the beginning. That kind of thinking made me a little self-conscious because I was suddenly having to judge what I was doing early on in the process.
I'm a huge Hayao Miyazaki fan. He might be my favorite director of all time - the beauty that he sees in the world and the attention to detail. I try and focus on that while making music: trying to use as many real instruments as possible, have it feel as tactile and tangible as possible.
Writing in a nuanced way, getting at all the details in a way that remains interesting for the reader, is very difficult.
Sometimes you'll read something and think, "What is going on here? There must be more to this." The constraints of the news format didn't allow for more detail, or the writer didn't see it or just wasn't interested.
Frank [Zappa] said he probably would have been a major criminal, given his brain power and his attention to detail, had he not been a composer. But being a composer is not something you can't help.
I used to pile on the detail, which was probably a way of hedging my bets while I was working out my own way of doing things. I've cut it back over the years, but some of the descriptions can still be still pretty dense. So the answer is somewhere between fairly detailed and maybe too detailed. Fortunately, people are seeing the final pages and not my raw script.
He [Phil Jackson] is such a basketball genius in terms of the details of the game, the little nuances of the game and the rhythm of the game.
There are stories that are by and for Latin Americans, where a certain amount of cultural fluency is expected, where we can delight in the details, the humor, the particularities of speech, of dialects. Something is always lost in translation; we know instinctively that this is the case. A Radio Ambulante story looks at Latin America from the inside.
By changing the way I experienced things, even just involving different details than in reality, I often felt I was betraying the past and playing an unfair game with the reader where he (of course) would ask himself "Did this really happen?"
I look for ambiguous messages to illustrate...I like some detail but not too much detail.
I'd always wanted to write something about the Korean War because of my heritage. My father lost his brother during the war, and I fictionalized that episode, which was told to me very briefly without much detail.
I did a lot of reading of first person accounts from Koreans and combatants and aid workers. And I spoke to relatives. A lot of wonderful photographs were made available to me from that period - 1950-1956 - and those were given to me by a Korean newspaper in Seoul. Ruined villages, refugees streaming through a river valley, GI's and orphans and orphanages, those tiny details that you can only see in a picture.
It's not that I wrote those details, but photos can give you the confidence that you have a real feel for the landscape. Then you can invent with a solid kind of faith, and recreate a feel and flavor of the time, and, one hopes, a tonality, a sense of that time having been lived by those characters.
As you feel increasingly comfortable around your friends, I think it's more than fine to share the basic details of your heroin addiction with them. If they seem receptive, you can feel free to talk about it in further detail; if they seem judgmental or uncomfortable, you can move on to other topics.
They're all qualities wrongly called feminine: attention to detail, patience, empathy. I don't have children, but I was raised as a female to have those qualities because they're perceived as feminine. Until men are raised with those qualities, too, they won't have the full circle of human qualities.
Saw fans are manic, when it comes to details, so they're going to say, "Wait a minute! Why is that like that? It wasn't like that before." And, they're right.
I don't release many records just as "Fennesz," so when I do, I want to plan everything in detail. It's not that I want to really lead the listener somewhere; it's more about me being satisfied with a project.
There are a lot of nice details that are exclusive to C. Wonder, which are the status C. Wonder gold buttons and the tassels. We want the customer and the loyal client to just really know that when they come to C. Wonder they're getting something that's super wearable but is also really luxurious.
Linebacker is a lot more detail oriented and you have to know a lot more than a defensive end necessarily would on any given play.
Also, and this may sound naïve, but since my early days in journalism, I've felt that getting as close as possible to truth, revealing the reality of a situation in detail, has its own persuasive power. This allows readers to look at the facts and the perspectives presented and draw informed conclusions.
I just love all the details about movies, and it's fun to be involved in everything. I just love it. It's just a little added fun thing to be consulted about stuff.
The left hemisphere is very interested in language; it communicates in words, it has a past, a present, and a future; it has a time component and it's all about details. The right hemisphere is more about the right now-right here experience where everything is an enormous collage of all the sensory systems flooding into our brains.
Primo Levi's - I mean, he's a very different kind of writer. He's a much more formal writer. He's a much more -almost detached. I mean, I wouldn't really say that he's detached ultimately. But he does write as a scientist, and so he describes things very - in great detail, very carefully.
The key is to trust in your own divinity, to know that you are a piece of God, and that you are like what you came from. As a spiritual being, you have Divinity within. When Albert Einstein was asked about the impact of quantum physics, he said, "It's just all details, I just want to think like God thinks." And God thinks in terms of creating, kindness, beauty and goodness.
If you're running to be president of the United States, you can't just tell people you're going to make America great again. I think you need to begin to explain exactly how you're going to do it policy-wise. We're not going to win a general election with a candidate that refuses to detail policy.
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