I was the conductor of the Underground Railroad for eight years, and I can say what most conductors can't say; I never ran my train off the track and I never lost a passenger.
The conductor of an orchestra doesn’t make a sound. He depends, for his power, on his ability to make other people powerful.
The great leaders are like the best conductors - they reach beyond the notes to reach the magic in the players.
It may be that you are not yourself luminous, but that you are a conductor of light. Some people without possessing genius have a remarkable power of stimulating it.
A conductor has to know how to translate music into a communicative force that makes the listener want to hear what he has to say.
One of my central maxims is how a major part of what a conductor tries to do is get a large group of people to agree on where "now" actually is.
A painter paints pictures on canvas. But musicians paint their pictures on silence.
Music can name the unnameable and communicate the unknowable.
A conductor should guide rather than command.
[As a conductor] there has to be, between me and the orchestra, an unshakable bond of trust, born out of mutual respect, through which we can spin a musical narrative that we all believe in.
Being a conductor is kind of a hybrid profession because most fundamentally, it is being someone who is a coach, a trainer, an editor, a director.
Peace may sound simple - one beautiful word - but it requires everything we have, every quality, every strength, every dream, every high ideal.
I think it's a very important collaboration between the conductor and the orchestra - especially when the conductor is one more member of the orchestra in the way that you are leading, but also respecting, feeling and building the same way for all the players to understand the music.
Perhaps the chief requirement of [the conductor] is that he be humble before the composer; that he never interpose himself between the music and the audience; that all his efforts, however strenuous or glamorous, be made in the service of the composer's meaning - the music itself, which, after all, is the whole reason for the conductor's existence.
Never look at the trombones, it only encourages them.
There are two golden rules for an orchestra: start together and finish together. The public doesn't give a damn what goes on in between.
Have you seen a symphony orchestra? There is a person at the back carrying a triangle. Now and again the conductor will point to him or her and that person will play "ting." That might seem so insignificant, but in the conception of the composer something irreplaceable would be lost to the total beauty of the symphony if that "ting" did not happen.
Conductors must give unmistakable and suggestive signals to the orchestra, not choreography to the audience.
I've been a woman for a little over 50 years and have gotten over my initial astonishment. As for conducting an orchestra, that's a job where I don't think sex plays much part.
The principal task of a conductor is not to put himself in evidence but to disappear behind his functions as much as possible. We are pilots, not servants.
Technique is communication: the two words are synonymous in conductors.
The most important thing for the conductor is that he or she listens. Her listening will make things sound a certain way. If the conductor listens well, the musicians listen each other better. The conductor can in effect impose a certain kind of listening for everybody.
Music is a labyrinth with no beginning and no end, full of new paths to discover, where mystery remains eternal
To study music, we must learn the rules. To create music, we must break them.
A good conductor ought to be a good chauffeur; the qualities that make the one also make the other. They are concentration, an incessant control of attention, and presence of mind; the conductor only has to add a little sense of music.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: