What had been (at the beginning) no bigger than a full stop had expanded into a comma, a word, a sentence, a paragraph, a chapter; now it was bursting into more complex developments, becoming, one might say, a book - perhaps an encylopaedia - even a whole language.
When I transformed my random and raw words into sentences, sentences into paragraphs, and paragraphs into chapters, a semblance of order and sanity appeared where there had been only chaos and insanity.
Perhaps it’s time, I muse, to close those chapters and remember the enduring lesson of my entrapment: that relationships, not accomplishments, are what’s important in life.
One dictionary defines denouement as "a final part in which everything is made clear and no questions or surprises remain." By that definition, it is exactly the wrong word to describe this chapter. This chapter will make nothing clear; it will raise many questions; and it may even contain a surprise or two. But I say we call it the denouement anyway because the words sounds so sophisticated and French.
In a place where everyone knew my story, it was nice to know there was a chapter that ONLY I HAD TO READ. :)
I never wanted to do the mixtape circuit and 300,000 people hear it and that's a chapter of my life and when I do another album I'm coming off of that chapter but the whole world didn't hear that chapter so it's like I would have to start over.
It works well for me to go ahead and prepare the sermon with a chapter in mind. What that does is to force me to be very thrifty in my language, tighten up my words and not ramble so much. It puts some fiber in the sermon.
I like nudging readers into a slightly different perspective, but in a sly way - I want to be the writer who slips a stiletto in and out, to make so swift and clean a cut, it's not until a chapter ends that the reader looks down and sees she's bleeding and asks what happened.
I ate them like salad, books were my sandwich for lunch, my tiffin and dinner and midnight munch. I tore out the pages, ate them with salt, doused them with relish, gnawed on the bindings, turned the chapters with my tongue! Books by the dozen, the score and the billion. I carried so many home I was hunchbacked for years. Philosophy, art history, politics, social science, the poem, the essay, the grandiose play, you name 'em, I ate 'em.
...there were certain chapters when I stopped writing, saw the domestic situation I was in and thought, "I don't want to face this world, let's get back to the hellish one I'm imagining.
This book, "Speaking Freely," starts when I came to New York. And the first chapter is about a man who became a friend of mine, much to our mutual surprise, Malcolm X.
At one time in the mid-'70s I became the president of the Boston-Cambridge chapter of the World Future Society. Because I'd been in my studio by myself since 1968 on up. And the thing is that my social life consisted of being involved in organizations like that. I would get people to come and speak, and speak myself and that kind of stuff.
I'm a super spiritual person, so every now and then I'll say, "Everyone, get out of my room because I need 15 minutes by myself to just sit alone." I have a chapter in my book [How to Be a Bawse] called "Pause," and basically, the idea is one of the ways to be successful is to reflect back on your successes and everything you've achieved.
There's a whole chapter about my unfortunate manscaping accident. I was so focused on, "I've got to look this certain way and do this to be ready for this." So I missed out on a lot.
What's neat about TV is you get really rich, an opportunity to tell really rich stories over the course of 20 hours. Film is cool because it's an hour and a half to two hours. You go on an adventure and by the end it's all cleaned up. Maybe in a franchise you have three chapters of a great story but in TV you can really get deep. You have more time to tell stories so I would definitely not rule out doing television in the future because I think it's a great medium for telling stories.
Favourite directors change, like favorite authors. I had a passion for Gide and Stein and Faulkner. But now they're no use to me anymore. I've assimilated them - so, enough, they are a closed chapter. This also applies to film directors.
Memoir is a unique opportunity to revisit yourself. I don't mean by memory. I mean in the revision process. You don't just write a chapter and that's it. You must constantly return to it. You must dote on it. And even if it's saying something ugly about who you are, you have to find the poetry in it. You have to find the poetry in yourself.
Another very interesting chapter is the education of children: the victims of problems of the family are the children. The children. Even of problems that neither husband nor wife have a say in. For example, the needs of a job. When the dad doesn't have free time to speak to his children, when the mother doesn't have time to speak with her children.
I work with a charity called Donate My Dress. It's got chapters all over the country where you can donate special-occasion dresses. Prom is a big deal when you're 15 years old, and it enables girls who don't have the money to come in and choose something special.
I used to read five psalms every day - that teaches me how to get along with God. Then I read a chapter of Proverbs every day and that teaches me how to get along with my fellow man.
I would say a good leader brings results. A great leader writes a new story, it's different. Obviously a new story has to incorporate a lot of results. But a story is a chapter in the life of a company that people want to write and want to remember.
All the movies that I make in some ways have to be the story of my life. There are different chapters in my life.
I read one chapter of a book and put it down. Thank God for Kindle.
If pregnancy were a book they would cut the last two chapters.
You will, I am sure, agree with me that... if page 534 only finds us in the second chapter, the length of the first one must have been really intolerable.
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