While I don't like violent programs per se, I do like good storytelling, which made me a fan of shows like Breaking Bad and American Horror Story.
Art is a way to get strength from something that is life-affirming. It can be quite violent and still be life-affirming.
I don't do football. (Grew up in Leeds in the 1970s. Football there was indellibly associated with the National Front, i.e. violent fascist skinheads.)
When I was about 16, I did a Neil LaBute play called 'A Gaggle of Saints' from a collection of plays called 'Bash' - very violent story about a young Mormon who goes to Central Park with his friend and beats up a gay guy. But it was the first thing I had ever done, and I thought, "God, this is fun! This is far more fun than anything else I've been doing at school. I want to stick with it."
I want people to leave the theater with a greater understanding of the rich cultural heritage of Pakistan. "Song of Lahore" moves beyond headlines and stereotypes and shows that a vast majority of Pakistanis are not perpetrators of religious violence - they are victims of it. The beautiful cultural heritage of the region belies its image in the West as monolithically religious, intolerant, and violent.
Sex becomes violent when you eliminate all the sentiments... voila, it gets crude.
I feel very protected when I see a movie. That's why I like making violent movies or radical movies.
In Japan, violence isn't as controversial as it is in the West. Pornography is more restricted, but it's not hard to make a crazy, extremely violent film.
Antiwar protestors actually sabotaged and caused a huge amount of damage to military installations and military property during the war. I'm related to someone who caused some of that damage. I mean, it was real. I mean, there was a reason. I'm not defending it, but I'm saying it was not because they didn't like the politics of the protesters. The protesters were violent in a lot of cases.
What we set out to do with this movie [Leaves of Grass] was to create something that was funny and serious and had large tonal ambitions. A movie that could be poignant and funny, and suddenly quite violent. To have a character utterly sideswiped, and to learn that life is about balance.
I once went to a demonstration in Aachen against fare increases on public transport. A police officer pulled out a bunch of my hair, and there were a lot of violent beatings. That's when I thought to myself: You'd better leave it alone.
When you're dealing with TV and with movies, people dont take it as serious as they do with music. If a rapper does a song about shooting people on the block, and goes into a restaurant or grocery store, people grab their purses because they're afraid the person is violent. With TV and movies, people know it's okay, it's just a script.
More than just romantic comedy, I like romances: drama romance, romance comedy, comedy romance. I also go to the movies to escape. There are times when you go to learn, when you go to be moved, you go to be transported, and there are really times when you go to escape. And I personally escape more happily into a romance than I do violent movies.
There is no reason to believe that the nature of the violent minorities is now greatly different from what it was in the past. What has changed is the will and ability of the majority to react.
Violent revolutions usually only mean a change of personnel at the top.
Practically every violent conflict or social change has proved that violence unleashes violence in return.
It is better to resist oppression by violent means than to submit, but it is best of all to resist by nonviolent means.
Also noteworthy is the increasingly violent struggle against the dogmatic foundations of the various churches without which in this human world the practical existence of a religious faith is not conceivable.
It affords a violent prejudice against almost every science, that no prudent man, however sure of his principles, dares prophesy concerning any event, or foretell the remote consequences of things.
I wish to say seriously to all the daily newspapers, to the Republicans, the Democrat, and Socialist parties, that they cannot, month in month out and year in and year out, make the kind of untruthful, of bitter assault that they have made and not expect that brutal, violent natures, or brutal and violent characters, especially when the brutality is accompanied by a not very strong mind; they cannot expect that such natures will be unaffected by it.
Violence recoils on the violent.
A revolution is a violent change of mismanagement.
Individuals who are really inspirational are always what changes history. Gandhi had a bunch of good ideas, and he led a non - violent revolution that transformed India.
I want our enemies to understand that don't think that their violent acts are going to cause this president to leave before the job is done. And I want our troops to understand we respect them and that the sacrifices they make are noble and necessary for peace.
Madame Bovary is one my favorite novels. Emma Bovary will always be an enigma, but as the years pass, I feel that I understand her better. She has a violent nostalgia, almost an infantile nostalgia, to be understood by the men surrounding her. I like her relentless fight for independence, her rebellion against the mediocre, and her quest for the sublime, even if she burns her wigs in the process. I like that Flaubert never judges her morally for her self-destructiveness, for her desperate attempt to satisfy her wildest desires and appetites.
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