God may reduce you on Judgment Day to tears of shame, reciting by heart the poems you would have written, had your life been good.
In the deserts of the heart Let the healing fountain start.
If equal affection cannot be, let the more loving be me.
A small grove massacred to the last ash, An oak with heart-rot, give away the show: This great society is going to smash; They cannot fool us with how fast they go, How much they cost each other and the gods. A culture is no better than its woods.
And none will hear the postman’s knock Without a quickening of the heart. For who can bear to feel himself forgotten?
You shall love your crooked neighbour, with your crooked heart.
The nightingales are sobbing in The orchards of our mothers, And hearts that we broke long ago Have long been breaking others; Tears are round, the sea is deep: Roll them overboard and sleep.
The desires of the heart are as crooked as corkscrews Not to be born is the best for man The second best is a formal order The dance's pattern, dance while you can. Dance, dance, for the figure is easy The tune is catching and will not stop Dance till the stars come down from the rafters Dance, dance, dance till you drop.
Follow, poet, follow right To the bottom of the night, With your unconstraining voice Still persuade us to rejoice; With the farming of a verse Make a vineyard of the curse, Sing of human unsuccess In a rapture of distress; In the deserts of the heart Let the healing fountain start, In the prison of his days Teach the free man how to praise.
Beauty, midnight, vision dies: Let the winds of dawn that blow Softly round your dreaming head Such a day of welcome show Eye and knocking heart may bless, Find our mortal world enough; Noons of dryness find you fed By the involuntary powers, Nights of insult let you pass Watched by every human love.
The windiest militant trash Important Persons shout Is not so crude as our wish: What mad Nijinsky wrote About Diaghilev Is true of the normal heart; For the error bred in the bone Of each woman and each man Craves what it cannot have; Not universal love But to be loved alone.
Harrow the house of the dead; look shining at New styles of architecture, a change of heart.
For time is inches And the heart's changes, Where ghost has haunted Lost and wanted.
The masculine imagination lives in a state of perpetual revolt against the limitations of human life. In theological terms, one might say that all men, left to themselves, become gnostics. They may swagger like peacocks, but in their heart of hearts they all think sex an indignity and wish they could beget themselves on themselves. Hence the aggressive hostility toward women so manifest in most club-car stories.
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