My dad was in the military, yeah. He was in the Air Force, and he was a doctor, so he would go places for six months here, and two years there. And I was home-schooled because I played the violin, and I did a lot of competitions.
You know, the truth is that us actors would all like to believe we re-invent the wheel, every time we play a character. But, we're human beings and our instruments are not violins, they are our bodies and our consciousness and our collective life experience.
When I first wrote for orchestra, I didn't realize, when you have 20 people playing a violin line, that is very different than one person playing that line.
If I look back, my mother was always out. I can remember the perfume and her scarlet chiffon dress and crystal beads, going to a party. She used to play her violin at restaurants later on in life and at old people's homes. She loved the races, which she used to take me to as a child: our carpets were bought with her winnings. Loved her chickens.
Sometimes in films it's nice to have violins on either side, rather than on one side, so you've got more of a stereo picture with the violins. Sometimes it's good to have the basses in the middle.
I would like to thank my father who discouraged me from playing the violin at an early age.
Age enlarges and enriches the powers of some musical instruments - notably those of the violin - but it seems to set a piano's teeth on edge.
You know, I always say musicians, they can do it on their own. They can practice their violin on their own. A painter can paint by himself. A writer can write by himself. But an actor needs a group, and the hardest thing about expanding your ability and your craft is to have a group to do it with that is of a caliber where you can grow even more.
Playing the violin and singing and whistling are just three different ways of making sound.
I play guitar a bit. I'm trying to learn drums - I feel like I can play violin. I've never tried, but I just feel like I can.
Philosophy, astronomy, and politics were marked at zero, I remember. Botany variable, geology profound as regards the mud stains from any region within fifty miles of town, chemistry eccentric, anatomy unsystematic, sensational literature and crime records unique, violin player, boxer, swordsman, lawyer, and self-poisoner by cocaine and tobacco.
Second violins can play a concerto perfectly if they're in their own home and nobody's there.
The celebrated painter Gainsborough got as much pleasure from seeing violins as from hearing them.
If you asked someone, 'Can you play the violin?' and he says, 'I don't know, I have not tried, perhaps I can,' you laugh at him. Whereas about writing, people always say: 'I don't know, I have not tried,' as though one had only to try and one would become a writer.
A Beethoven string-quartet is truly, as some one has said, a scraping of horses' tails on cats' bowels, and may be exhaustively described in such terms; but the application of this description in no way precludes the simultaneous applicability of an entirely different description.
My mother adores singing and plays piano. My uncle was a phenomenal pianist. My brother John is a double bassist. I used to play the piano, badly, and cello. My brother Peter played violin.
My brother Leon started it all. He played the piano. In school they made me leader of the orchestra because I played the violin, but I followed Leon and the boys in his jazz band around.
I injured myself quite badly when I was seventeen. I broke my ankle, and it didn't heal in such a way that I could keep dancing at the level I wanted to. It wasn't like, 'Oh my god, I'll never play the violin again.' I could, but not at the level I wanted. So, I segued into acting, the other thing that was also meaningful to me.
I'm not changing to the point where suddenly I wear floor-length skirts and start playing the violin; I'm just growing up a little bit, I guess.
We must face the fact that many today are notoriously careless in their living. This attitude finds its way into the church. We have liberty, we have money, we live in comparative luxury. As a result, discipline has disappeared. What would a violin solo sound like if the strings on the musician's instrument were all hanging loose, not stretched tight, not disciplined?
I had gotten to the point where I was either going to play the violin much better or I was going to break it over my knee.
I always think of a voice as an instrument, whether a voice is a trumpet, or violin, or bass. You know what I mean? A horn or wind instrument versus a string instrument. Horn instruments are definitely more toward jazz.
At the age of nine, playing the violin at school, and then onto the mandolin.
It's the world's smallest violin, playing 'My Heart Pumps Purple Piss for You.'
For artists diving into a new technology, it is a triple short-cut to mastery: you get a free ride on the novelty of the medium; there are no previous masters to surpass; and after a few weeks, you are the master. Try that with the violin.
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