It is a very classic Western [Valley of Violence], and if you like Westerns, you'll like this movie, but there's a tone to it that's all its own that I think is unique and memorable.
I was about 21 when I read that [Mere Christianity], and my faith was really being shaken during those days. Its a great, classic book.
I was into fantasy more than horror. I was growing up in the mid-'70s through the '80s, and I also got a healthy dose of that classic era of film.
Michelle Landr is a fabulous member of Parliament. She is a true representative of that community. She's a classic middle-of-the-road Australian who represents the interests of her community with passion and with a lot of common sense.
I want to shift my career back to shows like The Knick. I prefer the classic drama structure.
There has been a lot of bad fantasy in the past - I'm by no means saying that all classic fantasy out there is bad - but there has been a lot of bad fantasy written by people who read a lot of fantasy and so all they keep doing is recycling it.
The nice thing about your police procedural as opposed to your classic murder mystery is that in a murder mystery you don't know who did it. Whereas in a police procedural you know, you know everything often and you're watching the police home in.
Hillary Clinton's such a classic Democratic political figure and believes so much in institutions and in gradualism in the old way of reaching compromises with the opposition in the back rooms. That's what she did in Congress. It's what I imagine she'll try to do in the White House.
I had a classic case of what people call "seeker's disease." That was part of my journey, but now, meaning is like a secret that's revealing itself moment by moment, day by day.
I love all the '90s kind of grunge, and I love classic rock: That's where the spectrum lies.
It was in D.C., and I couldn't believe how they were just three guys, but they sounded like six guys. It was amazing. I got spoiled, because that was my first concert. I wish in retrospect I had seen someone like Air Supply, and then my expectations could keep rising. Nothing against Air Supply. "I'm All Out Of Love" is still a classic.
I see myself as a classic middle market entrepreneur, and this is the role I fulfil.
Building on the public's unwillingness to act on principle in support of market solutions to apparent problems, whether real or imagined, these interest groups secure arbitrary restrictions on voluntary exchanges and, in the process, secure rents for their members while reducing both the liberties and economic well being of other members of the economic nexus, both domestically and internationally.
Penn [Jillette] and Teller and I get along very well. We can call each other and say, "I'm working on this classic effect. Please, I'd like to do it for a while." We'll all respect it. There are people we don't get along with, but mostly there is a respect amongst the group.
I like to wear classic silhouettes and add a punch to it. I'll wear a high-waist legging and a super-crop top or a see-through top with a nice bra underneath. And I just always try to mix it up with heels or something.
There's something about taking a classic movie that people love and doing another version of that, you're setting yourself up for a mistake.
The classic example I've used - I'm sure you've heard me say it before - was Mark Begich in Alaska who was here for a full six years and never had a roll call vote on an amendment on the floor of the Senate, which Dan Sullivan tells me he used on virtually a daily basis. So the notion that protecting all of your members from votes is a good idea politically, I think, has been pretty much disproved by the recent [Barack Obama] election.
Doing classic plays is wonderful. It's a wonderful way of developing style.
I tend to keep my style very classic. I like very girly, retro inspired, feminine floral things. I'm not very edgy.
Technology and the Internet have created a new set of relationships. It's changed the social fabric of promotion: advertising, dating. Part of art world judgment, part of it, is based on people's statistics; their measure of financial value: of likes, of popularity. Data and technology are invading the traditional and classic set of criteria.
My high school had been a renovated old hospital, so when I first came to the UCLA campus in the spring of 1965, I was immediately impressed by the classic northern Italian architecture that was mixed with futuristic ultra-modern buildings. The classic architecture gave it the heft of old wisdom while the modernistic look inspired hope for the future.
Rent control is one policy that economists universally would oppose. It is a grossly inefficient way of allocating housing space and, of course, it inhibits construction and creates the very thing it is supposed to alleviate. It is one of those things where people simply don't understand simple economics and, therefore, put in for political reasons what will damage the very people that it is designed to help. Minimum wage levels are another classic example.
Classic economic theories recognize public goods aspects of one kind or another - the need for economic intervention in, obviously, the supply of infrastructure and of education. We're not supplying that infrastructure at an appropriate rate today. I don't doubt it isn't just money; it's organization and goals and so forth.
There are things about classic liberalism that obviously I'm drawn to and I bet all of you are as well. Those are things like liberty, freedom, the Bill of Rights. But the reason that I reject the label is that I grew up cutting my teeth against the liberals.
We're in a classic demand-shortfall recession. There aren't enough jobs because total spending is too low. Consumers won't lead the way because they're busy paying down debt and are fearful they'll lose their jobs, if they haven't already. Businesses, which are currently sitting on mountains of cash, won't spend either, because they already have sufficient capacity to produce more than people are willing to buy.
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