I'd love to play Neil Kinnock. Because of my ginger hair, I thought that was a possibility. He's a hero and a villain in most people's eyes, but I'd like to do that, I think I'd be right for it.
You need the villain. If you don't have a villain, the good guy can stay home.
I'd love to be some sort of villain in a big-budget action movie. Or a superhero franchise. That'd be rad.
I don't spend a lot of time judging anyone I play. Even if their function in the script is to be the villain, I concentrate on what their perspective of the events is. Not even to justify them.
people who pay greater respect to a wealthy villain than to an honest, upright man in poverty, almost deserve to be enslaved; they plainly show that wealth, however it may be acquired, is, in their esteem, to be preferred to virtue.
Evil is a really tough concept for me. The idea of a villain that is bad for bad's sake seems kind of absurd.
It's really wonderful to come to work and have each episode be different, in a way. They have similar structure sometimes with the villain, but we can go in any direction we want. If we want to do an episode set in the circus, we can do that. You know how precious that is. That doesn't come around a lot.
There's something about being cerebral, intellectual, and yet emotionally repressed [in being villain]. If you think someone's doing this [bad] stuff and they're in complete control, that's more scary than if they're out of control.
Politicians against gay marriage now, are the future villains of our American History books.
You can't do a movie without villains. You have to have something for the heroines or anti-heroines to be up against, and I wasn't going to contrive some monstrous female, but even if this were the most men-bashing movie ever made-let all us women get guns and kill men-it wouldn't even begin to make up for the 99% of all movies where the women are there to be caricatured as bimbos or to be skinned and decapitated. If men feel uncomfortable in the audience it is because they are identifying with the wrong character.
You know that's why people don't like unlikeable characters. It's not that they're not interesting. Everybody knows the most interesting character in a book or a movie or whatever narrative is the villain.
I did this within a philosophical framework, and a moral and legal framework. And I have been turned into a cartoon of the greatest villain in the history of lobbying.
[J.F.Kennedy] is an iconic figure. And to make it even worse, he's a hero of mine. And every actor will tell you that you can't play heroes. And you can't play villains. You can only play human beings.
I play so many villains and strange, troubled people. I don't have that kind of life. I live in the country. I've been married nearly 50 years. I have a cat.
Without will, without individuals, there are no heroes. But neither are there villains. And the absence of villains is as prostrating, as soul-destroying, as the absence of heroes.
The lessons of the past suggest that racism and resentment against people of color will continue to flourish in America as long as the history that is taught transposes the heroes and the villains. That is the unspoken truth at the heart of the nation's racial divide.
Too often, we get attention and sympathy by being a victim. If we're invested in someone being our villain, we must love being the victim. We have to let go of both characters in the story.
People always ask me what I think, if Edward Snoden is a hero, if he's a villain. I don't really tend to moralize it so much as I feel like he's a whistleblower. He's someone who saw a wrongdoing and in order to shine a light on that wrongdoing had to bend some rules and break some laws along the way.
I think I would be a good villain in a James Bond movie. They were fairly weak, the last half-dozen of villains in James Bond movies were not that convincing.
It's supposed to feel good to throw a brick at the right people. There is a long tradition of naming and ridiculing and shaming and calling the villains what they are. Usually it was the artistocracy of the day and satire was the only way to speak truth to power.
We will go down in history either as the world's greatest statesmen or its worst villains.
I love everything. I love being the empathetic characters. I love being the villains. I think it's like when we're kids, we like to play all kinds of crazy characters and dress up.
It was interesting to have humanoid villains that were rooted in our three-dimensional reality... or four dimensional reality, I'm not sure which!
The hardest part of playing the villain was the prosthetics, because I couldn't really move my face as much as I wanted to, and yet I had to move my face a lot. If I moved my face in certain ways the prosthetics would come apart, so I could do a lot of eyebrow acting, but I couldn't do a lot of nose lifting, or the corners of the nose would pop out.
I've found that the people who play villains are the nicest people in the world and people who play heroes are jerks.
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