Critics Quotes - Page 28

• I just think to pose for the Body Issue is a good idea for people that are bigger-boned. If people can look at me, a guy that's 325-plus, doing an issue like this, I'm pretty sure that they might have a little confidence. There will be critics, just like with everything else. I think a lot of people will get a laugh out of it, I'll tell you that. I'm looking forward to what the locker room's going to say. But at the end of the day, I'm perfectly fine with who I am as a person and what I have accomplished. It shows a lot of my personality.

  Vince Wilfork

  Thinking, People, Laughing

  Source: abcnews.go.com

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• In the eight years I worked at newspapers, even during a little stretch when I was a film critic, I was never, ever doing exclusively criticism. In the daily newspaper world, much more value is placed on reporting than on thinking abstractly about art. The eight years I was in newspapers, I was mainly a journalist in the conventional sense, and just doing criticism when there were opportunities.

  Chuck Klosterman

  Art, Opportunity, Thinking

  Source: www.avclub.com

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• The people who review my books, generally, are kind of youngish culture writers who aspire to write books. When someone writes a book review, they obviously already self-identify as a writer. I mean, they are. They're writers, they're critics, and they're writing about a book about a writer who's a critic. So I think it's really hard for people to distance themselves from what they're criticizing.

  Chuck Klosterman

  Distance, Book, Writing

  Source: www.avclub.com

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• I wasn't trying to change the laws or slow down the machine. Maybe I should have. My critics say that I was not revolutionary enough. But they forget that I am a product of the system. I worked those desks, I know those people and I still have some faith in them, that the services can be reformed.

  Edward Snowden

  People, Trying, Revolutionary

  Source: www.spiegel.de

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• I never think anyone will like what I do. I'm always terrified the critics won't like my film and of course you always count the people who leave at the screening. They are on your death list. The people who stayed, stayed because they wanted to. You see it in a different way with an audience. And when the screening Is over it's such a relief. It's such a struggle.

  Terence Davies

  Struggle, Thinking, People

  Source: www.theguardian.com

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• At the core, I am an actress. And I think, in a way, that's a good thing in that I am, I think, empathetic and sympathetic to the film. I would never pretend to have the discerning and acute critical eye that a lot of the great critics in our business do have. I don't look at it as being a critic or placing a judgment on a film, and I do think, how do you decide which film is best anyway? It's always a little bit of a mixed bag. But, I think it is just a collective group of people coming together to honor the work of an artist - that's how I think of it.

  Patricia Clarkson

  Eye, Thinking, Artist

  Source: www.interviewmagazine.com

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• I was never a critic. I was a journalist and wrote about filmmakers, but I didn't review movies per se. I make that distinction only because I came to it strictly as someone who was just a lover of storytellers and cinematic storytellers. And I still am. I'm still a great movie fan, and I ,that love of movies is very much alive in me. I approach the movies I make as a movie-lover as much as a movie-maker.

  Curtis Hanson

  Lovers, Filmmaker, Journalist

  Source: www.avclub.com

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• I am a convinced and consistent critic of party-parliamentarism. I am for non-partisan elections of true people's representatives who are accountable to their regions and districts; and who in case of unsatisfactory work can be recalled. I do understand and respect the formation of groups on economical, cooperative, territorial, educational, professional and industrial principles, but I see nothing organic in political parties. Politically motivated ties can be unstable and quite often they have selfish ulterior motives.

  Aleksandr Solzhenitsyn

  Selfish, Educational, Party

  "I Am Not Afraid of Death". Interview With Christian Neef, Matthias Schepp, www.spiegel.de. July 23, 2007.

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• I'm my biggest critic. I want there to be no flaws when you hear it. When I think that maybe it's ready, I just hop in my car it's gotta have some bump - and go to corner stores, youngsters on the block, play it for anyone. If they get into it, I get a reaction, the song passes the hyphy test. If it's just cool, we throw it away; it's not going on the record. But if it makes you wanna move - seriously - if it makes you react the same way I felt, then it passes.

  Keak da Sneak

  Song, Block, Moving

  Source: pitchfork.com

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• We triggered a discussion in society about the connection between church and state as well as our justice system. Putin is the leader, the icon and the guarantor of an authoritarian system that crushes Kremlin critics along with the help of the secret police and ever changing methods and laws.

  Yekaterina Samutsevich

  Crush, Justice, Leader

  Source: www.spiegel.de

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• The basic premise of taste, as Stephen Bayley, the cultural critic, said, is that taste is that which does not alienate your peers. Most people want to fit in with their tribe in some way or another, so they give off signals, whether it's with their clothes, their behavior, their car, their whatever, and gain status. Every tribe has a hierarchy, and that's what taste is: it's an unconscious display of who you are, and where you want to be.

  Grayson Perry

  Giving, Car, People

  Source: www.guernicamag.com

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• Younger teachers are definitely more likely to have worked at charter schools as opposed to have just heard of them. Charter schools explicitly look, often, to hire younger people. I've even talked to people who didn't necessarily go into teaching thinking they wanted to work at a charter school or even may have been considered critics of the charter school movement, and found that it was the only way for them to get their foot in the door. So young people just have much more familiarity with the concept.

  Dana Goldstein

  Teacher, Teaching, School

  Source: www.guernicamag.com

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• A writer writes a book. People read it. You don't know what they're reading, really. You read a review and think, "That is so inaccurate. You can't have been reading my book with any kind of attention, because that is all wrong, that's even the wrong name you're including there." But these reviewers have been diminished in importance, the work is so little respected. If you're reviewed by a real critic, by James Wood or Louis Menand, then you get something that is informed, interesting, and highly articulate. But the average review doesn't have that kind of depth anymore.

  James Salter

  Real, Reading, Book

  Source: www.guernicamag.com

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• I don't know how to make the critics happy!

  Hubert Selby, Jr.

  Source: www.raintaxi.com

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• I think that, right now, I am travelling in many different directions in my mind, on where I wanted to be. So much is wantin' to go back, but I still gotta move forward. But I think it's just that I'm my worst critic at all times, you know? And when I make somethin', it may be five or ten cuts later before I actually call it what it is. I've always been that kind of artist. I'm gonna put myself through the sweat for it, because I think, as an artist, that's what made me iller, is the fact that I didn't wanna just put out anything and everything. It's just a process, you know what I mean?

  Raekwon

  Moving, Mean, Cutting

  Source: thequietus.com

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• My literary criticism has become less specifically academic. I was really writing literary history in The New Poetic, but my general practice of writing literary criticism is pretty much what it always has been. And there has always been a strong connection between being a writer - I feel as though I know what it feels like inside and I can say I've experienced similar problems and solutions from the inside. And I think that's a great advantage as a critic, because you know what the writer is feeling.

  Christian Karlson Stead

  Strong, Writing, Thinking

  Source: www.3ammagazine.com

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• The Americans only like things they can label, even if it kills them. Think of those poor Latin American writers. Some of them are very good. But the "magical realism" label has absolutely ruined them. The critics are like tourists who return from a trip saying they've "done" Machu Picchu: "Okay, we've done magical realism," so now we can throw it out.

  Gore Vidal

  Latin, Thinking, Done

  Source: www.guernicamag.com

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• Publishing a book is a great thing, and I'm grateful, but it's also a horrible, exposing thing. Once you've published a book, you never write quite as freely again. You're aware, from that point onward, of the kinds of things critics might say about it. You're aware of the kinds of things your publishers might like and dislike about it. You're half-aware of marketing strategies - of all the stuff around the book. Whereas with your very first piece of fiction, if you're lucky, those things barely occur to you at all.

  Nick Laird

  Grateful, Book, Writing

  Source: www.guernicamag.com

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• Many critics speak about coming-of-age love, about initiation, about young libido, and so forth. I've never seen it only this way. We continue to examine things ever so minutely, we interpret obsessively. We may be less bold at 40 than we were at 17, but we're familiar with the road map; we know the bumps in the road; we recognize the sudden turns, the one-way streets, and the dead ends. And we are hurt just the same as when we were teenagers.

  André Aciman

  Hurt, Teenager, Speak

  Source: www.glamour.com

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• I find it's very confusing when one critic tells you one thing and one tells you something completely different. Unless all the critics agree on parts of the play that just didn't work. I have stopped reading reviews, because I find writing is all about courage. You must have courage when you start writing a play and you cannot have the voice - you must write things out. You cannot have the voice of a critic telling you, "That didn't work in that play, you cannot make it work in another play." Every time you do a production, it's an experimentation.

  Nilo Cruz

  Reading, Writing, Confusing

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• Some critics have suggested that Ronald Reagan succeeded in a series of careers, ultimately as a two-term president of the United States, by a series of fortunate accidents. Such a criticism is not backed by the evidence. It is true, though, that Reagan's approach to work and life was not conventional.

  James M Strock

  Criticism, President, Evidence

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• Less and less is the question being asked as to whether developments are taking place in a democratic and free way. Europe is in a phase in which this output is no longer sufficiently visible or tangible. Youth unemployment is still far too high, we still haven't solved our currency problem and living conditions in Europe are drifting apart. That is one reason why critics say that our Europe is based on yesteryear's model.

  Sigmar Gabriel

  Youth, Problem, Reason

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• Book critics certainly are judges who wield a tremendous amount of power in terms of whether or not a book will reach a wider audience. That's one of the reasons why I try to give coverage to books written by Latinx writers; too many worthwhile works of literature do not get the kind of coverage they deserve, and I've certainly seen that with respect to books written by writers of color. But there are some wonderful, diverse writers out there who mentor and otherwise support those voices that often have been ignored by much of the mainstream press.

  Daniel Olivas

  Book, Giving, Judging

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• I read reviews of critics I respect and feel I can learn something from. Right now there are a lot of bottom-feeder critics who just have access to a computer and don't necessarily have an academic or cinema background that I can detect, so I tend to ignore that and stay with the same top-tier critics that I've come to respect. I like reading a good review - it doesn't have to be favorable, but a well-thought-out one - because I very much appreciate the relationship of directors and critics.

  Alexander Payne

  Reading, Appreciate, Computer

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• I am not a representative of anything. When art historians or critics or the public put somebody in a drawer like this, it has a tranquilizing, paralyzing effect. Artists are individuals. They have ideas, and the conventions for one's self as an individual are not for a group. There are always those who follow the group, but they belong in the margins. I refuse to be placed within, or added to, one particular school.

  Georg Baselitz

  Art, School, Individual

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