I believe in classic ideas. They are timeless. They are forever. There are many fads in management.
There's a classic story I tell about when I did the Man Show about the retarded conversations that you have with the executive producers and the network.
I think it's harder to make a classic now, not because of what people say, but because artists now are so concerned with what people say.
I think it's pretty classic if you look at the way entertainment reflects the country's status. There was a reason in the '50s when communism was bubbling that there were a million zombie movies. Because that is the direct allocation. So for the last two years we've been hearing, "Make America great again." People go, "Well, America was never great." What do you mean? What you mean is that they want to look back in history. And so I think it's only natural for entertainment to reflect that.
There are two reasons [ business people are not publicly anti-Donald Trump ], one is well-intentioned, which is the classic kind of American notion. We want to be inclusive, we want to have our shareholders, our employees, our customers, whether they are Democrat, Republican, Green or Libertarian, to feel comfortable with how we're doing business. And so that tends to be apolitical. People say, "No, no, I just simply shouldn't get involved in politics."
I have a fairly strict definition of early infantile autism. That is not to say that people who don't meet that classic description don't have autism, but we might do well to narrow our definitions, and our samples, down to groups that are very similar, because I think you're more likely to find the cause.
I think that if I could do any sort of research of autism that I wanted to do, at this point I would take a sample of classic, early infantile autism persons and compare them with what I call "classic late onset autism", individuals. I think we will find that the cause of those youngsters with autism who have autism from birth is probably different than those who have late onset autism.
I don't know about calling yourself a feminist. I also, for me, it's difficult for me to call myself a feminist in the classic sense because it seems to be very anti-male and it certainly is very pro-abortion in this context. And I'm neither anti-male or pro- abortion, so.
I came from a big family, with not enough attention. It's classic. I wasn't the baby, but was second to last. It's absolutely the same story that most people have in this [film] business, they're the middle children. I've encountered some people, and it's weird to me, that they were the youngest in their family. I don't understand how that works, they got the attention.
Classic nineteenth century European imperialists believed they were literally on a mission. I don't believe that the imperialists these days have that same sense of public service. They are simply pirates. Yes, there are fundamentalists, Christian fundamentalists, who appear to be in charge of the White House at the moment, but they are very different from the Christian gentlemen who ran the British Empire and believed they were doing good works around the world. These days it's about naked power.
People will find some ways of identifying themselves, becoming associated with others, taking part in something. They're going to do it some way or other. If they don't have the options of participation in labor unions, political organizations that actually function, they'll find other ways. Religious fundamentalism is a classic example.
Turns out, this 'whatabboutery' is a classic way of silencing women when you don't like what they're fighting for. Don't panic, feminists are quite capable of fighting multiple battles at once!
Bankers themselves govern the Fed to some extent, and then there's the classic revolving door where Fed officials come from and then go back to the financial sector. Fed officials tend to believe that the institution should have a large measure of independence from democratic control, even though in law it is under the ostensible control of Congress.
I look at my kids as the Harry Potter Generation. There's a sense of justice about that, in beating Voldemort. It's a classic tale of good versus evil. To have a role model like Harry Potter that says you can defeat evil, but still be a complicated human being. That gives me a lot of hope.
What I'm really trying to do is recreate classic Hollywood cinema and classic genre cinema from a woman's point of view. Because most cinema is really made for men, how can you create cinema that's for women without having it be relegated to a ghetto of "chick flick" or something like that?
Women sometimes really love to look at other beautiful women on the screen. But they don't look at a woman the way a man looks at a woman. They want to be that woman. They like if a woman is beautiful or sexy, especially if she's powerful. They like to see her catch a man, or to be powerful in the world. I think this is why a lot of women love noir films and classic films because they can really identify with these really strong, beautiful women. That's the kind of power that women have lost culturally.
My grandma Ricky - that's where I got classic look from. She was the most stylish person ever. She had her own clothing store and even her furniture was stylish. I got my "Flashy, but classy" motto from her, too. Whenever she walked in the room, she was always the most stylish person in the room.
I think that Ruth Bader Ginsburg needs, like, a pump-up. And I think Jock Jams is a classic pump-up. Like before she starts working, she needs that.
I put a lot of pressure on myself to figure out what to say and, lately, I've started trying to work through things in my head. Before, I wouldn't trust my instincts or what I wanted to say and I really struggled with what I wanted to say. I guess it's just the classic case of writer's block and learning how to work through that. I'm slowly learning how.
The madman theory can work, but it only works if it's strategic. And I think one of the problems that President Trump faces is people don't really know how much strategy is here and how much is he just sort of talking off the top of his head. And I think North Korea is a really classic case of a potentially insoluble problem, a problem that you have to manage.
I've heard people ask, What's so sacred about a classic books that you can't change it for the modern child? Nothing is sacred about a classic. What makes a classic is the life that has accrued to it from generation after generation of children. Children give life to these books. Some books which you could hardly bear to read are, for children, classic.
The net neutrality game is to make everybody the same so that there's no difference and the prices are the same and if these Millennials got their way nothing would cost anything. But it's classic. This is a great illustration. Net neutrality is being stood upside down which is good because it's pro-competition, it offers customers options.
It's classic the way liberalism works. If anybody has an advantage over anybody for any reason, it's not permitted. It's not fair. And it's got to be regulated and equalized. And in the process, competition's destroyed and when competition goes, so do consumer advantages.
My daughter is reading various Young Adult vampire stuff, and I ask her, "Is there even a bad vampire in the story?" There's always a good vampire now, but do any of them sleep in coffins? And I would bring her down to my library and say, "Here's every classic vampire literature. There are coffins, there's this, there's that," you know? "When you get to the YA stuff, you may try some of this stuff just to see where it came from."
Classic Van Halen made people want to dance and f**k. Modern Van Halen makes you want to drink milk and drive foreign cars.
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