People say, "Why is it that you love to act?" And you want to say, "Well, most of acting is sitting in your trailer, either bored or worried about the scene coming up." A lot of it is about things you don't really like, so it's a wonder why acting is such a huge draw, why everyone loves it so much.
I admire actors for their infinite patience. That's why they need all those trailers and all their crowd of people who pamper them. But it is a drag to get up sometimes at 4:30 in the morning and get into makeup, and wait forever until they call you onto the set.
My mother was a barmaid and I was raised in a trailer park. I'm used to that language. I put it on the screen so that people could interpret it as they wish.
I find making trailers really frustrating, because sometimes the worst trailers are for the best movies.
A lot of times the best trailers are for complete dogshit movies. It's a shame that people are beyond quick to judge things these days. Lots of great stuff gets lost that way.
I basically camped out for a year and a half in an Airstream trailer on the beach out in front of the studio. I had no idea what I was gonna do, what kind of album I was gonna make - all I knew was that I wanted to sit there and just take in whatever came.
Never done an explosion, but I have had explosive diarrhea, and that was very, very real. Good thing I have my trailer.
For my Perfect Chemistry series, I did movie-style book trailers, and my fans went crazy for them.
The TV said you should ignore bullies and they would stop harassing you. In practice this worked about half the time. The other half, you ended up with two tall boys shadowing you through a trailer park, their fingers taking little nips at your clothes, like dogs.
Shooting at Quentin Tarantino movie was like a masterclass in directing. Although I went back literally right into rehearsal, started shooting... while I was doing it I had to write my Grindhouse trailer and I added two days of shooting. My brother was producing Hostel and the Grindhouse trailer and I was like: "Gabe, just figure this out!"
I always use the Internet. It's a great marketing tool. It's a great starting point, allowing you to show your trailer and have people all over world be able to see it. It was much harder in the old days.
Trailer for sale or rent, rooms to let, fifty cents. No phone, no pool, no pets, ain't got no big regrets. Two hours of pushin' broom, buys an eight by twelve, four-bit room. I'm a man of means, by no means, king of the road.
You know, in an ideal world, people would just be intrigued and go and see a film without knowing anything about it, because that's where you're going to have the most experience of a film, the biggest, the most revelation of a film. But at the same time, I think there are benefits of having seen a trailer where you actually look forward to seeing moments in a film knowing that they're coming up. I don't know which is better.
Unless you've also had some experience dragging around a boat trailer, [topping off the gas tank] may not sound important. But trailer driver's know: a gas stop can be a traumatic experience. You need enough clearance on every possible side. You can't cut the turn too sharp or you'll clip the gas pump. Getting back on the freeway can be as challenging as sending a man to the moon.
Most people work fifty weeks a year so they can do this the other 2. Well the smart ones live in a ski resort, where the boss lets them have powder snow days off. And almost forty feet of snow falls every winter thats a lot of days off. A lot of doing what you moved here to do. Most major ski resorts are now so big that regardles of what kind ofjob you have in a city there's probably a job almost exactly like yours in a ski rsort like this. So quit your job and rent that U-haul trailer now so next winter this can be you. Not you just sitting there watching this and wishing that this was you.
We're all carnies, though some people are in denial. They want to be above it all, above the mayhem of laughter and people and lights and animals and the dark sadness that lurks in the coners and beneath the rides and in the trailers after hours. So they ride teh Ferris wheel, and at the top, they think they've left it all behind They've ascended to a place where they can take things seriously. Where they can be taken seriously.
We don't really have a movie industry; we have a trailer industry. The movie guys make five minutes worth of stuff to get people in the theatre, and eighty-five minutes of filler.
And to Tom Cruise, for if you had won this, your asking price would have gone down so fast. Do you have any idea what supporting actors get paid? We get only one trailer, a small one, in the back.
There's something really nice about not sitting separate from the crew in some massive trailer away from the studio. To actually be there with them, it's more of a creative process.
Oh Jesse, paint you pictures, 'bout how it's gonna be. By now I should know better, your dreams are never free. But tell me all about, our little trailer by the sea. Oh Jesse, you can always sell any dream to me.
It's an image that the media has given me as a bad girl, and the only reason they gave me that image is just because of the few things that have gone wrong in my life, and also because I grew up living in a trailer.
I have a bag with a toothbrush and toothpaste and all the things I might need during the day. I call the bag my trailer. Sometimes you don't have a trailer, so that's my trailer.
I always get everyone prepared so there aren't so many arguments on set. I have a policy that the first thing I do in the morning is go over to the trailers and discuss exactly what we're shooting that day. It's time-consuming but it reduces the chances of 'misunderstandings' on set.
There's this absurd situation on a movie set where your trailer's here and the set is here and the lunch tent is here, and you're not allowed to get yourself from these three places.
PlayStation 3 is another form of meditation. Come on, when you're on set, all day? That's what I do in my trailer, I just play PlayStation 3.
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