Rachel Vincent Quotes - Page 7

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• But I'll be fine. I'll be with Tod. He's a good guy, you know." He just hides it under all the sarcasm and curls.

  Rachel Vincent

  Sarcasm, Guy, Curls

  Rachel Vincent (2012). “Before I Wake”, p.121, Harlequin

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• I liked that about her. I liked how laid back she was, when she wasn’t trying to stab me.

  Rachel Vincent

  Trying, Laid Back

  FaceBook post by Rachel Vincent from Mar 08, 2012

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• I can't believe they even bothered filling that faculty position again. They might as well rename the class Defense Against the Dark Arts. I mean, seriously, who would answer an ad for this job?

  Rachel Vincent

  Art, Jobs, Believe

  Rachel Vincent (2012). “Before I Wake”, p.27, Harlequin

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• Sometimes I suspected Ryan was merely visiting the real world, on vacation from his permanent residence in la-la land.

  Rachel Vincent

  Real, Vacation, Land

  Rachel Vincent (2016). “Stray”, p.187, MIRA

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• "No, you should stay right where you are, or my estranged brother and I will settle our difference by seeing who can break more of your bones." Tod glanced at him, brows raised. "You want to settle our differences?" Nash frowned. "No, I want to break every bone in his body, and I didn't think you'd let me do it alone." Tod nodded. "Good call."

  Rachel Vincent

  Brother, Thinking, Differences

  "Before I Wake". Book by Rachel Vincent, 2011.

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• Careful, pot," Tod said. "Someone might notice your resemblance to the kettle.

  Rachel Vincent

  Might, Pot, Said

  "Before I Wake". Book by Rachel Vincent, June 26, 2012.

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• If you live in the dark long enough, you start to forget what light looks like.

  Rachel Vincent

  Dark, Light, Long

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• "I spent two hours trying to question reapers without sounding like I was questioning them. What do you think it says about us as a group, that every reaper I know is either irritable, egotistical, voyeuristic, or some combination of the three?" "That you fit in well?"

  Rachel Vincent

  Thinking, Two, Trying

  "Before I Wake". Book by Rachel Vincent, June 26, 2012.

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• For those who may not know this, Madeline recruited me specifically to help hunt and take out a serial soul thief-" "I call him Cap'n Crunch," Luca interrupted, and was rewarded with a roomful of frowns. "You know. Because he's a cereal thief?

  Rachel Vincent

  Cereal, Soul, Thieves

  "Before I Wake". Book by Rachel Vincent, June 26, 2012.

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• "He's lying, Kay," Nash said, fists clenched at his sides. "Hellions can't lie, but we all know reapers can." "Careful, pot," Tod said. "Someone might notice your resemblance to the kettle."

  Rachel Vincent

  Lying, Fists, Might

  "Before I Wake". Book by Rachel Vincent, June 26, 2012.

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• "Levi will kill me the minute he sees me, and I don't trust Madeline. There's something in her eyes..." "I believe that's integrity and dedication in her job." "Yeah. It's disturbing."

  Rachel Vincent

  Jobs, Integrity, Believe

  "Before I Wake". Book by Rachel Vincent, June 26, 2012.

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• She got to you, too, huh?" I said, sliding onto the bench seat across from him. "Actually, I called her." Luca grinned. "I'm vomiting from a possible case of food poisoning. You?" "Sudden onset menstruation." He nodded respectfully. "Classic." "Yeah, but I should have gone for something more long-term. Yours will get you out of the whole afternoon. Ferris Bueller would be proud.

  Rachel Vincent

  Should Have, Long, Vomiting

  "Before I Wake". Book by Rachel Vincent, June 26, 2012.

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• Near-death experiences release a lot of endorphins, resulting in a natural high," Tod whispered. "And it's totally true that one passion feeds another." "You know we're way past 'near-death', right?" "My endorphins aren't listening to you.

  Rachel Vincent

  Passion, Past, Listening

  Rachel Vincent (2012). “Before I Wake”, p.134, Harlequin

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• And the council doesn’t recognize any kind of temporary insanity defense. Which was a real shame, because most of the councilmen had considered me crazy for most of my life.

  Rachel Vincent

  Crazy, Real, Temporary Insanity

  Rachel Vincent (2009). “Prey”, p.159, MIRA

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• I fell into that kiss like Alice into Wonderland, headfirst and flailing, heart pounding the whole time. The world spun around me and still I fell, and I only crashed down to earth again when someone called my name.

  Rachel Vincent

  Heart, Kissing, Names

  Rachel Vincent (2011). “If I Die”, p.206, Harlequin

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• How long until you have to go...reap?" I whispered as my arms slid around his neck. Like we were dancing. Only we weren't moving, and there was no music. "Don't know. Don't care." "Won't you get in trouble if you miss something?" "See my previous answer.

  Rachel Vincent

  Moving, Long, Dancing

  Rachel Vincent (2013). “Soul Screamers Volume Three: If I Die\Never to Sleep\Before I Wake”, p.545, Harlequin

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• Should I assume the lure is a certain attractive young dead man?

  Rachel Vincent

  Men, Assuming, Attractive

  Rachel Vincent (2013). “Soul Screamers Volume Three: If I Die\Never to Sleep\Before I Wake”, p.532, Harlequin

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• She watched me with a creepy sort of detached curiosity, as if I were a bug crawling across the sidewalk in front of her. I wondered briefly if she was the ant stomper type.

  Rachel Vincent

  Creepy, Curiosity, Ants

  Rachel Vincent (2009). “My Soul to Lose”, p.28, Harlequin

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• Unfortunately, what my head wanted and what my heart wanted were two completely different things.

  Rachel Vincent

  Heart, Two, Different

  Rachel Vincent (2012). “Soul Screamers Volume Two: My Soul to Keep\My Soul to Steal\Reaper”, p.317, Harlequin

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• We would not have hurt the child, even if she is our natural enemy. Nor would we have hurt you, if it could be helped. Finn was killed by a male cat, and in exchange for that information, we also agreed to try to remove the female cats from your encampment before the true melee begins.” Melee?! Were these ninja birds? Green Berets with feathers?

  Rachel Vincent

  Hurt, Children, Cat

  Rachel Vincent (2010). “Shift”, p.77, MIRA

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• If I love you more than you love me, I’m as good as dead. Yet I can’t make myself take it back. I can’t just walk away from you, because every time you pass by me without smiling, without touching my hand, or at least making eye contact, it feels like I’m dying inside.

  Rachel Vincent

  Heartbreak, I Love You More, Eye

  Rachel Vincent (2010). “Shift”, p.243, MIRA

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• Anger is great. It's powerful, when you need something to hold you up. Something to steel your spine. But in the dark, when you're alone with the truth, anger can't survive. The only thing that can live in the dark with you is fear.

  Rachel Vincent

  Powerful, Dark, Needs

  Rachel Vincent (2011). “My Soul to Steal”, p.72, Harlequin

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• I want you. I want you so badly I can’t stand it. When you left, it felt like the world got darker. Like I couldn’t truly see anything. Couldn’t feel anything.

  Rachel Vincent

  Love, World, Want

  Rachel Vincent (2010). “Alpha”, p.471, MIRA

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• Some things are private. Some things needed to be said, even when the person who needed to hear them couldn’t hear anything. Ever again.

  Rachel Vincent

  Said, Needed, Persons

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• When I was a child, all problems had ended with a single word from my father. A smile from him was sunshine, his scowl a bolt of thunder. He was smart, and generous, and honorable without fail. He could exile a trespasser, check my math homework, and fix the leaky bathroom sink, all before dinner. For the longest time, I thought he was invincible. Above the petty problems that plagued normal people. And now he was gone.

  Rachel Vincent

  Children, Father, Smart

  Rachel Vincent (2010). “Alpha”, p.244, MIRA

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