An artist who doesn't have any audience is not an artist.
Sometimes there are painters or very famous artists who start to become artists after they are dead because an audience or a public know about their art after they die.
When you have a chance to be an artist with an audience in your lifetime, you have to say thanks to your audience. That's a great thing. That's the best thing that can happen to an artist.
When you are able to make a living with your job as an artist, that means you have an audience and you have to thank this audience.
Without an audience, all your dreams will not come true at all, because you need an audience to write new songs and continue to do music.
The audiences are really different in general. Even in the same country or in the same city, from one venue to another, the audiences can be totally different.
American audiences don't react in the same way as European ones to African music because, I think, Europeans listen to this music through all the festivals that exist here.
At the beginning of the tour, I arrange the live show exactly like the album, but of course from one audience to another, from one venue to another, it can become longer.
I can introduce new parts because when you are on stage in front of a very happy audience or people who love what you are doing, you are able to do extraordinary things that you yourself didn't think you could do before.
I can change the arrangements on stage while I am playing or singing, doing signs to the musicians to change things because the audience is dancing or singing with us. That's the interesting part of the live show, actually, because everything is possible and everything can change.
Because we live in a condition of ubiquitous music and media, and near infinite technological memory, it is much easier for local cultures to find an audience that resonates with their music, whether local or globally.
At any given time, there might be someone who's eight years old or 80 years old in the audience. Some nights there are a lot of girls in the audience, some nights not. It's so unpredictable, but I like that.
I'm not really that interested in pandering to an audience of people that are going to judge me before they hear me. If they hear it and don't like it, that's totally fine.
There are lots of things that everyone else likes that I hate. So I feel that audience rights are very important. I just want people to hear it and decide if they like it or don't like it as they would with anything else.
You have more of a responsibility to make the audience laugh. In comedy, we do have to say, "All right, it's been two minutes in the film. We need another laugh here." With drama, there's no pressure in that regard. It's a different kind of pressure, but it's not like we need to make someone laugh.
I'm sure the audience could see me trembling. I want to do more live work; my next goal is to shake the fear.
I think Paris Hilton is really our generation's Marilyn Monroe. She's the image of the youth today. There's a real fascination with Paris, ranging on the obsessive. I'm repulsed by her, but because of her notoriety, she has access to an audience.
Once you go outside your natural audience, there are tons of people that don't like you.
I don't banter with the audience, cause I don't have anything to say to them, and I'm not feeling any sense of ease or camaraderie when I'm on stage.
What is the truth is that every one of my films is a film that I'd love to go see, and I think that's very important because I always think it's a mistake to make movies for other people, or to make them for a demographic, or try to second guess an audience.
We love to entertain audiences and this picture does that - it's romantic, it's funny, it's got a nice message and I think it's a gift to the audience to be able to enjoy this movie.
We hope that audiences around the world embrace the picture in the same way they have the books and that hopefully Disney will allow us make another one.
I played Thersites and I remember we were also doing some places out of town before starting our run at The Old Vic in London and we were at the Yvonne Arnaud Theatre in Guildford and I walked on stage and I've got an opening speech that begins: "Agamemnon, how if he had boils?" And I went on and said: "Agamemnon..." And a woman in the front row just went 'tut'. I thought: "I've only done four syllables, give us a chance!" I got one word out and the audience were already tutting. It was worse than any heckle I ever had doing comedy. So, I'll stick to gnomes.
We did a lot right with the voters with whom we’ve enjoyed traditional support. But we haven’t done enough to build a larger coalition of voters. We have to modernize our message to reach a larger audience of voters beyond our base.
For the kind of places I've written for and the kind of writing that I've done, the general way to think about your audience is to think about somebody who's like yourself, but in a completely different discipline.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: