I try not to be too plot-heavy and to balance the dramatic with the comedic.
I love acting. I love play-acting. I love pretending. I love telling stories so whether they be comedic or serious or whatever, it doesn't really matter to me. I enjoy telling a good story. I have it all in me.
There are a lot of comedic actors who are just out to be the funny one and get all the laughs and they'll sacrifice your joke, the scene, the story just to be the star. All they want is attention and to be number one. You can spot those guys from a mile away and they're the worst.
If you're comfortable with someone, you feel creatively free. Whether it's a comedic scene or a dramatic one, you don't feel self-conscious because you feel safe with the people that you're around.
Comedy is more difficult than drama. I think it's really difficult to make someone laugh because people have very different comedic sensibilities. In drama, you can get away with being a great actor and surrounded by great actors and having good writing. But in comedy you have to listen and you have to perform with a certain rhythm, because if you don't, it's like playing a wrong note in the orchestra and you can hear the off key and it will fall flat and you won't get that instant response.
My heroes are Bill Murray and Dustin Hoffman. Those are the two actors that both do comedies and dramas, seamlessly. Also John C. Reilly and Philip Seymour Hoffman. They're all just great actors, neither comedic nor dramatic. They're just great actors.
I think the best comedic actors don't play it for comedy, they play it for reality. Then you find it funny because it's real. Playing the genre is the worst thing you can do - it's embarrassing.
My instincts are not comedic.
And I do think that great fiction, even when it's comedic, has an urgency or an inevitability to it, a sense that the writer absolutely had to write this particular story in this way.
The fact that you can say stuff to people that other people are only thinking is always fun. It's a great tool for comedic moments, as well.
I'm not a sketch writer. I know what I am: I have a sensitive comedic sensibility. What turns me on is subtle neurosis. That's my game. I'm not an action writer or a thriller writer and I'm not a sketch writer. I don't pretend to be those things. Then it would not be fun. Then you are in a space where this is painful.
I actually feel like, for a lot of my career, I wasn't able to show my comedic range. I did a lot of dramas and dramedies. I was on 'E.R.' That's not generally thought of as a funny show.
I think it's actually a misperception that I am a comedic actress. I do more drama than comedy but very little of it has been seen. When you are in big funny movies and they do well and your little part in it kind of explodes people perceive you as a comedian.
I don't think I can be intimidated about working with any comedic actors. It felt great to get to play hardball with the big boys as they say.
I've always been the goofy kid. Growing up, I always enjoyed the comedic aspect of relating to women. Even on camera, it was always the funny take on it.
If you only ever heard "Valley Girl," or "Don't Eat The Yellow Snow," or a song that has a comedic narrative, you would get some impression that that was novelty music, but that's the only stuff that ever got on the radio. You can make the argument that that's what has confused generations as to what his music's about.
I consider Ric Flair to be one of the great comedic minds. But I never got to see him growing up because that was back when they still had territories.
I used to coach a lot of hockey. I'd love to be a hockey coach, a bit more of a dramatic role and not comedic. I would go back to my hockey roots, that would be fun.
Joe [Wright] reached out to me and sent me a treatment, and I said yes on the spot just from the treatment. Within six weeks, I was in Cape Town and there was a script [of Black Mirror episode 'Nosedive'], but I didn't realize until I received the full script that Rashida [Jones] and Michael [Schur] had worked on it. It's a particularly funny episode. Joe and I always looked at it as a satire; it has a lot of comedic elements to it.
You live your comedic life close to the edge, you're gonna cross the line and offend people.
When you are honest in your comedy, you have to acknowledge the world that you're in. Through a comedic voice you're talking about what needs to be talked about, whether it's race relations or politics or anything that's happening on a global or an American scale.
If it's comedy, you taken an absurd comedic notion and you apply it to reality. If it's horror, if it's a thriller, you do the same thing.
I've never considered myself a comedian. I'm a comedic actor.
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