I think having a coach or an editor or whatever the novelist's producer is could help. If you finish a chapter and you turn it in to him, and he or she said, "That was pretty good, it might go better." Maybe that's what I'll try to find.
I love the songs we've written together [with Ivo Moring] and believe that Rock music is coming back with a vengeance. There are a lot of new and exciting things on the horizon and the next chapter is going to be amazing.
One of the things I try to do is try to make repetitions, rhymes, and mirrorings across the subject matter of my own books so that the chapter titles and the epigraphs and pictures all kind of form a tapestry. In this book, I retell fifteen of the stories. You have the critical frame, and then you have these rosettes like the motif in a carpet.
It's always a challenge to discover the most effective first sentence, and the most effective final sentence, in a chapter for instance, and in the book as a whole.
I had this big complex because I didn't go to college. There was a whole era where I got linked to everybody. People that I had never met. I was like, "How? I'm home alone reading chapter 12 of a book."
One of the things I want to do in the book is to explore how philosophy can be done in literature. I start doing that in the first chapter, by introducing the idea of "philosophy by showing". What literature/philosophy shows is how to look at some important facets of life in a new way, thus changing the frame in which subsequent philosophical argument proceeds.
Bealer has a number of reasons for thinking that a naturalistic epistemology is self-undermining. Let me focus on one of these. (I've tried to take on all of them in the first chapter of Knowledge and Its Place in Nature.)
When I start writing for the day, I usually read aloud the chapter I'm working on. It gets me into it and illuminates mistakes. I'm very rhythm conscious and I do enjoy repetition.
The Simpson's in Piccadilly has been turned into the largest bookstore in all of Europe! How can they fill it? All of these purpose-built Borders and Chapters and every new mall that goes up has a giant chain bookstore with a purpose-built author reading space, whoah, what's gong on there.
We are the opening verse of the opening page of the chapter of endless possibilities.
There are innumerable writing problems in an extended work. One book took a little more than six years. You, the writer, change in six years. The life around you changes. Your family changes. They grow up. They move away. The world is changing. You're also learning more about the subject. By the time you're writing the last chapters of the book, you know much more than you did when you started at the beginning.
This fundamental subject of Natural Selection will be treated at some length in the fourth chapter; and we shall then see how Natural Selection almost inevitably causes much Extinction of the less improved forms of life and induces what I have called Divergence of Character.
But stories don't end. They continue as long as you're alive. You just have to get on with things. Turn the page, start a new chapter, find out what's in store for you next, and keep your fingers crossed that it's not too awful. Even if you know in your heart and soul that it most probably will be.
Women's stories are as powerful, inspiring, and terrifying as the goddess herself. And in fact, these are the stories of the goddess. As women, we know her because we are her. Each woman, no matter how powerless she might feel, is a cell within her vast form, an embodiment of her essence, and each woman's story is a chapter in the biography of the sacred feminine.
Who can confidently say what ignites a certain combination of words, causing them to explode in the mind? Who knows why certain notes in music are capable of stirring the listener deeply, though the same notes slightly rearranged are impotent? These are high mysteries, and this chapter is a mystery story, thinly disguised.
I realized early on in writing the book that it needed to be from a family point of view, and that nobody outside the family would weigh in. And then well into writing it, the question became how to balance the perspectives; how to switch between chapters.
My mother's influence in molding my character was conspicuous. She forced me to learn daily long chapters of the Bible by heart. To that discipline and patient, accurate resolve I owe not only much of my general power of taking pains, but of the best part of my taste for literature.
I don't want to just mess with your head. I want to mess with your life.... I want you to miss appointments, burn dinner, skip your homework. I want you to tell your wife to take that moonlight stroll on the beach at Waikiki with the resort tennis pro while you read a few more chapters.
I have read that during the process of canonization the Catholic Church demands proof of joy in the candidate, and although I have not been able to track down chapter and verse I like the suggestion that dourness is not a sacred attribute.
The first chapters of the Bible tell us of the sin of man. The guilt of that sin had rested upon every single one of us, it guilt and its terrible results..but..it also tells us of something greater still; it tells us of the grace of the offended God.
I would rather lay my soul asoak in half a dozen verses [of the Bible] all day than rinse my hand in several chapters.
Obey God in the things he shows you, and instantly the next thing is opened up. God will never reveal more truth about himself until you have obeyed what you know already...this chapter brings out the delight of real friendship with God.
It was something that we learned more and more about as we got older in different chapters of our lives on how important the victory was, not as a sporting event but as a victory in the Cold War.
The Next Chapter in the Book of Hope: "Gaining New Hope Hearing Aids" As I was with the Lord in the "Classroom of Useful Information," the Lord began to share from the second chapter of the "Book of Hope." This chapter taught about the right, hopeful "Hearing Aids" that would enable His Hope Craftsmen to hear His voice and become a company of hopeful Kingdom hearers.
Never submit an idea or chapter to an editor or publisher, no matter how much he would like you to. Writing from the approved idea is (another) gravely serious time-waster. This is your story. Try and find out what your editor wants in advance, but then try and give it to him in one piece.
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