Aimee Bender Quotes - Page 2

Quotes about:

Language Mothers Writing

When language is treated beautifully and interestingly, it can feel good for the body: It's nourishing; it's rejuvenating.

Aimee Bender

Feel Good, Body, Language

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The writing I tend to think of as 'good' is good because it's mysterious.

Aimee Bender

Writing, Thinking, Mysterious

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...a Dorito asks nothing of you, which is its great gift. It only asks that you are not there.

Aimee Bender

Doritos, Great Gifts, Asks

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To see someone you love, in a bad setting, is one of the great barometers of gratitude.

Aimee Bender

Gratitude, Someone You Love, Barometer

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With my hand in his, I looked at all the apartment buildings with rushes of love, peering in the wide streetside windows that revealed living rooms painted in dark burgandies and matte reds.

Aimee Bender

Dark, Hands, Rooms

Aimee Bender (2011). “The Particular Sadness of Lemon Cake”, p.67, Random House

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Large meadows are lovely for picnics and romping, but they are for the lighter feelings. Meadows do not make me want to write.

Aimee Bender

Writing, Feelings, Lovely

"Why the best way to get creative is to make some rules" by Aimee Bender, www.cnn.com. July 31, 2012.

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Language is the ticket to plot and character, after all, because both are built out of language.

Aimee Bender

Character, Tickets, Plot

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Sometimes, she said, mostly to herself, I feel I do not know my children... It was a fleeting statement, one I didn't think she'd hold on to; after all, she had birthed us alone, diapered and fed us, helped us with homework, kissed and hugged us, poured her love into us. That she might not actually know us seemed the humblest thing a mother could admit.

Aimee Bender

Mother, Children, Thinking

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I like birthday cake. It's so symbolic. It's a tempting symbol to load with something more complicated than just 'Happy birthday!' because it's this emblem of childhood and a happy day.

Aimee Bender

Birthday, Cake, Childhood

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While she cut the mushrooms, she cried more than she had at the grave, the most so far, because she found the saddest thing of all to be the simple truth of her capacity to move on.

Aimee Bender

Moving, Cutting, Simple

Aimee Bender (2009). “Willful Creatures”, p.90, Anchor

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I'm obsessed with adolescence. I love to write about people in their 20s. It's such a fraught and exciting and kind of horrible time.

Aimee Bender

Writing, People, Kind

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We hit the sidewalk, and dropped hands. How I wished, right then, that the whole world was a street.

Aimee Bender

Hands, World, Streets

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But what I kept wondering about is this: that first second when she felt her skirt burning, what did she think? Before she knew it was candles, did she think she'd done it herself? With the amazing turns of her hips, and the warmth of the music inside her, did she believe, for even one glorious second, that her passion had arrived?

Aimee Bender

Believe, Passion, Thinking

Aimee Bender (2012). “The Girl in the Flammable Skirt”, p.181, Random House

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I didn’t mind the quiet stretches. It was like we were trying out the idea of being side by side.

Aimee Bender

Ideas, Mind, Trying

Aimee Bender (2011). “The Particular Sadness of Lemon Cake”, p.253, Random House

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It was like we were exchanging codes, on how to be a father and a daughter, like we'd read about it in a manual, translated from another language, and were doing our best with what we could understand.

Aimee Bender

Daughter, Father, Language

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There's a gift in your lap and it's beautifully wrapped and it's not your birthday. You feel wonderful, you feel like somebody knows you're alive, you feel fear because it could be a bomb, because you think you're that important.

Aimee Bender

Thinking, Important, Lap

Aimee Bender (2011). “The Girl in the Flammable Skirt: Stories”, p.34, Anchor

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I knew if I ate anything of hers again, it would lkely tell me the same message: help me, I am not happy, help me -- like a message in a bottle sent in each meal to the eater, and I got it. I got the message.

Aimee Bender

Meals, Bottles, Messages

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But I loved George in part because he believed me; because if I stood in a cold, plain room and yelled FIRE, he would walk over and ask me why.

Aimee Bender

Fire, Rooms, Cold

"The Particular Sadness of Lemon Cake". Book by Aimee Bender, 2011.

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I peeled the skin off a grape in slippery little triangles, and I understood then that I would be undressing every item of food I could because my clothes would be staying on.

Aimee Bender

Clothes, Dating, Skins

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You try, you seem totally nuts, you go underground.

Aimee Bender

Nuts, Trying, Seems

Aimee Bender (2011). “The Particular Sadness of Lemon Cake”, p.95, Random House

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Glen Hirshberg's stories are haunting, absolutely, but not only because of the content -- the stories themselves haunt, they stick around, they linger, inhabiting a little corner of the reader's brain and resurfacing to evoke mystery or sadness or longing. It's a pleasure to dive into Hirshberg's storytelling skills in American Morons.

Aimee Bender

Sadness, Skills, Brain

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I am the drying meadow; you the unspoken apology; he is the fluctuating distance between mother and son; she is the first gesture that creates a quiet that is full enough to make the baby sleep. My genes, my love, are rubber bands and rope; make yourself a structure you can live inside. Amen.

Aimee Bender

Life, Mother, Baby

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That at the same time of this very intimate act of concentrating so carefully on the details of our mother's palm and fingertips, he was also removing all traces of any tiny leftover parts, and suddenly a ritual which I'd always found incestuous and gross seemed to me more like a desperate act on Joseph's part to get out, to leave, to extract every little last remnant and bring it into open air.

Aimee Bender

Mother, Air, Details

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Mom loved my brother more. Not that she didn't love me - I felt the wash of her love every day, pouring over me, but it was a different kind, siphoned from a different, and tamer, body of water. I was her darling daughter; Joseph was her it.

Aimee Bender

Mom, Daughter, Brother

FaceBook post by Aimee Bender from May 09, 2015

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I watched as she added a question mark at the end. Arc, line, space, dot.

Aimee Bender

Space, Lines, Dots

Aimee Bender (2011). “The Particular Sadness of Lemon Cake”, p.28, Random House

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Born: June 28, 1969
Occupation: Novelist
Cite this Page: Citation

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