When I'm looking for Zen and I'm not saying this facetiously at all - I would really rather surf, scuba dive, or fly my plane. And, when I feel tension about the grind of work, it's not getting the money to make films versus making films that constitutes the grind, it's all this stuff.
I think fashion is about longevity and doing your work. It isn't about winning or losing. It's about process, keeping it going.
When you have the catalog of work, it doesn't feel like you've got one shot to get it right; it's just like, you're making a new document of something at the present time, and it's a living thing, and it changes. It's been cool to help other people make their records, to produce. You get a crash course in things that you don't get as the artist.
At the beginning it wasn't to do with the work, it was more the experience.
I'm a cartoonist, it's what I am at heart, so cartoons take reality and deform it and make it grotesque, you make it funny, but you alter it. If it works, it's based on reality. That's what I try to do.
My strong feeling is that we must learn more about how we learn. I'm convinced that we learn by struggling to find the solution to a problem on our own with some guidance, but getting in and getting our hands dirty and working it.
The most important thing we can tell young people is not to be an imitation of somebody else. That their life is special. They are the creator of their life and their way and find something that they enjoy doing that doesn't even feel like work. It feels like a passion. And then just by doing that and bringing that to the world, they become architects of change.
All I know about method is that when I am not working I sometimes think I know something, but when I am working, it is quite clear I know nothing.
Ronald Reagan four times accepted the limits in contributions of what he could take, what he could spend, and the public funding for the general elections. So I just think the idea that it didn't work, and didn't work - it did work. It worked brilliantly.
When I'm acting, I have zero control, and it's the scariest thing anyone can do in that field because, you know, your face is always the one that's out there in front of the camera, and any number of things can happen to you once you've done your work. It can be edited badly, it can be distributed badly, or it can not be distributed at all. And I've certainly experienced that; every actor has.
Most of the world was mad. And the part that wasn't mad was angry. And the part that wasn't mad or angry was just stupid. I had no chance. I had no choice. Just hang on and wait for the end. It was hard work. It was the hardest work imaginable.
What I'm doing is a dream come true but at the same time its work. It's like anything else. The only time it doesn't really feel like work to me is when I'm on stage and doing what I've prepared myself for my whole life which is to stand out in front of a crowd and sing.
When you work with people whom you like and you admire because they're so good at what they do, it doesn't feel like work. It's like you're playing.
This business is about working. It's really not about glamour. For me, the most glamorous thing about it is to b able to get on stage and perform my music for people. That's the privilege. And that's what all the work leads up to, and that's why it's worth it to me.
Give no man sympathy because he has to work - it is his blessing that he can.
Try to see it my way, only time will tell if I am right or I am wrong. While you see it your way, there's a chance that we might fall apart before too long. We can work it out. W e can work it out.
Right now were in the middle of a cultural war between the Muslims and the Western world. The politicians get in the way, but if you put two people together in a room, they can talk it out and work it out, just like Anna and the King.
Al-Ghazali is the most important philosophical theologian of classical Islam, and Moderation in Belief is among his most important works. It sets out al-Ghazali's Ash?arite theology with unusual clarity and provides important background for such well-known works as his autobiographical Deliverance from Error and his attack on Avicenna in The Incoherence of the Philosophers. This first English-language translation, with notes that bring out the argumentation and background of the work, is thus very much to be welcomed.
My father was an artist. When life was harder and he couldn't get jobs, he painted houses, but he was artistic. When I went to see his work, it was special. Somewhere along the line, I felt I was special. I didn't know why.
If reviewers don't mention your work, it's probably better than if they do.
Marriage takes work - it doesn't just happen.
The constitution has broken down. We have no enemies except the ones we select and direct towards the nearest nuclear bombs. They need an enemy to provoke, a diversion. This is the mentality of tenth-rate people who are in politics because corporate America likes them. They are malleable. They give them contracts to build missile shields that will never work. It's deeply corrupt.
It's not that, you know, when a relationship doesn't work and there are issues, you have to somehow work it out if there are children involved.
When the Seinfeld show said it was going to be a show about nothing, everybody said it couldn't - wouldn't work. It did. Thor is about something, about that character finding his destiny, but it's not doing what was expected... and yet it's doing very well.
And lastly, when other things in life get tough, when you're going through family troubles, when you're heartbroken, when you're frustrated with money problems, focus on your work. It has saved me through every single difficult thing I have ever had to do, like a scaffolding that goes far beyond any traditional notions of a career.
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