Boxing is a stepping stone just to introduce me to the audience. If I was still in Louisville, Kentucky and never was a boxer I still might get killed next week in some kind of freedom struggle and you'd ever hear the news.
My audience is made up of two groups of people. The first group includes people whose roots are deep in the Christian faith, but for whom the traditional symbols, as traditionally understood, no longer make sense. The other audience is the audience that has left. I call them the Church Alumni Association, citizens of the secular city. They are a bit nostalgic about this faith of their childhood, but they aren't really interested in trotting it out or becoming involved with it again as it is presently organized.
I wanted the song to contain various meanings, and what I wanted in particular was to appeal to the audience with my charms as a man.
The way that music is approached in the temple is very call and response; it breaks down that barrier between performer and audience.
I feel like with our shows it always feels weird to be performers on stage and not engaging in audience interaction in some way - that exchange of energy is very much a part of the sound.
I feel the most connected to my art when it comes from my real life and hopefully the audience feels that.
I think there is a weird loneliness that comes with being a comedian. There is something definitely inside the personality of a person who wants to be a comedian, and (he or she) is looking to connect (to the audience) at all times.
My writing process is very feedback-based. When I do stand-up, I listen to the audience. I try to understand what's connecting, what's not connecting, and then rewrite, rewrite and rewrite.
I always think that the difference between film and theater is like the difference between masturbation and making love. Because, in film, you just have to get one moment right; you're practically by yourself. And in theater, you actually have to have a relationship with the audience.
I think where you get into trouble - for instance the mixing of sex and violence - is when you're telling an audience that this horrible thing is enjoyable. The suffering just gets out of hand too much. It becomes pornographic.
I want audiences to look at adolescent delinquents with greater understanding and more compassion.
Originally what I used to love was being on a stage and reacting to a live audience and maybe my calling is more in theatre.
My career is based on the slow build of an audience based on putting on a good show live and putting out a record every couple of years. I was already doing really well in terms of my goals, to keep my fans coming back.
We were in front of a live audience and I would be acting with the man who was playing my lover, and we used those words, and the audience would titter and laugh, and make me uncomfortable doing the scenes. ... I wanted to sort of stop and yell at them, "What's so funny? What's the matter with you people? Grow up!" It made me very self-conscious at times.
What inspires me today is a desire to get closer to an understanding of what my artistic capacities are with the hope of organically sharing my gifts with an audience in the most heightened way I possibly can.
I think ultimately a fan is a fan and you can't put new things on the fans mind if you don't have an audience.
Since I've stopped drinking I'm way better at singing. I can project my voice better. I can actually walk on stage and make eye contact with the audience, which I never used to know how to do in the past. So, it's made a huge difference for me.
I would be happier if it were a full audience full of drag queens. It would be my dreams come true.
Donald Trump is a different ball of wax. I've been trying to say for I don't know how many months now that the traditional political playbook in destroying and attacking a political opponent is not gonna work on Trump, because Trump's connection with his supporters or his audience is far deeper and far greater than most voters' connection with a candidate that's very popular. Reagan had the connection.
This not a criticism of [Mitt] Romney; please don't anybody call him up and say I'm ripping him. I'm not. I'm simply telling you that the connection [Donald] Trump has with his supporters, slash, audience, is unique. Not everybody politician has it, and certainly not every public figure has such a connection with their audience.
I do a lot of talking, playing with the audience, but I don't really know what that's going to be. Somebody kind of feeds me cold. He gives me these kind of cold games that I play with the audience or quizzes that I do with them.
To me, humor is part of a conversation with an audience.
One of the things that I love about painting is that I never consider myself to have an audience.
In the world of music, the audience is not just fans of music; they're fans of many things.
A great show means we have to connect; we have to prove to [the audience] that we do something great or blow their socks off, but it has to be with them if it's going to be sustained for any length of time.
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