I don't listen to what art critics say. I don't know anybody who needs a critic to find out what art is.
An art critic is someone who appreciates art, except for any particular piece of art.
There are two sorts of beauty; one is the result of instinct, the other of study. A combination of the two, with the resulting modifications, brings with it a very complicated richness, which the art critic ought to try to discover.
When art critics get together they talk about Form and Structure and Meaning. When artists get together they talk about where you can buy cheap turpentine.
An art critic is someone who hopes to see his ideas translated to canvas without having to learn how to paint.
Don't pay any attention to what they write about you. Just measure it in inches.
Don't be an art critic. Paint. There lies salvation.
Everybody's an art critic.
Art critic! Is that a profession? When I think we are stupid enough, we painters, to solicit those people's compliments and to put ourselves into their hands! What shame! Should we even accept that they talk about our work?
The first assumption of an art critic is that the artist meant to paint something else.
All art critics are useless or harmful.
I don't know anybody who needs a critic to find out what art is.
One gets tired of the role critics are supposed to have in this culture: It's like being the piano player in a whorehouse; you don't have any control over the action going on upstairs.
To appreciate a work of art, is it okay to like what you like, and the heck with the art critics and experts? Absolutely.
I think a single sentence by Van Gogh is better than the whole work of all the art critics and art historians put together.
Aren't maids the ultimate art critics?
It cannot be too plainly stated that it is quite unimportant whether photography produces 'art' or not. Its own basic laws, not the opinions of art critics, will provide the only valid measure of its future worth.
Most artists, or at least most of the ones I know, deny having a philosophical outlook that they try to translate into their works. Some had thought of the work of Cezanne and others as being a 'painted epistemology.' But Cezanne himself denied this and Daniel-Henri Kahnwiler, the art critic and art dealer, insisted that none of the many painters he had known had a philosophical culture.
I think something happens with age. And I find this really a lot in what I read from certain art critics: For people who are all about change-people who are supposed to be intellectually and culturally drawn to the idea of change and how the voice of a creative person affects the world on a bigger scale than just the canvas-I would expect a person in that position to have that open mind. It's only a sign of age that they become so locked in their own rules that they forget that this is what it's all about.
The art critics on some of Britain's newspapers could as easily have been assigned gardening or travel, and been cheerfully employed for life.
For every good art critic there may be ten great artists.
Art is a lie that makes us realize truth.
Art critics are like every other critic.
Cortissoz was art critic of the New York Herald Tribune.
I could play a cop, I could play a crook, I could play a lawyer, I could play a dentist, I could play an art critic-I could play the guy next door. I am the guy next door. I could play Catholic, Jewish, Protestant. As a matter of fact, when I did The Odd Couple, I would do it a different way each night. On Monday I'd be Jewish, Tuesday Italian, Wednesday Irish-German-and I would mix them up. I did that to amuse myself, and it always worked.
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