I have to expose myself and then accept the judgment that audiences and critics will have. And that's okay. I appreciate the elliptical nature of it. Sometimes people are more in the mood to be nice to me than others, and that's great.
Scientists disagree among themselves but they never fight over their disagreements. They argue about evidence or go out and seek new evidence. Much the same is true of philosophers, historians and literary critics.
I don't mind what the critics say, so long as I get some reaction. The worst thing is to be ignored.
You make movies for the people. If critics happen to like them too, well, that's a home run.
We're not trying to entertain the critics ... I'll take my chances with the public.
I don't need a critic to tell me I'm an actor. I make my own way. Nobody's my boss. Nobody's ever been my boss.
Half of the secular unrest and dismal, profane sadness of modern society comes from the vain ideas that every man is bound to be a critic for life.
I know as a critic I'm required to have a well-armored heart. I must be a cynical wise guy to show my great sophistication. No pushover, me.
All over the web there are some very good critics and it's become for people who are interested. It's become a very good way to get to reviews and involve yourself in discussions.
Horror fans are a particular breed. They analyze films with such detail and expertise that I am reminded of the Canadian literary critic Northrup Frye, who approached literature with similar archetypal analysis.
I think it's my nature to - every time I hear about an award or a nomination, it makes me realize how much I must've been losing before, because I was not aware that every major city had these critics' awards.
If evil be spoken of you and it be true, correct yourself, if it be a lie, laugh at it.
Nothing is as peevish and pedantic as men's judgments of one another.
My play Safe Sex was picked apart because critics thought it was untrue. It was a play in which no one had AIDS, but the characters talked about how it was going to change their lives.
An author ought to write for the youth of his own generation, the critics of the next, and the schoolmaster of ever afterwards.
It isn't what they say about you, it's what they whisper.
The good critic is he who relates the adventures of his soul among masterpieces.
If all printers were determined not to print anything till they were sure it would offend nobody, there would be very little printed.
Essays, entitled critical, are epistles addressed to the public, through which the mind of the recluse relieves itself of its impressions.
The author himself is the best judge of his own performance; none has so deeply meditated on the subject; none is so sincerely interested in the event.
I don't think the audience always listens to the critics. That's been proven time and time again.
You pick up loads of baggage with your first record with reaction to it from fans and critics. So I went to Ireland by myself for a couple of weeks with my guitar. I read lots of poetry, I read Patti Smith's autobiography and started words and phrases and then songs started to take shape.
These critics who crucify me do not guess the littlest part of my sincerity. They must be burned in a blaze. I cannot learn from them.
I have learned not to read reviews. Period. And I hate reviewers. All of them, or at least all but two or three. Life is much simpler ignoring reviews and the nasty people who write them. Critics should find meaningful work.
I'm not one of your knockabout, knuckle-scarred, Internet-controversy-courting book critics. Occasionally I stumble into controversy accidentally, but not because I enjoy it. It's probably just because I'm a weird person.
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