There is nothing more to be said or to be done tonight, so hand me over my violin and let us try to forget for half an hour the miserable weather and the still more miserable ways of our fellowmen.
I have on my table a violin string. It is free to move in any direction I like. If I twist one end, it responds; it is free. But it is not free to sing. So I take it and fix it into my violin. I bind it and when it is bound, it is free for the first time to sing.
Our entire being is fashioned as an instrument of praise. Just as a master violin maker designs an instrument to produce maximum aesthetic results, so God tailor-made our bodies, souls and spirits to work together in consonance to produce pleasing expressions of praise and worship. When we use body language to express praise, that which is internal becomes visible.
A parallel between color and music can only be relative – just as a violin can give warm shades of tone, so yellow has shades, which can be expressed by various instruments.
I remember my mum saying to me, 'You can give up the violin - when you've done Grade 8.' Which is the highest grade, and the most unfair target ever. So I did all the grades, just to annoy her.
If the Almighty himself played the violin, the credits would still read 'Rubinstein, God, and Piatigorsky', in that order.
I basically started playing violin at the age of six. That lasted about three years because my previous teacher died and the second teacher didn't really know how to successfully get me going.
So I cradle this average violin that knows Only forgotten showtunes, but argues The possibility of free declamation anchored To a dull refrain.
Lili manages to mix Kate Bush with modern influences to make a beautifully unique sound based around her amazing violin skills and soulful voice.
Walter turned on the radio: electric violins wailing, twisted romance, the four-square beat of heartbreak. Trite suffering, but suffering nonetheless. The entertainment business. What voyeurs we have all become.
My mother played the piano and my father the violin, I can remember my dad teaching me how to waltz; I had my feet on his, my mother playing the piano, and my husband will tell you the lessons weren't very successful.
Visually I've always liked the 20s 30s for film. I do these because I like the music. I like the clothes. I like the way the women and the guys look. There are soldiers and sailors and gangsters with the machine guns in their violin cases. It's a very colorful era of New York, full of great theater and great nightclubs and great jazz.
There are things about how a note sounds on a violin that are really analogous to the human voice - you have a frequency and the air, and then you have a timbre which really is overtones - and making those things work together is one thing. The other thing is mechanical: If you can use your hands and arms to create sound on a fiddle, then learning to sing with it is like adding a third body part. And it's all training.
For one movie, I'm learning to play a violin, and I had never picked up a violin in my life. That's a big challenge. That's what I see as one of the advantages of this business. You get to do things you'd never do, in a normal lifestyle.
I started taking piano lessons when I was 8 and I wrote my first song shortly after. Music was really important in my family. My grandma was a professional violin player and my parents first met when my dad was giving my mom guitar lessons.
I think when I was pretty young I got really into the tone of my instrument and I remember just playing one note for an hour to just kind of feel the resonance of the violin.
The cello is a hero because of its register - its tenor voice. It is a masculine instrument, whereas the violin is feminine because of its soprano pitch. When the cello enters in the Dvorak Concerto, it is like a great orator.
It is my aim, my destination in life to make the cello as beloved an instrument as the violin and piano.
I was born with God-given gifts of very talented musical ability and exceptoinal physical coordination. I always needed prodding to practice piano, violin, cornet or French horn. I had to be pulled away from any athletic participation. Now, at 63, I look back on my athletic feats - All-American, All-Pro Quaterback, College and Pro Football Hall of Fame - and I can honestly say I would trade these all if I had been smart enough to pursue my musical career. YOUNG PEOPLE - don't make the same mistake.
Acting is just playing the violin in an orchestra. Directing is being the conductor.
When a man is not disposed to hear music, there is not a more disagreeable sound in harmony than that of the violin.
I tried to learn the violin for a while.
I had studied the violin to a certain amount of success. At some point, I realized that I didnt really like the violin. I was only doing it because I could, and I was good at it, and everyone was encouraging me. But I didnt have a great love for it.
It was loud in spots and less loud in other spots, and it had that quality which I have noticed in all violin solos of seeming to last much longer than it actually did.
I was raised a musician and I played classic music, violin, in orchestras and music comedy theaters, I have music running around in my head all the time, and if I hear music that's too interesting, I have to pay attention to it.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: