I'm a frustrated stand-up comic. If you hand me a microphone and I get one laugh, then I'll go on for 20 minutes.
The comic book is the marijuana of the nursery, the bane of the bassinet, the horror of the home, the curse of the kids and a threat to the future.
I was writing the kind of comic that would make me, at age 26 or 27, go down to a comic book store every month and spend my $2. That was my starting point. I wanted to write a comic that I would read. And that's still my agenda.
Ya know, if you treat every comic the way you treated me tonight, you would never see a bad show.
The comic strip is what I looked at, and it's another reason I did it. The comic strip, where animals would comment on human behaviour, interested me.
As a comic, you learn to use your voice because you don't have the benefit of visual things.
I'm a joke comic. I tell jokes.
My Obama is getting pretty good ... I think I'll vote for whoever makes my portrayal easier. It takes time to put together a comic impression. It takes time to recognize the tics. Right now, for instance, I could do a dead- on Paul Ryan and people wouldn't recognize it. Personalities take a while to sin.
I always wanted to tell stories. From the time I had 20 cents or a quarter in my pocket, I could peddle my old Rambler 500 down to the corner store and buy comic books.
Personally, I really enjoy sci-fi. I watch it, I read comic books, and I play video games. I love this kind of world, so too be able to work in it is a dream. I enjoy it.
I've never really been a genre fan. I never grew up reading comic books, or was a horror buff.
You must show how gruesome that death is because if you don't, then you turn into some kind of comic book and pain, then death, doesn't have a consequence, and pain doesn't have a consequence.
I think to put death on screen where it isn't that turns it into comic book time and there I think by desensitizing an audience, you really do open the possibility that someone is going to kill.
Because I've never made this kind of movie before, so I've never even been to Comic-Con. And Hugh and Evangeline keep telling me, 'Oh, my god... This is such Comic-Con fodder. We're going to have such a fun summer!' Is this the kind of thing they show? That length?
For all that Tron wanted to be, it ultimately had to be a fun ride for the audience and I was going to be one of the comic characters, and he was really on top of that. He was having such a good time doing it. That's my memory of it. I'd love to work with him again. I think he's great.
I think there are fans who love the genre to begin with, and there are fans who love the comic book to begin with, but fans of the comic book aren't necessarily fans of the genre. There are obviously a lot of those people who love both, but I'm not a huge fan of that genre, personally.
I got to go to New York Comic-Con. I've never been and I've heard it's crazy, so I'd love to see it. To be quite honest, I'd like for people to want us to be there, too. I'm hoping. I'm knocking on wood, so we'll see.
They're {Marvel] the ones who have went out and bought the comic book whenever it came out. They're the real investors. They serve them. Having a chance to be part of that Marvel Universe is just - well, it is what it is. It's just fantastic.
I was pretty nervous when I met Robert Kirkman. It's very strange to meet someone who created you. Andrea [ from The Walking Dead] is still very much alive and kicking, seven years into the comic book, so to meet Robert and be like, "Hi, I'm Andrea," I had to just hope that he was happy with the decision.
I think that Comic-Con is just a wonderful forum. It's just the perfect place for our show and the fans have embraced us so wonderfully. I would be shocked, if we weren't back every year.
I don't stay in the genre because I just like all stories that have a smart hook in them and I can find a comic way through if it's a comedy or a suspenseful way through it if it's a drama.
It's like so great to be in Toronto and to see everything that's in the books and everything they reference and to be able to hang out in those places and go to those bookstores and those comic book stores and those music stores, and like have that, from the books onto the screen, is so cool and I'm glad to have been part of that.
I've done some stuff with Thomas Jane and Tim Bradstreet in the comic world and it was interesting to me how close to a screenplay a comic can be. Certainly a four issue comic can be a four act structured screenplay and so I would totally be for that.
I didn't know the comic at all, which is really funny because I grew up here and I had friends who worked at all of the places. Like The Beguiling, which is a store here, and Suspect Video and one of my friends actually worked at Suspect and The Beguiling. So it's kind of crazy that I'd never known the books before.
I haven't read the comic book. I didn't even know there was one until about halfway though. Helen Mirren and I were talking about that actually, who also felt kind of silly. When we had to run she was like, 'Oh God, we're both going to get fired.' The running sequences, it's a particular kind of humiliation because it's fun.
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