Eventually, humans invented agriculture, which could be understood as a way of turning the natural world into a tool for our use. There's evidence that we have been domesticating crops and animals for at least 15,000 years, adapting ecosystems to our preferred way of life.
It's only been in the past two generations that we truly understood the impact our civilization has had on the natural world. To our credit as a species, we have turned this obscure scientific fact about carbon cycles into one of the most important political issues of the 21st century.
Eliot said that "genuine poetry can communicate before it is understood." What he meant by that is, the emotional understanding comes before you understand the argument that follows later in the text.
I read an interview with Daniel Woodrell once where he said something like, basically, if people had said what they said to him in a bar instead of workshop, he would have punched them...and I finally understood that when in a class with my wife. Every time someone said something about her work, I wanted to climb across the table and stab them in the neck with my pen. And these were people I liked and respected.
I felt that if people understood the struggle of recovery, then some of the stigma of addiction might be reduced because the audience would understand in a palpable way that addiction is a disease that tells the afflicted, despite years or even decades of heartbreaking evidence to the contrary, that using will make things better.
Tommy's [Gamble] an East Coast guy, so he kind of talks fast and in quick statements and phrases, so I understood him and he understood me, and we just hit it off.
Me writing the book and the subsequent interactions that we had were actually the cap on that experience. We were still in this weird purgatory about it when I published the book. When I gave them the galleys and what ensued after that, then I understood a lot more about our relationships and what the experience meant to them. I'd never wanted to know what they thought about it at all.
I didn't know enough as a writer to understand why I needed to do this, but I understood in a very gut way that I could not entertain those thoughts of pleasing people and write this book - that it would be a very different book. Without really sort of investigating that instinct, which I'm glad for, I just made a conscious decision to put blinders on and not think about anything and put it all in. And I did. I put everything in. I had to look at the whole picture to see what I needed.
I think is interesting is that term is so pejorative or understood to be so pejorative and there`s a real difference between how Republicans, it seems to me, think of that and how Democrats do. I don`t think Democrats feel as negatively about the Democratic Party establishment as Republicans do feel about their party`s establishment.
The Fun Girl video which was directed by Bijoux Altamarino really came out of her vision. I feel she understood the mystery, danger and power of the song and It really came through in the end.
You don't really want an army of people making individual decisions. And I don't think I completely understood that until people gave me examples of what happens when your army takes over your government and it's like, "Oh, yeah, I guess you can't really have people make individual moral decisions."
When actually, you have one identity made of different parts. Depending on where you are, at what time in your life, some things are higher or deeper. That's what I understood later: that I'm French and Tunisian, and I'm accepting the French part of my identity.
There's often times a big difference between what you actually thought/felt in a situation and what you think you thought/felt. You have to do a lot of work to make your thoughts/feelings possible to be understood by other people. It's very draining, though also cathartic.
Something as radical as a war can only be understood (if at all) through the collaboration of journalists, academia, artists and, of course, people.
In fact, I always assumed that most everything I read was true, to one degree or another. I couldn't articulate this fact until after I read Tim O'Brien's The Things They Carried and he discussed Happening Truth, Story Truth, and Emotional Truth. I always understood that the facts of The Sun Also Rises or On the Road were the facts as dictated by a certain narrative structure, but because the experiences of those characters echoed my own feelings about the world. I knew there was a Happening Truth behind them.
I've always been a fan of comedy, and I understood from a young age that what makes most comedy work is the immediacy of first person experience. I'd spent a lot of time from 1995-1998 focusing almost exclusively on poetry, and it's an incredibly difficult form in which to achieve a sustained comic tone unless you're Alexander Pope.
My early childhood was spent living by the Pacific Ocean. I carry with me something imprinted by that wide, limitless horizon, which I learned connected us to different people and cultures, including my own family's origins in the Arab World and Northern Europe. I understood early that my world was only a small part of a much larger one. That captivated me.
King Hussein of Jordan dedicated his life - I witnessed it in his sleeping as well as waking hours - to trying to break through the impasses keeping people apart. He understood that the security and prosperity of any one of us in this world depends on the security and prosperity enjoyed by others. As Martin Luther King said, "Injustice anywhere is a threat to justice everywhere." In the Middle East, nothing could be more true.
Without English art, I never would have understood myself, my own family, or the New England world I lived in.
We get a successful television series or something, and next season they give you less time and less money, which is something I've never really understood. That doesn't happen with Game of Thrones.
"Someone": I understood that this was a character who in her own life her voice hadn't much been heard and in literature her life isn't much heard. For me, it was resisting all the more appealing characters and listening to the voice that hadn't been much heard from.
There have been times in my adolescence where I gave up. I was like, 'I'm just never going to be pretty. I'm never going to be like one of those people on the front of magazines.' It always seemed really strange to me that the projection of how people are in advertisements looked nothing like the people who were actually buying them. You know what I mean? I never understood that mismatch, and now I really start to see that the people you see in the media are a lot more like people actually are.
I think we're [me and my son] different. He plans, organizes and intellectualizes more than I do. It wasn't until I worked with Federico Fellini that I understood what my problem was.
There were books everywhere in my house. Books were very present. I just loved books. I never understood reading as anything but a pleasurable activity from a very young age.
My family has always had Cape Verdean pride but I don't think it was something the kids in the family necessarily understood. However, I was very conscious of the fact that both sides of my family were drastically different and my aunts, cousins, and uncles varied in different shades of brown.
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