I'm absolutely as vulnerable as the next person in terms of being swept up in aspirational Instagrams. You just have to know what is fantasy and what is real. It's always good to have a diverse feed in your life and in your social media.
It's true that the human body is more vulnerable than the products of the human mind. We need to protect artists and journalists people to allow them to work.
I don't think Vladimir Putin goes to the theater enough to even deign to think there was any criticism intended. We were invited by Moscow. Maybe they wanted a particular production of Julius Caesar in order to remind Putin that he was vulnerable, but that wasn't our intention.
It's Richard Kelly's brilliance, because he led me to Donnie Darko performance. He wanted sincerity, he didn't want it to be one color, and he made me go vulnerable, and I think that's why it works. When you can get all those different colors and levels in one line. Time Out New York voted it "Best Line Of The Year" - which is crazy, because how many words is it? "Sometimes. I. Doubt. Your. Commitment. To. Sparkle. Motion." Eight words. It's crazy.
I'm not talking about Trump's brand but rather the intimately connected brand called "make America great again" that he created to make all these promises to working Americans - is intensely vulnerable, if there is sustained scrutiny of the kind we've seen about Comey and Russia. He's appointed five Goldman Sachs former executives to his Cabinet, his commerce secretary is renegotiating NAFTA to make it far better for corporations and worse for workers, and they're talking about this right out in the open... I mean, how much news have you seen about that?
Most people are hurt deeply by betrayals in relationships. It might be better to really get up against and sort of contact that caring, and maybe take a more loving stance even with your own pain, and keep your feet moving towards what you really want, because the cost in terms of intimacy and connection and caring that comes when you try not to be vulnerable, when you're constantly looking out for betrayals of trust, is too great. It makes it very hard to have relationships of the kind that you really want. One, look where the pain is. Flip it over; you'll find that's where the values are.
Sharing art makes me feel vulnerable. Sharing a piece of you that cannot be objectified, that is so truly you. It is scary releasing new music to the public, because as soon as you do, it becomes a shared receptacle to which others can attach their own opinion and meaning. What makes it scary is also what makes it worth doing.
All experiments that are related to the games when you have humans versus machines in the games - whether it's chess or "Go" or any other game - machines will prevail not because they can solve the game. Chess is mathematically unsolvable. But at the end of the day, the machine doesn't have to solve the game. The machine has to win the game. And to win the game, it just has to make fewer mistakes than humans. Which is not that difficult since humans are humans and vulnerable, and we don't have the same steady hand as the computer.
Anything that we know how we do, machines will do better. Now, the key element of this phrase is, "We know how we do it." Because we do many things without knowing exactly how we do them. So this is the area where machines are vulnerable, because it still has to learn from some kind of experience. It needs something - at least the rules of the game. You have to bring in something that will help the machine to start learning. It's like square one. If there's nothing there, if you can't explain it, that's a problem.
Too much me is annoying under any circumstance, but too much me in an essay, however personal, would mar the art. My "character" in the essay is more like a perspective, an angle of vision, a complicating factor, a questioning presence. I don't sit on the sidelines or pretend to objectivity; and I'm not afraid to stick my neck out or to be revealing and vulnerable.
Even with an assignment, I take over, I find a freedom and make the idea my own, and that's where you get the sense that the essays become something very different than the original subject. Assignments are great, though - they test your mettle, your spirit and resilience. All of sudden you drop in, you don't know anything, you're vulnerable and available.
In The Shining, you love Shelley Duvall. You love Jack Nicholson. You're let into the intimacy of that violence and it's emotional and it's physical. We're let in very close. So I think a good horror film has to pull you in very deeply inside. Halloween is a good horror film because we love Jamie Lee Curtis, we're brought very deeply in right when she's babysitting the kids. She's going from house to house, all those houses have windows that you can look in. We're a very vulnerable and exposed audience.
You put so much of yourself out there as an actor. You show the many facets of who you are when you're performing - or who you could be - you show yourself angry, upset, sad, vulnerable. The one thing I keep as my own private secret is the music.
For any artistic person who creates imaginary people, the art is like inhabiting the life and mind of a seven-year-old child with imaginary friends and imaginary events and imaginary grace and imaginary tragedy. Within that alternate universe, the characters do have quite a bit of free will. I know it's happening in my mind and my mind alone, but they seem to have their own ability to shape their destinies. So I'm not shooting for anything. If the characters are vulnerable it's simply because they're very human.
I'd rather play an ass-kicking destroyer or a super strong spy or agent than some meek, vulnerable character.
The Psychological Recession is the cluster of feelings that the present is really scary and the future will likely be worse. It comes from the sense you have no control over what's happening to you and you don't see a way to get your life back under control. It's the feeling that life is unfair; you paid your dues, you worked hard, and you ended up naked and vulnerable. There is no comfort to be found in the dismissal of the Psychological Recession as being just an idea; it is a real phenomenon with real consequences, all of them bad.
When you have people who are embarrassing themselves for a living, who are making themselves look foolish and vulnerable and emotional for a living, your day-to-day reality is going to be a high-wire act. People are going to get in fights. People are going to get upset. People are going to walk off set. People are going to call each other names. It happens on every film that has any emotional people.
We are never going to get anywhere unless we have an open dialogue that allows people to speak. If we just go in with anger towards those who hold a different opinion, we won't ever get anywhere. Take Brexit - the notion that everyone who voted leave is racist is bullshit and I really hate that. Some of the most vulnerable people in our society have been targeted and they have been brainwashed and lied to. The last thing we should be doing is shouting at them, blaming them and calling them names.
Sexuality is a place where people are very vulnerable and can be experiencing and embodying very raw forces that they don't really understand and there's a question of how much you should control and how much you should play with those and what those forces really are, how you really feel about them. That's perennial.
I don't attract violence because of my stature and because of my lifestyle choices. I don't like to go out and be out of control or intoxicated because you could be the toughest guy in the world and still be vulnerable if you're not in control of yourself. And I don't like to go to place that are unnecessarily confrontational or dangerous. But I used to work in a pub and had to help the doorman fight off a load of people at one time. So, I've seen enough.
I feel vulnerable sometimes - when I see an emotional scene, for example - and I remember what it took to get to that place, and I fear sometimes that everybody else can see that. You bare a part of you that makes you uncomfortable. I freely give it, I know, but I feel like people know something about me that I wouldn't otherwise give freely to a stranger.
It's always nerve-wracking; it's like going to a new school every time you start a new movie. There are so many people and you're trying to be comfortable and vulnerable on set in order to be fearless on camera. But it's fun, it's part of the job. You've just got to be very personable, I guess.
We're now seeing levels of inequality raise their heads that we haven't seen since the age of the robber barons. If somebody watched The Deuce, and understood the allegory about capital and labor, and understands what happens when one side is vulnerable to the other, that would be swell.
In my songs there's a lot of intimate, personality - driven, sweet singing, and that's the kind I actually love the most, as close to how we speak as possible.I do get to do the crazy high notes, of course. But that's also a part of me. I'm full spectrum. A vulnerable side and a side that wants to kick ass.
I would want my son to value himself as a person. To hold himself to a higher standard, and to not listen to all the stuff that's shoved down men's throats about what they're supposed to do and how they're not supposed to feel. I want him to know that he's a person and he's allowed to have emotions and be vulnerable. That doesn't mean he's not strong.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: