The character we exhibit in the latter half of our life need not necessarily be, though it often is, our original character, developed further, dried up, exaggerated, or diminished. It can be its exact opposite, like a suit worn inside out.
Similarly the men who produce works of genius are not those who live in the most delicate atmosphere, whose conversation is most brilliant, or their culture broadest, but those who have had the power, ceasing in a moment to live only for themselves, to make use of their personality as of a mirror.
The truth has no need to be uttered to be made apparent, and ... one may perhaps gather it with more certainty, without waiting for words and without even taking any account of them, from countless outward signs, even from certain invisible phenomena, analogous in the sphere of human character to what atmospheric changes are in the physical world.
... But all the feelings that evoke in us the joy or the misfortune of a real person are only produced in us through the intermediary of an image of that joy or that misfortune; the ingeniousness of the first novelist was in understanding that, in the apparatus of our emotions, since the image is the only essential element, the simplification which consists of purely and simply suppressing the factual characters is a definitive improvement.
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