Donald Trump's views on Vladimir Putin, I think, are troubling. And I don't think he fundamentally understands exactly who Vladimir Putin is or exactly what he's trying to do. So, these are the kinds of things that I think in detail you need to begin to understand.
The book [Night manager] is amazing. It is amazing to act in any book adaptation, because a book gives you so many secrets and details that don't necessarily get shot in an adaptation. They give you a cushion underneath everything. The detail in the character, the detail in the tone.
Since reality TV everything is much more celebrity-oriented, there are gossip magazines, people seem to be obsessed with every little detail. That's why I'm so pleased that I'm not starting out now.
Again, when we view a scene fleetingly, do we consciously see all the details even though we don't retain them, or do we not see them in the first place? Neurological information is crucial to deciding these questions. After all, they are so interesting precisely because unaided introspection cannot resolve them. Rather we need to know what is going on in the brain activities that constitute visual awareness.
So, for a book set in 2006, Open City evades certain markers, while it embraces certain others. Julius doesn't use a smartphone, and he doesn't discuss contemporary US politics in any fine detail.
I'm a pluralist about perspectives on literature. There seem to me to be all sorts of illuminating ways of responding to major literary works, some of them paying considerable attention to context, others applying various theoretical ideas, yet others focusing on details of language, or linking the work to the author's life, or connecting it with other works.
Read Mann's notes, which contain precise accounts of cholera and its symptoms, and observe how careful he is throughout his fiction in getting medical details straight - then you might begin to wonder whether cholera is the only candidate for the cause of Aschenbach's death. What results from this, I think, is a deeper appreciation of Mann's brilliance in keeping so many possibilities in play. The ambiguity is even more artful than people have realized.
I suspect that any worthwhile exploration of these deep questions about living requires going beyond abstract discussions to the vivid presentation of possibilities. If readers are to be prompted to serious examination of their lives, anatomy isn't enough. We have to be stimulated to imagine, in some detail, what it would be like to live in particular ways.
I'm interested in really particular details, ideas, thoughts, and emotions, yet it's defused with performance, where you can play with hiding things, or be more confrontational about something shielded. There is this process of layering in performance.
Living in France means I see the UK in snapshots. There is something quite nice about being in exile and the things you remember about places tend to be the most vivid details. You don't get that when you see somewhere every day.
An example I love: Diwata auditioned for the school play by doing a big number from Once Upon A Mattress. I went home and my boyfriend plunked out the notes for me, and I had to learn and prepare that song just so I could learn and know how that feels. I've never had that kind of detail in a rehearsal process. Jason Moore is absolutely unbelievable.
There are lots of stories in pop music, lots of lush orchestrations, lots of attention to detail. You just have to know where to find them. The best stuff is never overt.
Sometimes you think certain details are things that only you would notice, so it's a great thing to feel like you're not by yourself and people understand where you're coming from.
Freud "interpreted" dreams by treating them as intellectual riddles whose details, once processed through free association, exposed hidden wishes.
I'm not going to get into details, but every band has their moments when things are tough. Just logistically, tough on your body, stress levels, psychologically tough, relationships can be tough.
People gather details and comparisons but it doesn't really bother me or land on me of any sort. I don't know if I was... Maybe I was influenced by them, maybe I wasn't, but I don't know. I was probably influenced by everything I've heard. So it doesn't bother me at all, but it doesn't sway me either.
I think I prefer the constant renewal. It's almost like sandpapering down any details or any contour of familiarities.
My style of lyric-writing is very specific and has a lot of details, and I think people react most to that.
It's a great privilege to be able to play that much. When you play a lot, you can be really detail-oriented.
For theater, the fashion had to have a certain grandeur that would read on the stage while also flattering the actress. The same thing applies when doing a wedding dress, but the treatments can be more delicate and there can be much more detail.
I love intimate details like lingerie, something like a gorgeous silk stocking or exquisite slipper.
I haven't done it by myself at all. I've been surrounded by a really, really good crew of all ages. I think it's important to have a good age range in the crew so that some of us have experienced that period, or something close to that. But the script, of course, is really inspiring and you just have to trust that. Sometimes on film a glass can be as big as a car, so if the details are right, then they take up as much space on screen as the streets that we didn't have a chance to show as London really has changed since then.
It is not all that common, but there is a phenomenon where autism could get worse at about age two. There are some controversies whether regression is a prominent part of autism, but many people feel that it's very hard to diagnose autism before you can begin really talking in detail with a child.
So you have it, you awaken from it and you can recall, in detail, what just happened, that's a nightmare. So it's very different from a dream where you generally don't wake up from it and you don't have this dysphoric emotion.
I think it's possible to a certain extent to make those comparisons. The problem is the detail with which the comparison can be made. Of course, the first place to make such a comparison would be to ask for a testimony from different people and have people report on what they experience.
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