The contemporary hero, the mythical pattern in the imitation of whom we would live, remains as yet undefined. We have no hero; what is more to the point, we suspect hero worship.
Too much reasoning has spoiled the contemporary mind. People have lost their hearts and faith.
While there is a great value in things that are old, it seems that the overwhelming challenge in Britain in the late 20th century is to make every effort to see value in the contemporary and in the future.
This socialism will develop in all its phases until it reaches its own extremes and absurdities. Then once again a cry of denial will break from the titanic chest of the revolutionary minority and again a mortal struggle will begin, in which socialism will play the role of contemporary conservatism and will be overwhelmed in the subsequent revolution, as yet unknown to us.
...it is in the nature of original contemporary art to present itself as a bad risk. And we the public...should be proud of being in this predicament, because nothing else would seem to us quite true to life; and art, after all, is supposed to be a mirror of life.
It is not that I don't like contemporary country music because I do. I love it. I have recorded a lot and have had great success recording records that have not been very traditional country records.
Eclecticism is the degree zero of contemporary general culture: one listens to reggae, watches a western, eats McDonald's food for lunch and local cuisine for dinner, wears Paris perfume in Tokyo and 'retro' clothing in Hong Kong; knowledge is a matter of TV games. It is easy to find a public for eclectic works.
It's one of the great tragedies of our contemporary life in America, that families fall apart. Almost everybody has that in common.
Traditional arguments for the existence of God and contemporary attempts to use fine-tuning and cosmology to back up the case for his existence always strike me as kinds of games, since hardly anyone believes on the basis of these arguments at all.
I always thought 'chick lit' meant third-person contemporary funny novels, dealing with issues of the day. I mean, it's not the ideal term; when I'm asked to describe what I do, I say I write romantic comedies, cause that's what I feel they are. But I'm quite pragmatic.
I write about the trials and triumphs of contemporary life - and often the readers see themselves between the lines of the story.
My work has been marginalized as far as the jazz-business complex is concerned, or the contemporary-music complex.
One feels very blessed to be born into a family like the Birla family, which is a household name in India, which stands for tradition, is yet contemporary, stands for trust.
I feel like contemporary art is everywhere now and with the rise of the internet, it's so much easier to see what artists are doing and to follow their careers.
I'm certainly very influenced by what you would call 'contemporary headline horror,' stuff that is true crime or for one reason or another catches our attention in the media, those strange cases that we end up obsessing about. I'm always influenced by weird anecdotes and news.
I've not been an admirer of contemporary music since punk rock went off the boil in 1977, but once a year I'll listen to 'Spiral Scratch' by the Buzzcocks, or 'Hippy Hippy Shake' by the Swinging Blue Jeans. Otherwise, I can put up with Chopin or shakuhachi flute in the background.
One very important aspect of our contemporary musical culture - some might say the supremely important aspect - is its extension in the historical and geographical senses to a degree unknown in the past.
I did a series called Ned and Stacey for two years for Fox back in the 90s. I was writer on it as well as a producer, and it was very important to me that there were no contemporary references.
My first seven novels were contemporary spiritual novels, my next nine had strong elements of fantasy, and now I'm writing thrillers, more as a choice to spread my wings than anything. Writers, like good wine, should mature with age.
I write contemporary fiction, and that is what my readers want to read.
There are no categories in contemporary art. There are no rules. Artists are given the freedom to make and create whatever they please and call it whatever they please. I identify with that system, or lack of system, much more than I do the landscape of contemporary publishing.
I like contemporary American literature and I like biographies and I like jazz and I like baseball and I like writers who write about the human condition and sci-fi is just something that I happened into.
The contemporary authors I most admire are Nick Hornby and Jonathan Tropper.
When I was doing theater for all those years in New York, I did a lot of classical theater, wearing big corsets and big dresses and doing dialects. It's interesting that once I moved to TV, I'm playing these scrappy, contemporary toughies.
I don't know what issues concerning identity have helped contemporary fiction evolve to what it is now. All I know is that the range of voices that are being heard and published is a lot more diverse than when I was coming up.
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