Poetry might be defined as the clear expression of mixed feelings.
No good opera plot can be sensible, for people do not sing when they are feeling sensible.
My deepest feeling about politicians is that they are dangerous lunatics to be avoided when possible and carefully humored; people, above all, to whom one must never tell the truth.
Great art is clear thinking about mixed feelings.
If music in general is an imitation of history, opera in particular is an imitation of human willfulness; it is rooted in the fact that we not only have feelings but insist upon having them at whatever cost to ourselves. The quality common to all the great operatic roles, e.g., Don Giovanni, Norma, Lucia, Tristan, Isolde, Br?nnhilde, is that each of them is a passionate and willful state of being. In real life they would all be bores, even Don Giovanni.
The basic stimulus to the intelligence is doubt, a feeling that the meaning of an experience is not self-evident.
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