W. H. Auden Quotes About Writing

Quotes about: Writing

• A poet must never make a statement simply because it is sounds poetically exciting; he must also believe it to be true.

  W. H. Auden

  Believe, Writing, Poetry

• In the eyes of others a man is a poet if he has written one good poem. In his own he is only a poet at the moment when he is making his last revision to a new poem. The moment before, he was still only a potential poet; the moment after, he is a man who has ceased to write poetry, perhaps forever.

  W. H. Auden

  Writing, Eye, Men

• Language is the mother, not the handmaiden, of thought; words will tell you things you never thought or felt before.

  W. H. Auden

  Mother, Writing, Language

• No poet or novelist wishes he were the only one who ever lived, but most of them wish they were the only one alive, and quite a number fondly believe their wish has been granted.

  W. H. Auden

  Life, Believe, Writing

  Dyer's Hand (1963) "Writing"

• It is a sad fact about our culture that a poet can earn much more money writing or talking about his art than he can by practicing it.

  W. H. Auden

  Art, Money, Writing

  Dyer's Hand (1963) foreword

• In relation to a writer, most readers believe in the Double Standard: they may be unfaithful to him as often as they like, but he must never, never be unfaithful to them.

  W. H. Auden

  Believe, Writing, Double Standard

• The poet who writes "free" verse is like Robinson Crusoe on his desert island: he must do all his cooking, laundry and darning for himself. In a few exceptional cases, this manly independence produces something original and impressive, but more often the result is squalor - dirty sheets on the unmade bed and empty bottles on the unswept floor.

  W. H. Auden

  Dirty, Writing, Islands

  "The Dyer's Hand, and Other Essays" by W. H. Auden, ("Writing"), (p. 22), 1962.

• The chances are that, in the course of his lifetime, the major poet will write more bad poems than the minor, simply because major poets write a lot.

  W. H. Auden

  Writing, Chance, Lifetime

• Attacking bad books is not only a waste of time but also bad for the character. If I find a book really bad, the only interest I can derive from writing about it has to come from myself, from such display of intelligence, wit and malice as I can contrive. One cannot review a bad book without showing off.

  W. H. Auden

  Book, Writing, Character

• A writer, or at least a poet, is always being asked by people who should know better: “Whom do you write for?” The question is, of course, a silly one, but I can give it a silly answer. Occasionally I come across a book which I feel has been written especially for me and for me only. Like a jealous lover I don’t want anybody else to hear of it. To have a million such readers, unaware of each other’s existence, to be read with passion and never talked about, is the daydream, surely, of every author.

  W. H. Auden

  Silly, Book, Passion

• How happy is the lot of the mathematician! He is judged solely by his peers, and the standard is so high that no colleague or rival can ever win a reputation he does not deserve. No cashier writes a letter to the press complaining about the incomprehensibility of Modern Mathematics and comparing it unfavorably with the good old days when mathematicians were content to paper irregularly shaped rooms and fill bathtubs without closing the waste pipe.

  W. H. Auden

  Writing, Winning, Paper

• A poet can write about a man slaying a dragon, but not about a man pushing a button that releases a bomb.

  W. H. Auden

  Writing, Men, Dragons

  "Best Quotes of '54, '55, '56". Book edited by James Beasley Simpson, 1957.

• But if a stranger in the train asks me my occupation, I never answer "writer" for fear that he may go on to ask me what I write, and to answer "poetry" would embarrass us both, for we both know that nobody can earn a living simply by writing poetry.

  W. H. Auden

  Writing, Answers, Goes On

• It's frightfully important for a writer to be his age, not to be younger or older than he is. One might ask, "What should I write at the age of sixty-four," but never, "What should I write in 1940."

  W. H. Auden

  Writing, Important, Age

  "Paris Review", Writers at Work, 4th series, (p. 250), 1972.

• Hemingway is terribly limited. His technique is good for short stories, for people who meet once in a bar very late at night, but do not enter into relations. But not for the novel.

  W. H. Auden

  Writing, Night, People

• Our sufferings and weaknesses, in so far as they are personal, are of no literary interest whatsoever. They are only interesting in so far as we can see them as typical of the human condition.

  W. H. Auden

  Writing, Interesting, Suffering

• A poet, qua poet, has only one political duty, namely, in his own writing to set an example of the correct use of his mother tongue, which is always being corrupted. When words lose their meaning, physical force takes over.

  W. H. Auden

  Mother, Writing, Political

  "Paris Review", Writers at Work, 4th series, (p. 251), 1972.

• I just try to put the thing out and hope somebody will read it. Someone says: 'Whom do you write for?' I reply: 'Do you read me?' If they say 'Yes,' I say, 'Do you like it?' If they say 'No,' then I say, 'I don't write for you.'

  W. H. Auden

  Writing, Trying, You Like It

• Caesar's double-bed is warm
  As an unimportant clerk
  Writes i do not like my work
  On a pink official form.

  W. H. Auden

  Work, Writing, Clerks

  W. H. Auden, “The Fall Of Rome”

• Aphorisms are essentially an aristocratic genre of writing. The aphorist does not argue or explain, he asserts; and implicit in his assertion is a conviction that he is wiser and more intelligent than his readers.

  W. H. Auden

  Writing, Intelligent, Doe

• The ideal audience the poet imagines consists of the beautiful who go to bed with him, the powerful who invite him to dinner and tell him secrets of state, and his fellow-poets. The actual audience he gets consists of myopic schoolteachers, pimply young men who eat in cafeterias, and his fellow-poets. This means, in fact, he writes for his fellow-poets.

  W. H. Auden

  Beautiful, Powerful, Writing

• Organic growth is a cyclical process; it is just as true to say that the oak is a potential acorn as it is to say the acorn is a potential oak. But the process of writing a poem, of making any art object, is not cyclical but a motion in one direction toward a definite end.

  W. H. Auden

  Art, Writing, One Direction

• Fame often makes a writer vain, but seldom makes him proud.

  W. H. Auden

  Writing, Proud, Fame

• The element of craftsmanship in poetry is obscured by the fact that all men are taught to speak and most to read and write, while very few men are taught to draw or paint or write music.

  W. H. Auden

  Writing, Men, Taught

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