I've been very fortunate to go from interesting chapter to interesting chapter. I've always enjoyed the process and always enjoyed working more really than the end result of what it achieves. I'm more interested in doing the work.
Life doesn't happen in chapters - at least, not regular ones.
Upon looking back from the end of the last chapter and surveying the texture of what has been wrote, it is necessary, that upon this page and the five following, a good quantity of heterogeneous matter be inserted, to keep up that just balance betwixt wisdom and folly, without which a book would not hold together a single year.
In one particular chapter in Ulysses, James Joyce imitates every major writing style that's been used by English and American writers over the last 700 years - starting with Beowulf and Chaucer and working his way up through the Renaissance, the Victorian era and on into the 20th century.
He managed to do this 'tour de force' of styles without ever breaking the narrative structure of the chapter he was writing. It is the most brilliant parody of writing styles that I have ever read.
Here was the greatest and most moving chapter in American history, a blending of meanness and greatness, an ending and a beginning. It came out of what men were, but it did not go as men had planned.
We were lucky to get Sam Jackson and Jeremy Irons and John McTiernan back. Long movie and hard movie to make and difficult for me because instead of working, my biggest concern was not repeating things I had done it in the previous films. And it rang notes in my head of episodic TV. A sequel is not a new movie; it's a chapter in a movie that you have already seen. Thank god Sam was there and thank god Jeremy was there. Again, it went outside the template of that series of films but it did well and made a ton of dough and the third chapter of a lot of sequels is always the one that falls down.
Of all the differences between the Old World and the New, this is perhaps the most salient. Half the wars of Europe, half the internal troubles that have vexed European States... have arisen from theological differences or from the rival claims of Church and State. This whole vast chapter of debate and strife has remained virtually unopened in the United States. There is no Established Church. All religious bodies are equal before the law, and unrecognized by the law, except as voluntary associations of private citizens.
Only towards the end of this process are any of the chapters in fully readable condition, a state of affairs that used to alarm my wife. But Joan's got used to it.
We have the Annunciation, the Conception, the Birth and the Adoration, as described in the first and second chapters of Luke's gospel; and as we have historical assurance that the chapters in Matthew's gospel which contain the miraculous birth are an after addition not in the earliest manuscripts, it seems probable that these two poetical chapters in Luke may also be unhistorical, and borrowed from the Egyptian accounts of the miraculous births of their kings.
When I was taking art history I was always angry that we would skip certain chapters because "it wasn't important." Like, "Let's skip over the Japanese. Let's just get to Giotto, because that's where everything begins." It's like, no. Everything is relevant to me.
I posted the first three chapters and I had enough people say that chapter two was dragging that I cut it out just before the book went to press. And I'm glad I did. The book is a lot better without it.
By exploring other worlds we safeguard this one. By itself, I think this fact more than justifies the money our species has spent in sending ships to other worlds. It is our fate to live during one of the most perilous and, at the same time, one of the most hopeful chapters in human history.
During the years I was on the board of directors of the National Organization for Women in New York City, the most resistant audiences I ever faced in the process of doing corporate workshops on equality in the workplace were not male executives - they were the wives of male executives. As long as her income came from her husband, she was not feeling generous when affirmative action let another woman have a head start vying for her husband's (her) income.
I couldn't bear to see a chapter of the gospel turned into a chapter of Trollope.
I know that so many of us hoped that, by electing our first black president, we had turned the page on this chapter in our history. But, despite our best efforts and our highest hopes, America's long struggle with race is far from finished.
The treatment of children in Indian residential schools is a sad chapter in our history... Two primary objectives of the residential schools system were to remove and isolate children from the influence of their homes, families, traditions and cultures, and to assimilate them into the dominant culture.
I'm not the kind of writer that can wake up and say, "Okay, I'm gonna write a song today," and have that song be the kind I would want to record. The songs of mine that I end up liking are songs that come from real experience. They're like chapter titles in my life.
The Irish, as a race, have the oral tradition in their blood. A direct question to them is an anathema, but in other cases, a mere syllable of a hero's name will elicit whole chapters of stories.
If life were a novel, then dead would mark the end of the first chapter.
The most superficial fact regarding the 'Discourses,' the fact that the number of its chapters equals the number of books of Livy's 'History,' compelled us to start a chain of tentative reasoning which brings us suddenly face to face with the only New Testament quotation that ever appears in Machiavelli's two books and with an enormous blasphemy.
Another chapter closes before it has the chance to begin
Painters work from the ground up. The latest version of a painting overlays earlier versions, and obliterates them. Writers, on the other hand, work from left to right. The discardable chapters are on the left.
a novel is not born of a single idea. The stories I've tried to write from one idea, no matter how terrific an idea, have sputtered out and died by chapter three. For me, novels have invariably come from a complex of ideas that in the beginning seemed to bear no relation to each other, but in the unconscious began mysteriously to merge and grow. Ideas for a novel are like the strong guy lines of a spider web. Without them the silken web cannot be spun.
The book Dynamic Programming by Richard Bellman is an important, pioneering work in which a group of problems is collected together at the end of some chapters under the heading "Exercises and Research Problems," with extremely trivial questions appearing in the midst of deep, unsolved problems. It is rumored that someone once asked Dr. Bellman how to tell the exercises apart from the research problems, and he replied: "If you can solve it, it is an exercise; otherwise it's a research problem."
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