Telling a story in a futuristic world gives you this freedom to explore things that bother you in contemporary times.
While contemporary non-Evangelicals have virtually reduced faith to 'courageous ignorance,' Evangelicals have hardly been faithful in defending God's objective communication of truth.
Suddenly contemporary Christianity sales pitches don't seem adequate anymore. Ask Jesus to come into your heart. Invite Jesus to come into your life. Pray this prayer, sign this card, walk down this aisle, and accept Jesus as your personal Savior. . . We have taken the infinitely glorious Son of God, who endured the infinitely terrible wrath of God and who now reigns as the infinitely worthy Lord of all, and we have reduced him to a poor, puny Savior who is just begging for us to accept him. Accept him? Do we really think Jesus needs our acceptance? Don't we need him?
During my career I’ve enjoyed re-invigorating and contextualizing classic characters that are relatable to contemporary audiences.
Few people in contemporary art demonstrate much curiosity. The majority spend their days blathering on, rather than trying to work out why one artist is more interesting than another, or why one picture works and another doesn't.
Photography has an amazing ability to capture the fine detail of surface textures. But far too often these intricate patterns are loved by the photographer for their own sake. The richness of texture fascinates the eye and the photographer falls easy prey to such quickly-caught complexities. The designs mean nothing in themselves and are merely pictorially attractive abstractions. A central problem in contemporary photography is to bring about a wider significance in purely textural imagery.
On the one hand, we had great filmic spectacles that brought in big audiences, adults as well as primary and secondary school students. On the other hand, there were attempts to create contemporary Polish film.
What distinguishes the arid ages from the period of the Reformation, when nations were moved as they had not been since Paul preached in Ephesus, Corinth, and Rome, is the latter's fullness of knowledge of God's Word. To echo an early Reformation thought, when the ploughman and the garage attendant know the Bible as well as the theologian does, and know it better than some contemporary theologians, then the desired awakening shall have already occurred.
Discipleship' as a term has lost its content, and this is one reason why it has been moved aside. I've tried to redeem the idea of discipleship, and I think it can be done; you have to get it out of the contemporary mode.
The more we study the early Church, the more we realize that it was a society of ministers. About the only similarity between the Church at Corinth and a contemporary congregation, either Roman Catholic or Protestant, is that both are marked, to a great degree, by the presence of sinners.
As Wade Clark Roof noted in his study, the 'weightlessness' of contemporary belief in God is a reality...for religious liberals and many evangelicals.
If the Christian church is to move responsibly towards the future, it must restore or renew its ties with its past. Contemporary Catholic and Protestant radicals want to claim that Christianity means whatever Christian today happen to believe and practice, be it pantheism, unitarianism, or sodomy. The Christian faith has suffered immeasurable harm because of the tendency of people to use the word Christian in a careless and non-historical way. Nothing in this argument would preclude liberal Protestants and Catholics from developing and practicing any religion they like.
I have an unconscious burglar living in my mind: If I read something, it's mine. I can read Middle English stories, Geoffrey Chaucer or Sir Thomas Malory, but once I start moving in the direction of contemporary fantasy, my mind begins to take over.
This is a grave danger: the stoppage of information between the parts of the planet. Contemporary science knows that such stoppage is the way of entropy, of universal destruction.
A learned historian declared to me of a contemporary, that the latter had appropriated his researches; he might, indeed, and he had a right to refer to the same originals; but if his predecessor had opened the sources for him, gratitude is not a silent virtue.
Snobbery is not merely a silly human weakness but something basic in the mentality of modern man-a symptom which reflects the general sickness, the dislocation of social and cultural values in contemporary civilization.
Novels, except as aids to masturbation, play no part in contemporary life.
I like things that are kind of eclectic, when one thing doesn't go with another. That's why I love Rome. The town itself is that way. It's where Fascist architecture meets classic Renaissance, where the ancient bangs up against the contemporary. It has a touch of everything. That's my style, and that's what my work is about.
Contemporary American children, if they are old enough to grasp the concept of Santa Claus by Thanksgiving, are able to see through it by December 15th.
The many faces of intimacy: the Victorians could experience it through correspondence, but not through cohabitation; contemporary men and women can experience it through fornication, but not through friendship.
When I heard the word ''stream'' uttered with such a revolting primness, what I think of is urine and not the contemporary novel. And besides, it isn't new, it is far from the dernier cri. Shakespeare used it continually, much too much in my opinion, and there's Tristam Shandy, not to mention the "Agamemnon."
The greatest need of the contemporary international system is an agreed concept of order.
I don't decide where I live. My wife decides. She's a curator of contemporary art, and she works at an art museum, so we go wherever she has a job. All basements look the same, so I can write from whatever basement I happen to be living in.
What need had the businessman to scribble or philosophize when he dominated the imagination of his time and the frantic materialism that was his principle of existence had become the haunting central figure in contemporary life?
The most difficult problems are naturally not involved in the search for forms for contemporary life. It is a question of working our way to forms behind which real human values lie.
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