it is a shoe designer's job to be a year ahead of our collective unconscious.
I think I'm a whole lot to handle. I definitely am, on every aspect. I'm the video director. I'm the graphics designer. I'm the rapper. I'm the visionary. I'm the music producer. I'm the executive producer. I'm just going to end it off to be poetic: I'm the future of music.
As a designer it's not my job to make people like me - I just want them to like my clothes.
People always think that designers hate each other. And we're certainly a competitive lot, but we also enjoy each other's company. No one else knows what you're going through other than another designer.
The craziest thing about fashion people in general, not just designers, is that it's always, "Oh my God, you lost weight! I love your hair!" Or "Oh, you're so tan!" Or, "You're so skinny! I love your shoes!" These are fashion icebreakers. Everyone's always looking at each other.
All changes in clothes rise out of the lives of the people who wear them. The function of the designer is simply to see a little ahead of time what the people want, and to provide it. No designer can start anything really new and different unless there is a public all ready for it.
Every designer has to stand behind and believe in what they are creating.
I find that in the process of making a film you're constantly discovering things that you never even imagined would work at the beginning. Actors come into the film and do things you never even imagined. Production designers come in, the director of photography lights it in a way that you never imagined. So, it's always evolving, always exciting.
Everything has a personality: everything sends an emotional signal. Even where this was not the intention of the designer, the people who view the website infer personalities and experience emotions. Bad websites have horrible personalities and instill horrid emotional states in their users, usually unwittingly. We need to design things-products, websites, services-to convey whatever personality and emotions are desired.
Tell me, which designers in New York do you think are great - besides me, of course.
I've always worked closely with the designers and whoever's making the costumes. Comfort is the last thing you want on your mind when you're competing. In an ideal situation, you'll have something where you'll put it on and you're fine and you don't have to worry about it at all.
What I've learned from different designers is that it's key to be true to who you are and your vision. That's always been my line of thinking. Working through the whole design process, I don't want to create something I wouldn't be proud to wear.
Designers and photographers still want to work with me and I'm grateful for that. I don't know how long I'll carry on - as long as they'll have me.
I wear a lot of black, knitwear, skinny jeans and very high heels. My mum used to work for a fashion designer making knitwear, so she knits me lots of chunky scarves, hats and gloves, which I love.
I did not want to be labelled the designer who survived the atomic bomb, and therefore I have always avoided questions about Hiroshima.
Today's designers don't care if fashion has no relationship to human anatomy.
In another life, I would love to be the art guy - a production designer or a maybe even a composer.
I wound up studying art and design, got a job at Lonely Planet Publications as a designer, cartographer and illustrator.
As designers we have a great responsibility.
I wanted to be involved with fashion, though I didn't know what being a designer meant.
I'm not an artist. I'm a fashion designer of clothes.
I'm not a designer, I'm a creator.
Evolving Culture, Reality, as we perceive it, is largely shaped by the artifacts, both material and symbolic, of thought, thought that leads to creative manifestation in form and color. With that in mind, it might be suggested that the visual artist, - from commercial designer to fine art painter - has much to do with most things that enter your everyday visuals, and thus form a major portion of one's reality and, certainly, how this culture manifests and evolves.
My sister is an artist and an interior designer. She went to high school for art. I went to high school for music.
Fashion is very tough, and we shouldn't forget that before designers were money-makers, they were artists.
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