I love any comedic zombie movies.
I didn't realize quite how liberal I was until I was asked to make passionate comedic choices as opposed to necessarily successful comedic choices.
My little boy Sonny makes me laugh all the time. He has good comedic timing.
No one turns down a film with Woody; it's something everyone wants in their career as an important moment. He's such a comedic genius, without question, so I was thrilled.
When I started auditioning, I'd take any audition I could get. The more dramatic ones didn't go as well as the comedic.
I realized two things from an early age - I was insane and had some kind of comedic thing going on. My brain was wired to think about things in terms of how funny they were.
Jason [Sudeikis] is a successful actor and comedian, I don't think that he takes comedic roles any less seriously than he does dramatic roles.
A friend of mine is trying to do a documentary where he brings Jewish and Arab comedians to occupied territories in Israel. He wants to do shows as a way of finding some comedic common denominator. When he proposed the idea to one of the officials at the Jenin refuge camp, the guy just stared at him and said, "This is not a joke to us. We don't think that laughing is the answer."
I don't know how (producer) Dan Harmon put that together but he did. Everyone gets along and we all babysit Chevy Chase (laughs) and it all works out. Plus we are given a lot of freedom to riff off each other and compliment each other's comedic style. The group is so talented, whether it be Donald Glover or Allison Brie and now Jim Rash who plays the Dean is finally a full member of the cast - oh my gosh, he is so funny. I call him Rumplestiltskin; he can spin comedy out of anything. I am in such a blessed situation - if only more people would watch it.
When someone who is known as a comedic actor goes to drama, it often doesn't work out, because they really just chose wrong, I think - or maybe they're just not good actors, I don't know.
I'm actually really proud of how I believe people perceive me in this industry. I worked really hard to be seen in a certain way. I think I get a lot of respect for what I usually do. I find that comedic world completely fulfilling and wonderful and they're all my best friends.
Because of my comedic-influence growing up, Mel Brooks, Jim Carrey, Steve Martin… A lot of Jeff comedic-influences included Charlie Chaplin and physical comedians of the silent-era. What we were able to do together is to show all these major influences but make it into our own comedy. We've seen the stereotypical boy-meets-girl story a hundred thousand times…
I feel more comfortable writing firmly comedic or slightly comedic stuff.
I'd like to keep exploring comedy. I didn't necessarily think of myself as a comedic actress, but it's a lot of fun.
We were in production on a movie called All the Real Girls, which filmed in the Fall of 2001, and we really discovered who Danny McBride was, as an actor. When I say we, I mean me and a crew and a small audience that would hit the art house. He'd never acted before, and it was a really refreshing, eye-opening experience to watch him unleash, in front of the camera, all this comedic potential that we knew he had, as a human being and as the guy doing keg-stands at the party.
A lot of people inspire me. I'm a huge movie buff. From studying and watching movies, over and over again, directly influential are Terrence Malik and his naturalism, Robert Altman and his exploration of improvisation, and Judd Apatow, in terms of his comedic process.
The physicality was important to me. Because the film has Shane Black's dialogue, and [Robert] Downey's delivery, and you look at [Jon] Favreau, Don Cheadle and Gwyneth [Paltrow], it is this heightened level with a comedic aspect to it. Everything is grounded in reality, but it plays a little heightened.
After my first novel, my mother said to me, 'Why don't you make your writing more funny? You're so funny in person.' Because my first novel was rather dark. And I don't know, but something about what she said was true. 'Yes, why don't I?' Maybe I was afraid to be funny in the writing. But since then, seven books later, almost everything I've done has a comedic edge to it.
The director of the [Grimm] pilot called me in. I had worked on a pilot called Love Bites with him, and the producers I worked on with on Hot In Cleveland, so they knew me from comedic worlds, and they wanted someone who could be light too. Because it is pretty heavy.
I think the good news for me in life is that I really trust my instincts when I come to work. Maybe less in life and in love, but in work and in comedic beats, I feel pretty confident.
I'm interested in everything about what it means to be a human being, so every role is an excuse to delve into a different way of life, a different socio-economic background, and a different tragic or comedic circumstance.
I love Starship Troopers. That's really smart. I think he really could portray fascism in a comedic way. It's funny because both José [Padilha] and [Paul] Verhoeven were accused of being fascists for their movies because they had fascist leads. So, it's not going to have his tone, but there's going to be political satire in it.
I like playing an array of different roles. From the fun, comedic roles to the serious roles. It's always fun to play the role that either closely represents your own personality or the role that is completely opposite of yourself.
Comedy comes from a place of hurt. Charlie Chaplin was starving and broke in London, and that's where he got his character 'the tramp' from. It's a bad situation that he transformed into comedic one.
I loved Peter Sellers. I thought he was the perfect mix of physical comedy with out-of-the-box humor. I loved his tone; I loved his physicality; I loved everything about what he was doing as a comedic actor.
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